The Complete McGonagall – the worlds worst poet

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William McGonagall has gone down in history as the worst poet in the world and this book is a collection of almost every poem that can be reliably attributed to him. These have been published in various collections, but Duckworth have produced the most complete versions admittedly by creating extra volumes by merely selecting from the few books and pamphlets printed in the 1800’s along with some previously unpublished works. This book appears to combine an existing seven volumes into one but only two volumes were produced in McGonagall’s lifetime along with lots of single sheet poems sold as he was going along. In reality four of the listed volumes were created by Duckworth in the 1980’s and the three others were considerably shortened by them at the same time in order to provide works for the extra books.

I think we need an example from his first collection printed in 1890 just so that the uninitiated can get the measure of the man’s genius, this was his first poem, dated 1877 and is entitled “An Address to the Rev. George Gilfillan”

All hail to the Rev. George Gilfillan of Dundee,
He is the greatest preacher I did ever hear or see.
He is a man of genius bright,
And in him his congregation does delight,
Because they find him to be honest and plain,
Affable in temper, and seldom known to complain.
He preaches in a plain straightforward way,
The people flock to hear him night and day,
And hundreds from the doors are often turn’d away,
Because he is the greatest preacher of the present day.
He has written the life of Sir Walter Scott,
And while he lives he will never be forgot,
Nor when he is dead,
Because by his admirers it will be often read;
And fill their minds with wonder and delight,
And wile away the tedious hours on a cold winter’s night.
He has also written about the Bards of the Bible,
Which occupied nearly three years in which he was not idle,
Because when he sits down to write he does it with might and main,
And to get an interview with him it would be almost vain,
And in that he is always right,
For the Bible tells us whatever your hands findeth to do,
Do it with all your might.
Rev. George Gilfillan of Dundee, I must conclude my muse,
And to write in praise of thee my pen does not refuse,
Nor does it give me pain to tell the world fearlessly, that when
You are dead they shall not look upon your like again.

Gilfillan when hearing of the poem is reported to have said

“Shakespeare never wrote anything like this.”

which McGonagall took to be a compliment. This was the also the first example of what could be called the curse of being celebrated by McGonagall as a year later in 1878 he had cause to write two more poems about Gilfillan, entitled “Lines in Memoriam of the Late Rev. George Gilfillan” and “The Burial of the Reverend George Gilfillan”. He famously wrote in praise about the Bridge over the Silvery Tay only to subsequently write less that 2½ years later about “The Tay Bridge Disaster” This latter work is a good example of the unintended humorous nature of his works by forcing lots of facts into the poem without worrying if it then made any sense whatsoever and destroying any rhythm that may have been wanted. His need in poetry was to make it rhyme not scan and as long as a tenuous rhyme was achieved he appeared to be happy.

William McGonagall was born in 1825 in Ireland but came with his parents to Scotland as a very young child, indeed he claimed for a long time to have born in Edinburgh but the family soon settled in Dundee which he where he grew up. For the first fifty two years of his life he sometimes dabbled in acting but was by profession a weaver like his father until in 1877 the poetic urge struck him

I remember how I felt when I received the spirit of poetry. It was in the year of 1877, and in the month of June, when trees and flowers were in full bloom. Well, it being the holiday week in Dundee, I was sitting in my back room in Paton’s Lane, Dundee, lamenting to myself because I couldn’t get to the Highlands on holiday to see the beautiful scenery, when all of a sudden my body got inflamed, and instantly I was seized with a strong desire to write poetry, so strong, in fact, that in imagination I thought I heard a voice crying in my ears-
“WRITE! WRITE”
I wondered what could be the matter with me, and I began to walk backwards and forwards in a great fit of excitement, saying to myself– “I know nothing about poetry.” But still the voice kept ringing in my ears – “Write, write,” until at last, being overcome with a desire to write poetry, I found paper, pen, and ink, and in a state of frenzy, sat me down to think what would be my first subject for a poem.

