Mathematical Games – Martin Gardner

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This week I’m going to cover not one but five books, all of which started life as articles in Scientific American under the heading of Mathematical Games. This column was originated by Martin Gardner in 1956 and I first came across it in my school library in the early 1970’s and became hooked, looking forward to the next monthly issue, which fortunately the school subscribed to. Eventually Gardner compiled fourteen books based on the column, five of which I own.

The first book has an unfolded flexagon alongside a mobius strip and immediately highlights the cover design issues with the Pelican editions in that although flexagons are the subject of the first chapter, the curious single-sided mobius strip is not referenced in this book. Flexagons were in fact the subject of the very first article Gardner wrote for Scientific American and are constructed by folding a strip of paper in a triangular pattern until you create a hexagon which when manipulated, or flexed, opens out and then returns to a hexagon shape but with different sides displayed. So if the user had coloured the original two visible sides these would disappear and new blank faces appear. It is possible to create flexagons with large numbers of faces but the number is always divisible by three. The book describes how to make a couple of different variations and I remember having great fun playing with them. Other chapters include the mathematical game of Hex, an overview of the puzzles created by American Sam Loyd, card tricks (Gardner was a keen magician as well as mathematics writer) and random collections of short puzzles which would be a staple of Mathematical Games columns and their successors in Scientific American.

The second book has a cover that is entirely from the imagination of the designer, in this case Denise York, as it has nothing to do with anything in the book which does however have an article about the five platonic solids one of which this definitely isn’t. Again we have an article about a great historical puzzle maker in this case the English near contemporary of Sam Loyd, Henry Ernest Dudeney, there are also discussions of three dimensional tangrams, magic squares, recreational topology and even origami. Like all the books I have each chapter is reprinted in the book and an addendum is added covering items that were raised after the publication of each column, sometimes pointing out things that were incorrect. Gardner surprisingly wasn’t a mathematician, or an academic, he was just fascinated by mathematical puzzles. Two of the people that continued the mathematics column in Scientific American after he retired in 1979 were professors Douglas Hafstadter and Ian Stewart.

The first two books were published by Pelican in the mid 1960’s but the next time they printed one of Gardner’s books was another pair, this time in 1977 and 1978. Again the the covers are not relevant to the text with the ancient puzzle of the Tower of Hanoi on the cover of Further Mathematical Diversions although this was in fact covered in the first book ‘Mathematical Puzzles and Diversions’ but this third Pelican title does have some of my favourite columns in it starting with the paradox of the unexpected hanging where the judge pronounces on the Saturday of the judgement that:

The hanging will take place at noon, on of of the seven days of next week but you will not know which day it is until you are informed on the morning of the day of the hanging.

The prisoner is despondent but his lawyer is pleased as he reasons that the sentence cannot be carried out because he cannot be executed on the Saturday as that is the last possible day and therefore he would know on the Friday that he was to be executed that day. Likewise it can’t be the Friday as Saturday is impossible so Friday is the last day and so on working back through the week. The logic is fine and worked right up until Thursday when the man was unexpectedly hung. The discussion on why the logic fails is quite entertaining.

Also in this book are articles on the transcendental number e, the properties of rotations and reflections, gambling, chessboard problems and numerous other subjects including the inevitable sets of nine short problems, but my favourite, because it prompted me to attempt to build one was about a ‘computer’ built of matchboxes and beads which could ‘play’ noughts and crosses (ticktacktoe) in fact the original article that this chapter was based on first appeared in Penguin Science Survey, a publication I was unaware of at the time I first read this article. The machine is more of a simple learning machine than a true computer but using three hundred matchboxes it is possible to have something that gradually optimises how to play the game and in the example described it was winning, or at least not losing the majority of games after just twenty goes.

