Gaslight and Ghosts – Stephen Jones & Jo Fletcher (Editors)

This book was published in conjunction with the 1988 World Fantasy Convention held in October in London and contains works by what is presumably all the featured guests. That horror writer James Herbert was the guest of honour naturally led to a book of horror and supernatural tales interspersed with some articles on the subject, for example Neil Gaiman, with his journalists hat on, wrote an appreciation of the James Herbert’s works and literary merit. Some writers provided extracts from new or future novels such as Clive Barker’s Cabal or Terry Pratchett’s Pyramids, others supplied short stories from existing collections but there are also numerous new works represented in the twenty two stories and articles in the book, including the piece by James Herbert. Even the editors wrote a short horror teaser together as the opening story rather than a more predictable introduction.

On the 31st October, Halloween, I was between books for this blog and fancied something totally different from what I had been reading and preferably something I could read in small chunks as I didn’t want a full blown novel, maybe a collection of short stories would fit the bill? Perusing the shelves led to Gaslight and Ghosts and it just felt natural that this should be the book to start then. It is decades since I last read a horror or even a simple ghost story, Susan Hill in the book I reviewed last week even wondered if you grow out of them, well the answer is no you don’t.

From the articles included, Neil Gaiman’s review of the literary career of James Herbert is a s well written as you would expect from a writer of his talents. Hugh Lamb contributed a fascinating insight into Victorian horror stories and the joys and difficulties tracking them down and bringing them to modern readers. Mike Ashley produced an interesting summary of the relationship between the American magazine Weird Tales in the 1920’s and 30’s and the dozen books edited by Christine Campbell Thomson in the UK known as the ‘Not the Night’ series which largely seem to be a way of getting round the differing copyright laws on either side of the Atlantic. However Kim Newman supplied a frankly tedious twenty nine page listing of films featuring Jack the Ripper however tenuously he was in them.

But it is the stories that you come to a compendium like this for and there are some really great tales. I particularly liked ‘Beyond Any Measure’ by Karl Edward Wagner which is also by far the longest story in the collection and ‘Immortal Blood’ by Barbara Hambly. Both of these are vampire tales, which I definitely thought I had grown out of, but they are so well written the genre didn’t interfere with a cracking good tale. The oldest story included is ‘The Writer in the Garret’ by Brian Lumley which dates back to 1971 and was genuinely creepy even though you have a horrible feeling that you know how it is going to end; whilst the second oldest, ‘Cat and Mouse’ by Ramsey Campbell, from 1972 is truly terrifying. I could go on James Herbert’s ‘Halloween’s Child’ was written especially for the book and is as un-nerving as you would expect from this master of horror and to relieve the tension both Brian Aldiss and Diana Wynne Jones both provided humorous stories. This volume, as with any anthology associated with a specific event, is tricky but not impossible to track down and is definitely worth the effort.

I bought the book second hand and my copy is multiple signed, clearly the original owner had been round the convention getting as many people as possible to sign it on the opening page of their story or in one case an illustration. The signatories are a spread of the great and the good from 1980’s horror and fantasy writing: Stephen Jones and Jo Fletcher, James Herbert, Neil Gaiman, Clive Barker, Brian Lumley, Dave Carson (illustrator), Ronald Chetwynd-Hayes, Robert Holdstock, Ramsey Campbell, Karl Edward Wagner, Terry Pratchett, Adrian Cole, Kim Newman and Charles L Grant. Sadly a lot of these are no longer with us and the most notable omission from the signed stories is the one by Brian Aldiss who has also unfortunately died in the intervening thirty two years since publication.

A really good book, I’m glad I was wondering what to read on Halloween.

Howards End is on the Landing – Susan Hill

This is the 150th post on my blog so I thought I would purchase a book especially to mark the occasion and what better one could I choose than this. I became aware of this book whilst doing this blog as the concept is similar, Susan decided to spend a year reading the books she already had whilst I started this blog specifically to make me read my own extensive library. There is an irony in buying this book for this blog as she specifically does not buy any books during the year and only reads what she has but I have been going for almost three years now so I think can be excused. Susan Hill is a novelist and has published over sixty books although this is the only one of hers I own or have read and she is probably best known for her ghost story ‘A Woman in Black’ which has also become a TV series, long running play and film. But to introduce this book I can do no better than to quote the opening paragraphs.

IT BEGAN LIKE THIS. I went to the shelves on the landing to look for a book I knew was there. It was not. But plenty of others were and among them I noticed at least a dozen I realised I had never read.
I pursued the elusive book through several rooms and did not find it in any of them, but each time I did find at least a dozen, perhaps two dozen, perhaps two hundred, that I had never read.
And then I picked out a book I had read but had forgotten I owned. And another and another. After that came the books I had read, knew I owned and realised that I wanted to read again.
I found the book I was looking for in the end, but by then it had become far more than a book. It marked the start of a journey through my own library.