That he knew nothing about poetry was proved by the poem above, but whilst a poet can have a bad day, especially with their earliest works, McGonagall was if anything to get worse. There is a beauty in the total awfulness of his works that sucks the reader in, the Complete Works includes 247 poems and I have read it cover to cover several times. You just can’t believe what it is you are reading. The photo on the cover of the edition I have is of Spike Milligan as McGonagall and Peter Sellers as Queen Victoria as Milligan in particular popularised ‘The Great McGonagall’ from the 1960’s onwards and ensured that his body of work did not get neglected.

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His works have been in constant print for many decades, above is the 1966 edition of More Poetic Gems published by David Winter and Sons in Dundee (who were his original publishers) and Gerald Duckworth and Co Ltd as a joint venture. Although appreciated now McGonagall died in poverty in 1902. He had eked out a living more as a sideshow than a poet from 1877 although it is clear that he regarded himself as a much put upon performer who was delivering great work to people who didn’t appreciate his ability. It was quite common for an audience to throw rotten fruit and vegetables and sometimes even fish at him whilst he was reciting, indeed the opening paragraph to the preface of his first published work ‘Poetic Gems’ includes the line

the first person to throw a dish of peas at me was a publican

It isn’t so much the fact that somebody threw a dish of peas at him as that this was just the first time…

Because he had no money when he died he was buried in an unmarked grave in Greyfriers kirkyard in Edinburgh, his grave received a nearby marker in 1999.

William McGonagall
Poet and Tragedian
“I am your gracious Majesty
ever faithful to Thee,
William McGonagall, the Poor Poet,
That lives in Dundee.”

I shall include one final poem and it’s one of the less well known ones “The Death of Captain Webb”. Webb was the first person to swim the English Channel (22 miles at its shortest point). He is something of a local hero here in Shropshire as he was born less than 5 miles from where I am sitting but died in a somewhat foolhardy attempt to swim across the rapids below Niagara Falls. The poem shows McGonagall at his prime, it was written in 1883 and has all his stylistic failings…

Alas brave Captain Webb has acted the part of a fool
By attempting to swim the mighty Niagara whirlpool,
Which I am sorry to say and to relate,
Has brought him to an untimely fate.

’Twas in the year Eighteen hundred and eighty-three,
With the people of America he did agree,
For $10,000, to swim through that yawning whirlpool;
But alas! He failed in doing so — the self-conceited fool.

Captain Webb, he courted danger for the sake of worldly gain
And the thought of gaining for himself — world wide fame;
And although many people warned him not to throw his life away,
He rushed madly to his fate without the least dismay.

Which clearly proves he was a mad conceited fool,
For to try to swim o’er that fearful whirlpool,
When he knew so many people had perished there,
And when the people told him so, he didn’t seem to care.

Had it not been for the money that lured him on
To the mighty falls of Niagara, he never would have gone
To sacrifice his precious life in such a dangerous way;
But I hope it will be a warning to others for many a long day.

On Tuesday the 24th of July, Webb arrived at the falls,
And as I view the scene in my mind’s eye, my heart it appalls
To think that any man could be such a great fool,
Without the help of God, to think to swim that great whirlpool;

Whereas, if he had put his trust in God before he came there,
God would have opened his blinded eyes and told him to beware;
But being too conceited in his own strength, the devil blinded his eyes,
And all thought of God and the people’s advice he therefore did despise.

But the man the forgets God, God will forget him;
Because to be too conceited in your own strength before God it is a sin;
And the devil will whisper in your ear — there’s no danger in the way,
And make you rush madly on to destruction, without the least dismay.

At half-past three o’clock Webb started for the river,
Which caus’d many of the spectators with fear to shiver,
As they wondered in their hearts if he would be such a fool
As to dare to swim through that hell — whirlpool.

Webb was received by the people with loud and hearty cheers;
And many a heart that day was full of doubts and fears;
A many a one present did venture to say –
“He only came here to throw his life away.”

The Webb entered a boat, in waiting, and was rowed by the ferry-man;
And many of the spectators seem’d to turn pale and wan;
And when asked by the boatman how much he’d made by the channel swim,
He replied $25,000 complete every dim.