The fourth book again doesn’t seem to have anything to do with the cover illustration but does have various articles including Pascal’s Triangle, infinities that are bigger than other infinities, the art of Dutch artist M.C. Escher, random numbers and a ‘simple’ proof that it is impossible to trisect an angle using just a compass and ruler although bisection is extremely easy. There are again many other subjects covered although unlike the other volumes there isn’t a chapter of nine short puzzles. I remember being fascinated by aleph-null and aleph-one infinities when I first read this piece as a teenager, the concept of ‘countable’ and ‘uncountable’ series resulting in differing ‘sizes’ of infinities was so different to what I was being taught in mathematics at the time that I needed to read it a couple of times to get my head around what was being explained and I have of course come to love the art of M.C. Escher.

The final book I have by Gardner is a hardback published by Allen Lane rather than paperback Pelicans although both are imprints of Penguin Books. It follows much the same format as the other four with twenty chapters based on articles from Scientific American but this time I don’t remember reading many of these before but topics include such diverse subjects as Fibonacci and cyclic numbers, the Turing test, devised by Alan Turing to determine if a machine could fool a human into believing they were conversing with another human. The smallest cyclic number is one that I have always remembered and it is 142,857, what makes it cyclic well just multiply it by 1 to 6 and see that the digits remain in the same order just starting from a different place i.e.

  • 142857 x 1 = 142857
  • 142857 x 2 = 285714
  • 142857 x 3 = 428571
  • 142857 x 4 = 571428
  • 142857 x 5 = 714285
  • 142857 x 6 = 857142

I’ve thoroughly enjoyed the mental workout reading these books again this week and remembering oddities of mathematics that have stuck with me since my teenage years and if you have any liking for puzzles I heartily recommend searching out Martin Gardner’s extensive output.

Adolf Hitler My Part in his Downfall – Spike Milligan

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Spike Milligan’s memoirs of his time in D Battery of the 56th Heavy Artillery during World War 2 are as he says in the preface accurate “All the salient facts are true, I have garnished some of them in my own manner, but the basic facts are, as I say, true”. I would say that most of the ‘garnishing’ is down to hindsight allowing more humour to come through than was probably the case at the time. Milligan kept a diary right trough his service years and kept in touch with many of the men he served with over the following years, not just at the annual D Battery dinner which he attended regularly, but also to cross-reference his own memories. He therefore used to get very annoyed with critics who, especially in the later volumes, accused him of making things up. The preface also says that it was planned to be a trilogy although ultimately he wrote seven volumes, of which I have the first four which cover his active service and were all written in the 1970’s. The remaining books “Where Have all the Bullets Gone?” (1985), “Goodbye Soldier” (1986) and “Peace Work” (1991) deal with his time being hospitalised after being wounded at Monte Cassino through to eventually being demobbed and the early days of his career in entertainment building on his skills honed as a trumpeter and guitar player in the battery, and later the NAAFI, bands.

This volume deals with the events from the outbreak of war in September 1939 through joining his regiment in June 1940 to his arrival in Algiers in January 1943. As you can tell from these dates he spent a large part of the war at various camps along the south east coast of England before finally being posted to North Africa to see active service where he worked as a signaller for the battery. As you would expect from a comedy writer of Milligan’s ability the stories of his military experiences are told with humour as are his various attempts at relationships with the opposite sex, some successful others less so, never rising above the dizzy heights of lance bombardier, and that only whilst in Europe, somewhat cramped his style with the ladies whom tended to prefer the officer class if available but he does document a few successes and their aftermath, the following section covers a couple of those successes and also gives a hint as to the style of the rest of the book.

“have been having it off in the back of a lorry, and I got carried away”. He doesn’t explain how Sergeant Hughes managed to get back from Hastings, presumably he didn’t care.

There are also a lot of descriptions of the banality of life in camp and the things that were done in order to relieve the boredom all of which are highly entertaining to read about. Milligan got jankers (disciplined for breach of regulations, usually being confined to barracks and assigned various menial jobs) on more than one occasion and describes his first punishment in the book. He was attempting to get coal up to his first floor barrack room by means of a bucket on a rope with the assistance of his good friend Harry Edgington, who loaded the bucket from the stores however this was on a day when fires were not permitted when there was a surprise inspection. Spike therefore stopped hauling on the rope but Harry misinterpreting this sudden pause yanked on the rope and pulled Spike backwards out of the window which was a bit of a giveaway.