I know exactly how she felt.

Susan Hill’s library and mine are very different, and her organisation method would drive me up the wall with books placed wherever she feels they will be most comfortable with companions whose subject, style or author get on together, never place two books by authors who have publicly fallen out next to one another, after all the books might argue as well. Her library is also much more skewed towards the ‘literary novel’ and this was particularly interesting suggesting authors and books to look out for. She is a big fan of Thomas Hardy whom I have struggled with in the past, I own seven of his novels but have only completed one of them, maybe I’ll give her suggestion of ‘The Mayor of Casterbridge’ a go before finally giving up on him. Equally she doesn’t like science fiction or fantasy singling Terry Pratchett out for particular abhorration, maybe she only tried the really early stuff, if not we’ll just have to agree to disagree.

Another section that features large in my library but not in hers is travel writing, I agree with Patrick Leigh Fermor and Bruce Chatwin as giants of this field but there is so much more which she is missing out on. This ability to compare libraries is a particularly fun aspect of the book, who hasn’t, on entering a persons home, not perused the book shelves for a hint of the personality behind them or horror of horrors found no books at all. I love that she still has the pop-up books from when her children were young and we definitely share a love of PG Wodehouse and oddly Gerald Durrell whose books I devoured when I was about ten or eleven and still pick up when I need to have a break from more serious things. She specifically recommends his ‘My Family and Other Animals’ as ideal book for a teenage girl who has grown out of her children’s books, I would suggest it regardless of the sex of the child.

There are chapters on books that have been started but abandoned and books that have never been read and probably won’t be, these fall into two main categories; ones that will stay on the shelves such as Don Quixote although as much for the leather binding and the feeling that it is a classic that deserves space as anything else and books that will head off to the charity shop when next there is a clear out, quite often books suggested by Richard and Judy on their morning TV show. There is even a list of some found on the shelves so far unloved and a brief comment which finishes with

The Little Prince (Le Petit Prince) Antoine de Saint-Exupery

I don’t understand how I can have not read it

Romola. George Eliot

I do understand how I can not have read it

I have read The Little Prince and definitely recommend Susan, and indeed everyone else, to have a go. Right at the end of the book Susan lists forty books that, if she was forced to, she could make a library to live with. I admire her restraint, I don’t think I could come up with such a list, there would always be another book calling to me and another and another. However we probably only agree on twenty or so, as expected there are the heavyweight literary novels but so many that are a surprise, especially Finn Family Moomintroll by Tove Jansonn which sits rather awkwardly between Halfway to Heaven by Robin Bruce Lockhart and Clayhanger by Arnold Bennett. I rejoiced to see two novels by PG Wodehouse made the cut as did two by Anthony Trollope, the only authors to have more than one title listed and both are writers whose books fill my shelves where I can easily get to them. I don’t know if ‘Howards End is on the Landing’ would make my cut but it would be a close run thing, after all it’s almost a cheat as you can vicariously have a lot more books from their description in here and having each book brought to mind and memories of reading it partly makes up for not having it at all.

By the way I have checked my own library and sure enough Howards End is on the landing, it must be the natural home of E M Forster’s 1910 novel.

The Mad Hatter Mystery – John Dickson Carr

20201110 The Mad Hatter Mystery

John Dickson Carr was one of the best known mystery writers of the golden age of detective fiction in the 1930’s but who has now largely slipped from public consciousness. Although born in the United States he spent a lot of his active writing life in England and was highly prolific with roughly 100 books published; mainly under his own name but also using pseudonyms. Oddly for a prolific novelist he was strangely unimaginative in his pen names using Carter Dickson, Carr Dickson and once somewhat randomly Roger Fairbairn. His main output was stories about two English amateur detectives, Dr. Gideon Fell written under his own name and Sir Henry Merrivale as Carter Dickson, this book is the second of the Gideon Fell books following on from Hag’s Nook which I also have as a Penguin first edition but which is too fragile to read without worrying about damaging such a rare wartime paperback. Although first published by Hamish Hamilton in 1933, Penguin didn’t print their first edition of The Mad Hatter Mystery until October 1947 so this copy is somewhat more robust.

In this book Dr. Fell is first encountered in a bar, over the twenty three novels and several short stories in which the character appears this would prove to be the best place to find him. He is described as a very large man, not just tall but fat with numerous chins and needing a cane to get around, he is believed to be modelled on G.K Chesterton who certainly fitted this description and Carr admired the man and his works especially the Father Brown stories. About Fell himself we learn very little in this book, Carr is much more interested in the plot of the mystery than in biographical details of his character. He does however fit in to a familiar trope of being an amateur detective who is frequently called upon by the professionals due to his unusual way of linking details and coming up with the solution to an apparently baffling case, something that goes back to Sherlock Holmes but Dr. Fell only works with the police rather than taking on clients.