Have you spent it all? Was the next question McCloy put to him,
No, answered Webb, I have yet $15,000 left, every dim;
“Then” replied McCloy, “You’d better spend it before you try this swim;”
Then the captain laugh’d heartily but didn’t answer him.

When the boat arrived at point opposite the “Maid of the Mist”
The captain stripped, retaining only a pair of red drawers of the smallest grist;
And at two minutes past four o’clock Webb dived from the boat;
While the shouts and applause of the crowd on the air seem’d to float.

Oh, Heaven! it must have been an awe inspiring sight,
To see him battling among that hell of waters with all his might,
And seemingly swimming with ease and great confidence;
While the spectators held their breath in suspense.

At one moment he was lifted high on the crest of a wave;
But he battled most manfully his life to save;
But alas! all his struggling prov’d in vain,
Because he drown’d in that merciless whirlpool God did so ordain.

He was swept into the neck of that hell — whirlpool,
And was whirl’d about in it just like a light cotton spool;
While the water fiend laughingly cried ”Ha! ha! you poor silly fool,
You have lost your life, for the sake of gain, in that hell — whirlpool

I hope the Lord will be a father to his family in their distress,
For they ought to be pitied, I really must confess;
And I hope the subscribers of the money, that lured Webb to his fate,
Will give the money to Mrs. Webb, her husband’s loss to compensate.

In the Tiffany Aching young adult series of books by Terry Pratchett the Pictsies or ‘Nac Mac Feegle’ are a race of 6 inch high beings that are more Scottish than it is probably possible to be. They have as their most feared tactic on the battlefield their Gonnagale who at times of greatest danger recites strange and terrible poetry which has the effect of reducing all that hear it to gibbering wrecks. The poems, and his title, are clearly based on the works of William McGonagall and are a tribute to the man whose writings approach genius by being so atrocious they reach round the spectrum of quality and get there from the other side.

Read him and weep

from laughter

Orlando – Virginia Woolf – part 2

This blog follows on from Part 1 but goes through the entire plot line so should not be read if you have not previously read the book or do not mind knowing what happens.

The book is split into six chapters and each is effectively a stand alone tale dealing with a specific period in Orlando’s life. The first chapter makes perfect sense as you read it, Orlando is a boy when Queen Elizabeth I visits his fathers’ great house and so captivates Her Majesty that he is invited to court towards the end of her reign, where he grows up to be a young man about town and is still around the court when James I becomes king after the death of Elizabeth. By the end of this chapter you are happily reading a novel set in the time of the Stuarts where Orlando has loved and lost the Russian noblewoman Sasha and you are wondering what will befall him next.

Chapter two has him exiled from court due to the scandal with Sasha and spending time back in the family house attempting to write great works but being unsatisfied with them all and holding parties. This is a not so subtle reference to Virginia’s lover Vita Sackville-West who is also trying to write ‘a great work’ but Virginia doesn’t rate her as an author and doesn’t believe she is capable of achieving this ambition. Orlando also at this time meets Romanian Arch-duchess Harriet who attempts to seduce him but without success. Ultimately Orlando is getting bored stuck at home so that he requests a job from the King and is sent as ambassador to Turkey. This is also a reference to Vita as she lived in Constantinople (as it was then) when her husband was sent to the embassy there from 1912 to 1914.

If you know English history a few comments in the book may be ringing bells by now but the storyline still flows without many issues. The third chapter deals with his time in Turkey initially as ambassador but then the book takes a dramatic swerve. There are a few pages that read like sections of an ancient Greek play, with Purity, Chastity and Modesty introduced as characters parading through his bedroom with trumpet calls and overblown narrative until Orlando finally awakes as a woman. As a plot twist it is certainly unusual and gets odder as people seem relatively unfazed by the change and as the embassy had been attacked during an uprising whilst Orlando slept he/she goes off to live with gypsies for a while. This last part is again a link to Vita who had a highly romanticised view of the Romany people as free living and unconstrained by the pressures of modern life. The book has her living with them for a while and then realising that she is really an interloper and misses the green lands of her home, this is Woolf pointing out to Vita that for all she may fantasise about the gypsy life she would not cope with the reality.