A later section, on board the troop ship approaching Algeria gives a hint of the sort of humour that would make Spike Milligan famous whilst writing The Goon Show scripts for the BBC in the 1950’s with their lunatic extensions of logic.

It has been great fun reading this memoir again and I’m now inspired to read the other three that I have. I suspect the three final post active service volumes will be quite a bit darker as they will have to deal with his ongoing problems with mental health which saw him hospitalised several times.

The Mystery of Orcival – Emile Gaboriau

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Emile Gaboriau is largely forgotten now, especially in English translation, but he was a near contemporary of Sherlock Holmes creator Arthur Conan Doyle and his detective Monsieur Lecoq who appears in five novels and one short story by Gaboriau along with four novels by other writers all produced after Gaboriau’s untimely death at the age of just thirty six in 1873. Indeed Gaboriau was well enough known for Doyle to refer to him directly in the very first appearance of Holmes in the novel ‘A Study in Scarlet’ in 1887.

“Have you read Gaboriau’s works?” I asked. “Does Lecoq come up to your idea of a detective?”

Sherlock Holmes sniffed sardonically. “Lecoq was a miserable bungler,” he said, in an angry voice; “he had only one thing to recommend him, and that was his energy. That book made me positively ill. The question was how to identify an unknown prisoner. I could have done it in twenty-four hours. Lecoq took six months or so. It might be made a text-book for detectives to teach them what to avoid.”

A Study in Scarlet – Arthur Conan Doyle

Watson is upset at having two of his favourite detective writers dismissed as such amateurs, Gaboriau’s Lecoq along with Edgar Allen Poe’s Dupin

I felt rather indignant at having two characters whom I had admired treated in this cavalier style. I walked over to the window, and stood looking out into the busy street. “This fellow may be very clever,” I said to myself, “but he is certainly very conceited.”

A Study in Scarlet – Arthur Conan Doyle

To be fair to Holmes Lecoq is certainly an unusual character even wearing disguises at work so that his enemies, presumably people he has prosecuted and their associates, cannot find him to exact revenge “I have been a detective fifteen years, and no one at the prefecture knows either my true face or the colour of my hair.” He is clearly very intelligent and like Holmes sees inferences in the slightest clue which enables him to leap ahead of the other people on the case, what he lacks is a Watson where the conversations between the two keep the reader up to date with the plot. I enjoyed my first encounter with Lecoq in this his second novel although I also own a copy of his first appearance ‘L’Affaire Lerouge’ so I doubt it will be my only dalliance with this early policeman, and indeed the first time in fiction of a French detective. 

If I have one criticism of the novel it is the sudden appearance of a lot of back story, which in my copy starts on page 109 and runs until page 195, almost a third of the entire novel, and which kills the entertaining narrative up until then, effectively providing a pause in the story. This would probably have been better handled in an earlier part of the novel rather than pull the reader back to a time before the various crimes have been committed and deal with the relationships between the various characters, some of which are already dead by the time this extra information is provided. The sheer length of this section became frustrating as up until then the story had proceeded apace but suddenly we became bogged down in apparently irrelevant details, some of which do prove to be extremely relevant later. Yes we need this information to make full sense of the story but I don’t think it needed to be done in this way. This however is my only criticism of the novel, the various twists, that are revealed are very well done and whilst the reader can congratulate themselves in spotting the main suspect very early on the fact that this is confirmed just ninety pages in shows that you are probably supposed to work out the original protagonists according the provincial justice department were just red herrings.