The actual mystery of the Mad Hatter alluded to in the title is really a minor diversion through the book and is quickly solved by Fell; what he is actually brought in to help with is the theft of a manuscript of an unpublished story by Edgar Alan Poe. The police don’t want to be involved as the person reporting the theft has a somewhat dubious claim to be the owner in any case and has only asked Chief Inspector Hadley for assistance as he knows him. There is a murder but it doesn’t occur until after the other two problems are being pursued, although as I said the identity of the person stealing distinctive hats across London is deliberately left pretty obvious by Carr presumably so the reader can feel that they have solved something along with detectives even if it continues to confuse the main murder plot line and solution as the victim is found wearing one of the stolen hats although had definitely not been wearing it when seen shortly before his death.

The inter-relationships between the characters is fairly complex, as is common in Carr’s works. Why are so many of the people living at the home of Sir William Bitton, the putative owner of the manuscript before its theft, to be found at the Tower of London when the body is found on the steps of Traitors Gate, when they had apparently gone there independently? Who had taken the manuscript from Bitton’s study, when and why? These are two puzzles that slowly unravel as Fell determines how the murder victim met his end and who did that, which needless to say is a very different solution to that reached by Chief Inspector Hadley.

I like John Dickson Carr’s crime novels, Dr. Fell rather more than the Sir Henry Merrivale tales whom I find considerably less likeable as a character. The solutions do tend to be a little convoluted, although that really isn’t the case in this book where it is unexpected but at least looking back you feel that it should have been possible for the reader to reach the same solution given the information provided although of course you don’t at the time. He is sadly neglected nowadays, no television or film adaptations of either of his great detectives have brought him back into the limelight although there is more than enough material to make several series around either of them. Several of his books have now appeared in the British Library Crime Classics series a sure sign that he is neglected by the mainstream as this series was founded to bring back into print works that have gradually disappeared from the shelves and revive interest in the authors.

Sky Burial – Xinran

This is one of those books that is only on my shelves because it completes a set, in this case the twenty six volumes of Penguin Drop Caps which I have covered as a series right back at the beginning of this blog in early 2018. This does mean that I came to read the book with no preconceptions at all knowing nothing about either it or the author and I have really enjoyed it. Having said that I have a suspicion that Xinran made it into this collection more due to her name beginning with X than for the literary merit of the book. This could be the fault of the translators from the original Chinese, Julia Lovell and Esther Tydesley, as the style is rather flat which considering the subject matter seems odd but as I cannot read the original I have no way of knowing if that is better. I don’t know why Xinran didn’t make the translation as she has lived and worked as a journalist and writer in London since 1997 and this translation was first published in 2004 so presumably she would be more than capable of producing an English version herself.

The conceit of the book is that it is based on the real life story of a Chinese doctor Shu Wen who in 1958 who in 1958 at the height of the Tibetan-Chinese conflict went to Tibet to try to find out what happened to her husband who was a military doctor and ends up stranded there for over thirty years living with the nomads and travelling from camp to camp. According to the introduction Xinran met Shu Wen in Suzhou and talked to her over a period of a couple of days whilst she related her story, Shu Wen then suddenly checked out of her hotel and disappeared. Wikipedia appears to have fallen for this and describes the book as a biography but it is clearly listed as a work of fiction on the publication data page and frankly the idea that an intelligent woman would make no attempt to either continue her search or head back to China and would stay with the nomadic family for three decades is desperately unlikely. The resolution of the novel also stretches credulity to breaking point as a real life case with too many unresolved plot points being sorted out in a relatively short space of time compared to the vast amount of time with no movement on them at all.

Treating it as the novel that it is becomes far more rewarding than looking at it as a dubious biography, the book is 220 pages long in this imprint and I read it at one sitting as you do get drawn into the story. The depiction of Tibetan nomadic life is fascinating and it appears that Xinran did a significant amount of research, so you slowly learn, along with Wen, how the dynamics of family life operate. The book also largely avoids discussing the Chinese takeover of Tibet which has existed since the 1950’s, this is done by completely ignoring the subject by putting Shu Wen away from all contact with other Chinese people and any news of the world outside of the nomadic family she is with for a couple of decades. The exception is at the start where the conflict is acknowledged because that is why Shu Wen’s husband, Kejun, was in Tibet in the first place and also the description of Wen’s journey into Tibet having enlisted in the military and the surprise that her fellow soldiers have that they were not being welcomed with open arms as liberators from the rule of the Dalai Lama. This is where another extremely unlikely event occurs as Wen discusses with a senior officer and gets agreement from him to desert her unit in her search for Kejun. In a novel this is fine, strange things happen in novels, but in real life deserting the Chinese army at the time would have been punished severely.

I have deliberately not written much about the time Wen spends with the nomadic family or how the various issues are resolved as this is the real meat of the novel and any coverage would just be spoilers. Suffice to say that even though there is much that is not as good as it could be the book is a pleasant way of spending a rainy afternoon, just sit back, suspend belief a little, and go with the flow.