Chapter four has her decide to return to London and her home in Kent where she again meets the Arch-duchess who reveals herself to actually be Arch-duke Harry and this time as a man tries to seduce the now female Orlando with much the same result. Again nobody appears to be surprised by this. She throws herself into London society and meets many famous writers before taking to disguises to explore the seedier side of London to stop life getting too dull. By the end of this chapter the aspect of the book that was ringing bells earlier has now been made explicit but without any explanation, I’ll get to it later.  The fifth chapter takes place entirely in the great house without providing much detail as to what goes on. By the end however the court cases started when she returned from Turkey as a woman and caused all sorts of issues with who owned what and if she really was Orlando are settled although they have used up most of her fortune and she marries somebody she has barely got to know just in time for him to leave to go to sea.

The book ends with her finally finishing her great work “The Oak Tree” and it being praised and even winning a prize before her husband returns to her from foreign climes and she rushes to greet him.

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This cover is a bit problematic for me as the inclusion of the aircraft gives away the one aspect I left out in the summary above and that is the time travelling aspect of the novel. You start reading the book and it is clearly set at the end of the 1500’s with the reign of Elizabeth I coming to an end. Orlando is mentioned several times lying under the tree so what is the plane doing there?

In fact you slowly become aware of the drift of history through the book. As stated above Orlando was clearly a young man at the end of Elizabeth’s reign and much later on in the book we discover that the poem he has been working on since boyhood is dated 1586, so that would probably place him as born in around 1575, Elizabeth died in 1603 and we know he was at court during her reign for a period of years. The next monarch mentioned is James I (1603 to 1625) during whose time Orlando is largely banished from court after his relationship with Sasha at the frost fair. There were two of these during his reign (1608 and 1621) so Orlando is roughly 33 or 46 at this point. The first of these sounds more likely from his behaviour so let us say he retires to his country house in 1608, this is all quite plausible up to this part of the novel.

The next time period mentioned is when he goes to be Ambassador to Turkey after getting tired of being at home. I’m not surprised he was getting bored by then as the Monarch he asks for the job is King Charles II (he is described as being with his mistress Nell Gwyn so we know which Charles we are talking about). His reign was from 1660 to 1685 and he started his relationship with Gwyn in 1668 so as a minimum Orlando is now 93 and has spent at least the last 60 years holding parties at home. This is the first time that the time-scale appears to have stretched, as up until he goes home in 1608 it is quite believably a tale about a late Elizabethan gentleman, nobody appears to be surprised by this and he is still clearly a young man in the novel. Charles II is still on the throne when Orlando is made a Duke and subsequently changes sex. We then hit her time with the gypsies and this is also clearly several decades. On return to England she sees the dome of the new St Paul’s cathedral (consecrated 1697) and the captain of the ship refers to the late William III (died 1702) so we are now in the reign of Queen Anne (1702 to 1707) and this is explicitly stated later in the book as Orlando enters society as a young and eligible woman at the age of 130!

At last a positive date… Well sort of. There is a mention of 16th June 1712 being a Tuesday, it was actually a Thursday but never mind, it is the first specific date in the novel and this is when Orlando decides to quit society only to decide not to the next day due to an invitation that she really wanted to go to. There she meets Alexander Pope and through him various other writers such as Swift who quotes from Gulliver’s Travels, a book printed in 1726 so time is still moving on apace. She sees Johnson and Boswell (circa 1770’s) and chapter four concludes with the dawning of 1st January 1800 with a dark cloud over London. Chapter five includes a statement that she had been working on the poem “The Oak Tree”

… for close on 300 years now. It was time to make an end.

so that takes us up to the 1860’s. This is another huge leap in the time line of the book as it is only 8 pages into the chapter. It’s an odd chapter, using damp weather as a metaphor for the changes in society through the Victorian age, no more gay parties and bright lights, now the houses are cluttered and cold, the people withdrawn and everything is dark and covered up as society becomes more straight-laced and women are expected to be ‘the little woman at home’ safely married off. It’s also no wonder the court proceedings have used most of her fortune, they would have started in the early 1700’s and concluded roughly 160 years later as Lord Palmerston and Gladstone are mentioned with the court documents and Palmerston died in 1865. It is worth noting however that it does leave Orlando with the house, which as I stated in the previous essay on the book Vita specifically didn’t get as she was a woman so maybe this is a put in as a solace to Vita that although it may take 160 years a woman will eventually inherit what would be hers by right if she had been a man.