The story when it eventually restarts at the case in hand is just as fast moving and ingenious as it was previously with Lecoq in control of chasing down the murderer whilst also willing to bend the law to protect the woman he is with, who would surely otherwise be dragged through the courts with her honour besmirched unnecessarily. Apart from the slow mid section of the novel I greatly enjoyed this early detective story from the 1860’s and Gaboriau was clearly an extremely capable pioneer of the genre who deserves to be far better known today than he is.

Haiku & Lips too Chilled – Matsuo Bashō

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A Japanese poem of seventeen syllables, in three lines of five, seven, and five, traditionally evoking images of the natural world.

Oxford reference

Almost certainly the master, and certainly the best known outside Japan, of the Japanese poetry style known as haiku is Bashō, a poet who lived from 1644 to 1694 and produced the most elegant works in this form. However as can be seen from the definition of haiku it is an extremely difficult poetic style to translate as in theory to do it properly the translator has not only to render the meaning of the poem but also to express it in the syllable limitations. Which between two such different languages as Japanese and English, or indeed any of the ‘western’ languages, adds an extra level of complexity to the task which frankly could destroy the meaning.

The two short volumes I have of Bashō’s poetry are both by Penguin although published twenty years apart, one to mark sixty years of Penguin Books (in 1995) and the other eighty (2015). They are both extracts from the Penguin Classics volume ‘On Love and Barley: Haiku of Bashō’ originally published in 1985 and translated by Lucian Stryk a Polish born American poet and professor of English at Northern Illinois University. This book has six haiku on each page and has sixty one pages of poetry so just over 360 poems in all. whilst ‘Haiku’ has a wonderful austerity of design with just one poem per page over sixty pages and ‘Lips too Chilled’ has two per page over fifty six pages. There is surprisingly little duplication between the two short books so I have somewhere around 150 haiku by Bashō which admittedly is still well short of half of his output but allows for an appreciation of his work. Stryk does sometimes attempt to stick to the rigid format of haiku but is quite happy to divert from this where the sense of the poem would be lost in translation, which I think is a perfectly fair way to approach the rendering between the two languages as I would much rather appreciate the meaning of the poets words than suffer the pedantic imposition of form. Let’s explore a little of the poets work in the title poem from the 2015 volume:

Lips too chilled
for prattle –
autumn wind

Not perhaps his finest work, I prefer:

Storming over
Lake Nio; whirlwinds
of cherry blossom

As with that I can picture the scene and the paucity of words adds a starkness to the image which would be lost with a longer form. So who was Matsuo Bashō? Well as I mentioned at the beginning he lived in the second half of the 15th century in Japan and as is common in the far east his first name (Matsuo) is his family name. Bashō is not even his real given name as he was born Matsuo Kinsaku, he took the name Bashō from the Japanese banana plant outside the hut built for him by his followers in the later part of 1675 as by then he was already a well known poet and this hut clearly inspired him.

New Year – the Bashō-Tosei
hermitage
a-buzz with haiku

Bashō is also well known in Japan as a traveller making many long walks, usually alone despite the dangers of bandits. But his best known walk, taking 150 days and covering roughly 2,400km (around 1,500 miles) was done in 1689 with one of his students and inspired his great travel book ‘The Narrow Road to the Deep North’, which when it was published posthumously further embellished the master’s fame.

Journey’s end –
still alive, this
autumn evening

Around the World in Eighty Days – Jules Verne

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I could have sworn I read this book as a child, but as I continued reading nothing came back to my memory, of course I knew the basic plot, but as it is a very well known work I could have picked that up at any time however the more I read the less I recognised and I loved the full story. So how come I have clearly never read this before?

The base story, as I think everybody knows, is that Phileas Fogg, a man who notoriously goes nowhere other than to his home or club and whom is so punctual and set in his habits that you could set a watch by his movements raises the subject of the possibility of travelling around the world in just eighty days. When other members of the Reform Club are incredulous he agrees to wager the massive sum of £20,000 (£1.8 million in today’s money) that he can make such a journey and whats more without any prior planning for he will leave from the card game they are playing immediately. I also knew that he arrives back in London having been delayed and believes he has taken eighty one days and is financially ruined but is rescued by having crossed the international date line in an easterly direction and therefore has gained a day’s grace so makes it back to the club just in time. That is all I knew when I started the book, I had assumed that some travel disaster had occurred to delay him and was surprised by the true reason and knew nothing of the policeman, Fix, who had dogged his trail around the world in the mistaken belief that Fogg was the man who stole £55,000 from the Bank of England a few days before he set out on his journey.

I also knew nothing of Aouda who accompanies Fogg from India as I believed that his sole companion was his newly employed valet, the Frenchman Passepartout, whose name is the French for a master key which will enable you to go through any door in an establishment. Jules Verne must have spent a considerable amount of time pre-planning the trip as it is exquisitely timetabled, just how long each trip would take and how much time the travellers would have to make the next connection and how long they would have to wait if they missed such a rendezvous is all set out and is completely believable. Having sat down with railway and ship timetables to work out long over land and sea journeys in the past for my own holidays I am very aware just how complicated this could be before the age of the internet.

I loved the story, the development of the characters and the ingenious ways that Verne managed to keep them hearing ever onwards. Yes it is possible now to get round the world in less than a handful of days by simply getting on a plane, a mode of transport unavailable to Fogg back in 1873 when the novel was written and back in 1988 Michael Palin proved it was still possible to get round the world in eighty days without the use of aircraft, taking roughly the same amount of time as Fogg did in the novel. I heartily recommend this wonderful tale and I’m simply amazed that this was the first time I read it.

About the only thing I didn’t like about this Folio Society edition is the fold out map tucked into a pocket in the rear cover. It is unfortunately extremely difficult to read, which is a shame as clearly a lot of work had gone into it and it could also have been considerably improved by including a line indicating the path that Fogg and his companions took, definitely a missed opportunity there. The images in this blog were taken from the Folio Society website which I downloaded before the edition sold out and the book was removed from the site. As can be seen it is copiously illustrated with headings and tailpieces to each of the thirty seven chapters by Kristjana S Williams who also drew the map and the front cover.

42 – edited by Kevin John Davies

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Fifteen years was a long time to be stranded anywhere, particularly somewhere as mind-boggingly dull as Earth.

Douglas Adams – The Hitchhiker’s Guide to the Galaxy

OK, I haven’t spent fifteen years on this book as it only came out in 2023 but sometimes it felt like it, which is odd as Adams is one of the funniest writers I know of but this book seems to have things included just because it seemed a good idea at the time and the material was too hand. Things like his old school reports, although why on Earth Douglas still had those is beyond me, mine were binned years ago. Lots of the handwritten documents are transcribed, even if they are perfectly legible, but annoyingly the notes for Douglas’s first Doctor Who script, ‘The Pirate Planet, are not transcribed and I really struggled to read those so could have done with a typed version. The book looks great though with hundreds of documents from the life and career of Douglas Adams reproduced in pretty well chronological order so you can follow his development as a writer and also marvel at the mass of material represented here, the man doesn’t seem to have ever thrown anything away. From letters of apology to girlfriends to odd notes on ideas which may or may not have been used at some point to pages from scripts showing ideas being rejected or improved frankly it should have been more fascinating than I found it to be.

Douglas Adams was sadly taken from us at the age of just forty nine, dying of a heart attack whilst working out in gym so we never got to see what he would really have done with his unfinished work ‘The Salmon of Doubt’. It was intended to be the third Dirk Gently book but according to this volume it could have morphed into the sixth Hitch-Hikers novel. The problem with Adams was that he used to take an inordinate amount of time crafting each of his books or scripts and often would only actually complete something when absolutely forced to and as quoted in the posthumously published ‘The Salmon of Doubt’ which included what he had written so far along with various other articles by Adams and others.

I love deadlines. I love the whooshing noise they make as they go by.