The sixth, and final, chapter brings us to the present day, well 1928 which is when the book was written anyway. It begins slightly before then at the end of the Victorian age as she finally gets her poem The Oak Tree published with the help of Nicholas Greene but most of the chapter is set on the 11th October 1928 starting in London with a very confused shopping trip. She drives out of London to the great house in Kent and is there as her husband finally comes home this time by aeroplane whilst she lies under the tree as she used to as a boy centuries earlier

It is not only Orlando who straddles time in the novel, several of the fictional characters fail to grow old with her, the Arch-Duchess/duke is also mentioned in chapter five as married and settled in Romania so he is also as old as Orlando and others survive well beyond a normal lifespan such as Nicholas Greene, the poet and critic who first met Orlando in the Elizabethan age and meets her again in the Victorian. Sasha from the frost fair in 1608 is also glimpsed during the shopping trip in 1928 and is described as late middle aged. Orlando’s husband, Shelmerdine, is also timeless, at least since coming into contact with Orlando, for they meet and marry in the 1860’s when her court cases have completed but he is clearly still only in middle age by 1928.

The book is complex and at times infuriating as it leaps about but still an enjoyable read, I’ve also had quite a bit of fun reading through it again trying to identify all the historical events that can be dated for this essay.

Orlando – Virginia Woolf – part 1

HE – FOR THERE could be no doubt about his sex, though the fashion of the time did something to disguise it – was in the act of slicing at the head of a Moor which swung from the rafters. It was the colour of an old football, and more or less the shape of one save for the sunken cheeks and a strand or two of coarse, dry hair, like the hair of a coconut.

The opening two sentences of Orlando certainly make you want to know more… Just what is going on here?

Virginia Woolf’s best known work is 90 years old this year so it seems appropriate to write about it now. The book is strange reading it now; it must have been extraordinary to readers back in 1928 with it’s bizarre plot twist halfway through. Although for me it’s what Woolf does with the character of Orlando before and after that point that is interesting rather than the twist itself but it must have been quite a jump for the casual reader in 1928. I have split this blog into two because I really want to be able to discuss the plot line and that will require me to include a lot of spoilers so this part talks generally about the book and part two will summarise the plots within it and contain the spoilers, so if you haven’t read Orlando this blog is perfectly safe.

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Although it is a short novel (just over 200 pages) there is a lot packed into the book and part of the conceit of it is that it claims to be biography. Virginia writes in first person as the biographer and frequently employs the literary equivalent of the theatrical trick of ‘breaking the fourth wall’ by talking directly to the reader about the difficulties of finding material to work from in compiling the biography. There is even a short index at the back as you would expect in such a work. One particular passage near the end of the book sums up this stylistic method rather well.

It was now November. After November comes December. Then January, February, March and April. After April comes May. June, July, August follow. Next is September. Then October, and so behold, here we are back at November again, with a whole year accomplished.

This method of writing biography, though it has its merits, is a little bare, perhaps, and the reader, if we go on with it, may complain that he can recite the calendar for himself and so save his pocket whatever sum the Hogarth Press may think proper to charge for this book.

As can be seen ‘the biographer’ can be quite chatty to the reader but also quite pompous, these brief interludes give you time to absorb wherever the plot has suddenly taken us next, but it is also Virginia’s way of ridiculing historical biographers who she clearly thought took themselves far too seriously.

From the way she writes about it Woolf was clearly also not a fan of ‘Society’, that endless round of functions and engagements that the upper classes seemed so devoted to right up to her time. There are many disparaging passages in the book about this foolish waste of time and money where nothing seems to be done or said that was memorable. She is also less than enamoured by her own profession of writing, or at least the majority of what was being written at the time, one particularly favourite quote of mine from the book is.