Having said all I have earlier regarding the selection and sometimes presentation of what is included there is nevertheless much to enjoy in this book including a lot of not very well known material in the later sections detailing Adams’s work on the computer game Starship Titanic and his environmental endeavours with naturalist Mark Carwardine and also the charity Save the Rhino. Whilst I knew about and loved the radio programme, and book, he and Carwardine made called ‘Last Chance to See’, where they travelled the world looking for endangered animals I wasn’t aware before reading this of just how involved Adams had been with Save the Rhino. His involvement with rock band Pink Floyd was also a surprise and I would have loved to see the projected Millennium work outlined in this volume which I knew nothing about.

All in all this is probably a book for dipping into rather than reading from cover to cover and I’m sure I’ll enjoy reading sections again in the future but won’t attempt to read the whole thing again. It is also large (30cm x 21.7cm and 320 pages) and heavy (just over 1.8kg) so not a very comfortable book to hold, but it needs to be that big to reproduce the documents at mostly full size.

The editor certainly knows his stuff and worked on numerous projects with Adams over the years, from designing the Illustrated Hitch-Hikers Guide and directing for the BBC the documentary ‘The Making of the HItchhikers Guide along with a retrospective of the first thirty years of Doctor Who. The book is another crowd funded production by Unbound of which I have several examples now and will undoubtedly get more as they keep coming up with interesting production ideas.

Letters from Fairyland – Charles van Sandwyk

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Charles van Sandwyk was born in South Africa and raised in Canada; he taught himself calligraphy and intaglio printing as a teenager, his first self-published book appeared when he was just twenty, and won a national award. Since then his work has been archived by the National Library of Canada and rightly so as his art is truly beautiful. Van Sandwyk has produced illustrations for several Folio Society editions but this is the first one I have bought whilst taking advantage of the end of year half price sale they were running which meant that I only paid £25 rather than the £50 original. However having now got a copy I’m thinking about the ones I have missed, such as the limited edition of Alice in Wonderland which was published by The Folio Society to mark the 150th anniversary of the first edition and sold out rapidly. Sadly I can’t see me being able to obtain original books by Van Sandwyk as they are produced in tiny numbers and are mainly snapped up by collectors in Canada so the Folio Society editions will have to do.

The story goes that many years ago a young artist living in Canada received, out of the blue, a letter from a nine year old English girl, Miss Emma Gladstone. Emma had read some books about fairies which the artist had published and she was writing to ask his advice about the little people who she sometimes could see out of the corner of her eye. She wanted to invite the fairies to come and live in her garden, but she did not know how to make contact with them. The pull out letter is included in a folder, just the first of several items that can be taken from the book and examined by the reader and this is one of the many charms of this edition which includes the gorgeous Modigliani Neve paper that it is printed on which resembles a heavy duty watercolour paper and perfectly sets the beautiful illustrations.

The artist replied with a letter to Miss Gladstone and the book goes on to tell the story of how he had received a summons from the Royal High Secretary to the King of the Fairies, commanding him to paint His Majesty’s portrait; how he had shrunk in size and travelled to Fairyland in a coach drawn by a mouse, and everything that happened to him there. The first edition of the book was published in an strictly limited edition of 200 copies which Van Sandwyk presented to members of an exclusive club, the High Branch Society, which unfortunately I have been unable to find out anything about. The double page spread above includes the finished portrait and an envelope containing fairy money which was apparently Van Sandwyk’s payment. The Folio edition explains that it is an expanded version of this original volume being twice the length but even so it is a very short book being just twenty four pages long, excluding the individual pull out items and it was this very shortness that made me originally hesitate to purchase it as it worked out at just over £2 a page. But it is so lovely that I should have really have got it sooner and treated it as an art purchase rather than a book.

Sadly the Folio Society sale has obviously tipped a few others into making the purchase so the stock of this, the 2020 first edition in this form has now sold out. If this little book has piqued your interest in Van Sandwyk’s work as much as it has mine then you may find the following link useful, I certainly had a great deal of fun exploring other works by this wonderful artist.

Collecting Charles van Sandwyk Artist Books

I Hate and I Love – Catullus

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A collection of forty three poems by Gāius Valerius Catullus, a Roman poet born in 84 BCE and who died in 54 BCE, but in his short life he wrote a number of poems, 116 of which have survived to the present day. Penguin published a complete volume translated by Peter Whigham which I don’t possess however this selection from that larger volume is part of the Penguin Little Black Classics all of which I purchased when they came out. Catullus’s poetry is normally categorised nowadays into three main subject types, those dealing with his friends, those about a woman he loves but refers to only as Lesbia rather than her real name which was probably Clodia Metelli and the rest are largely described as invective or works attacking other people, which was quite a popular style at the time. This volume is mainly poems in the ‘friends’ or ‘Lesbia’ categories with just seven of the ‘invective’ style represented although over fifty of the surviving works are categorised as ‘invective’. An example of the invective style is poem 43 which attacks the girlfriend of Formianus.

Apologies but photographing the poems without breaking the spine of the book has led to the distortions in the images. The next poem that I want to select to illustrate the tone of Catullus is one which describes his desire to travel now that the warmer weather is here. I have deliberately selected three of the shorter works although few are what we would regard as long, but the descriptions of personal experiences and desires is what marks Catullus as one of the writers known collectively as poetae nov or ‘new poets’ as poetry moved away from the epic heroic style favoured before then. The works of Catullus were almost lost to us completely as a single manuscript was found in the Chapter Library of Verona around seven hundred years ago. This document was copied twice before it was again mislaid and one of the copies was in its turn copied twice before being lost. So the 116 poems have come down the centuries due to these three surviving precious documents.

That one feels very modern with Catullus looking forward to a holiday in Turkey and hoping to meet up with friends there. For my third example it has to be one of the famous Lesbia poems although not the best known, which is poem 5, as that extends over a page in this edition so is difficult to include here. But poem 51 expresses his desire for Lesbia and how he feels when in her company although it is worth pointing out that poem 85 refers to her husband so Catullus was probably one of several men she had affairs with, including Rufus the subject of invective poem number 77 written after Catullus found out about their relationship.

A few others are quite ribald so I don’t feel I can put them on this blog. Although I have certainly enjoyed reading the collection it does nowadays probably need to come with a warning regarding adult themes, The title by the way is from the opening line of the very short poem 85, which is just two lines long:

I hate and I love. And if you ask me how.
I do not know. I only feel it, and I’m torn in two

Catallus 85 translated by Peter Whigham

The Madman’s Library – Edward Brooke-Hitching

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In July last year I wrote about the second book published by Edward Brooke-Hitching, ‘The Phantom Atlas‘, this more recent volume, first published in 2020 was a gift I received least Christmas, Brooke-Hitching is the son of an antiquarian book dealer and his love of books shines through in this guide to some of the oddest works ever produced from books like The Blood Quran which was written in beautiful calligraphy using around fifty pints of Iraqi dictator Sadsam Hussain’s blood as a major constituent of the ink in 1997 to ones that use arsenic as the dye for the covers so could literally kill the reader as the poison leaches from the boards. It is six years to the day since I started this blog and I think this book about books is an appropriate subject to mark this milestone of three hundred and fourteen articles and almost three hundred thousand words about books in my own library.

The book starts with a fascinating history of books and their precursors such as clay tablets or Sumerian foundation cones along with parchment scrolls including one that was used to wrap an Egyptian mummy. Then there are books that conceal other things such as one with a built in gun for self defence or astronomical equipment or objects that look like books but are actually boxes made from a specific wood with leaves and seeds from the tree inside them. I was reading about these and thinking it would be interesting to own one when the author pointed out the smell of decay that goes with them which somewhat put me off. There is also a long section on literary hoaxes such as biographies of people that didn’t exist or travel books of journeys that never happened several of which I am tempted to track down examples of.

There are further sections on books of the occult and religious oddities which include some of the strange animals depicted in medieval manuscripts and then examples of tiny and gigantic books. I have a love of tiny books, see my blog on the Lilliput Press so this section was particularly interesting and whilst I do have huge books such as the Folio Society’s Temple of Flora I don’t have anything like the atlas made for Charles II which is 1.76 metres tall and 2.3 metres wide when opened and is truly spectacular. There is a special mention in this section for the classic Audubon work ‘The Birds of America’ which exists in several editions but which is most prized for the version where all the birds are depicted life size which as this includes pelicans and flamingos gives some idea as to its immensity.

All in all this is a really interesting compendium of literary oddities, some of which I knew about but a lot that I didn’t and like the other books by Brooke-Hitching is again richly illustrated and it’s well worth a space on the shelf of anyone who loves books.

A Stroke of the Pen – Terry Pratchett

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The first of the books I received for Christmas to be reviewed is this collection of stories written by Terry Pratchett whilst he was still learning his trade as a writer and working as a journalist for the Bucks Free Prres in Beaconsfield. These stories however were mainly written for the Bristol based Western Daily Press so Pratchett wrote under the pseudonym of Patrick Kearns, Kearns being his mothers maiden name. The stories were rediscovered by Pat and Jan Harkin during a massive trawl through the British Library newspaper archive in search of a story they knew existed ‘The Quest for the Keys’ and in doings o they came across the other works by an unknown writer Patrick Kearns that sounded and felt familiar as they used places and characters from the tales written by Pratchett for the Bucks Free Press under the name of Uncle Jim which have now been collected in four volumes, the fourth coming out after I wrote my original review of those books. Apparently the fourth book is to be the last but ‘A Stroke of the Pen’ adds another twenty short stories by the young Terry Pratchett for us to enjoy and yes they do feel like the Uncle Jim stories and indeed one of them, ‘Mr Brown’s Holiday Accident’ did originally appear in the Bucks Free Press as by Uncle Jim.

The scale of the archive work done by the Harkin’s can only be appreciated when you know that despite being very short each of the stories were published in multiple parts with the longest, and the only one to be credited to Terry Pratchett in the Western Daily Press, being ‘The Quest for the Keys’ which appeared in thirty six individual sections from 30th July to the 13th October 1984. Also nobody knew about Patrick Kearns as a pseudonym so it was only the style and content that tipped them off that here was an until then unknown source of Terry Pratchett works. Also although ‘The Quest for the Keys’ was known to exist, because of the way it was clipped from the newspaper and saved the dates and indeed the newspaper which printed it were lost so they had to go through four possible newspapers archives from the earliest probable date (1972) up until 1984, when Terry’s first Discworld novel, ‘The Colour of Magic’, was printed, in their search. Fortunately they decided to work forwards rather than back or they would have found ‘The Quest of the Keys’ a lot quicker and probably not stumbled on the works of Patrick Kearns.

Enough of the history, what of the stories themselves? Well I love the Uncle Jim stories and these are more of the same, indeed there are a couple of reworked Uncle Jim tales under the name of Patrick Kearns which provides confirmation, if any was needed, that this is indeed the same author. The first story included is clearly inspired by Roy Lewis’s ‘The Evolution Man’ with its stone age man main character discovering major advances such as fire. My personal favourite of the ones in this book however is ‘The Fossil Beach’ in which the curator of Blackbury museum is taken to the beach by a local geology student where they find a fossilised deckchair, radio and a copy of today’s newspaper in the mouth of a small dinosaur. How these all got there is a mystery they are determined to solve. Pratchett is clearly already a very competent fantasy writer by the time he wrote as Patrick Kearns, not as good as he would become but definitely worth reading.

Sadly I cannot recommend this hardback book as it currently exists, as it has been announced that there is a story missing from it which Colin Smythe, who had commissioned the Harkin’s to undertake their quest, accidentally omitted when he sent the text to the printers which means that the paperback, due out in April this year will be the complete book and anyone who has the hardback first edition, like mine, will have to buy the paperback as well in order to read the missing tale.