For it is rash to walk into a lion’s den unarmed, rash to navigate the Atlantic in a rowing boat, rash to stand on one foot on the top of St. Paul’s, it is still more rash to go home alone with a poet.

The book is definitely an oddity, so many different things happen and great numbers of historical characters are introduced and yet there is the constancy of the huge family house which is used to pull Orlando back to normality when things get too strange only to bore after a while and lead into another adventure. It really becomes one of the characters in the story and is the solid anchor around which the shifting tale is woven.

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The house featured in the book is clearly based on Knole in Kent, one of the largest houses in England; and one I know well, as it is 17 miles from where I used to live at the end of the 1990’s. It was the family home of Vita Sackville-West and like her house at Sissinghurst it is now owned by the National Trust. I used to go there regularly to explore the 1,000 acre park or wander round the house, it has according to Vita 365 rooms just as Orlando’s vast house does; although she also said that “I do not know that anyone has ever troubled to verify it”. The house was also the source of great sadness for Vita as if she had been born a man she would have inherited it as her parents only child but as a woman she was passed over in favour of her cousin. As explained in my previous blog about Vita, she and Virginia were lovers for many years and there is a lot of Vita’s family history interwoven in the book.

The dig at writers and specifically poets mentioned above was also somewhat aimed at Vita who was clearly not in Virginia’s league and for all that she loved her Virginia really didn’t rate her as a poet or author. There is also, at the start of the final chapter some discussion as to whether it is even proper for a married woman to be a writer. Clearly it is fine for an unmarried female to dabble in writing for her own amusement and also what is marriage anyway…

She was married true: But if one’s husband was always sailing round Cape Horn was it marriage? If one liked him, was it marriage? If one liked other people, was it marriage? And finally, if one still wished, more than anything in the whole world, to write poetry, was it marriage? She had her doubts.

Both Virginia and Vita were married throughout their relationship and Vita in particular took other lovers at the same time both male and female. Orlando was written at what is now recognised as the peak of their love for each other when both were also at their creative best, probably feeding inspiration off each other. It was also a time of female emancipation in Britain, 1928 was not only when this book was written but it was also the year that woman finally gained full voting equality with men and more pointedly a couple of pages later Woolf includes the line…

as long as she thinks of a man, nobody objects to a woman thinking

I struggled initially with the plot of the book (see part 2) but I’m glad I persevered, this is the first of Woolf’s novels I have read although I had read her best known feminist work ‘A Room of One’s Own’ and ‘The Common Reader’ before. Maybe it’s time to get that copy of ‘To The Lighthouse’ off the shelves where it has languished for a few years.

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Of equal interest, to me at least, is the background to the three copies of the novel that I possess and two of whose covers have punctuated this essay. The top one is the first Penguin Books edition (number 381) from July 1942 and therefore published under wartime restrictions. This meant that fewer copies were printed than might have been the case before the war and also that the paper quality is poor to say the least, making the book quite fragile.

The second cover at first glance look to be the same, but this was printed in Cairo in 1943 for the troops fighting on the African front. This explains the price in piastres printed on the cover. If possible these books, there were 20 titles printed in English and 1 in French as part of this programme, are even more fragile than the ones produced in England at the same time and few have survived their time in the Africa campaign. Books for the troops were in short supply, especially in Africa and as any soldier will tell you a culture of ‘hurry up, and wait’ means that there is a lot of quick movement followed by long periods of not a lot apparently happening so any reading material was eagerly seized upon. Quite what the troops made of this very strange book is not recorded, I can think of many more suitable novels from Penguins extensive catalogue which would have been a lot more popular.

The third copy I have is the American Penguin edition from April 1946 and this being far more capable of surviving having its pages turned is the copy I read for these essays. However as the illustrated cover includes a massive spoiler for the book I have used this in part 2 of my discussion of Orlando. There is also an interesting tale behind this imprint. Penguin wanted to sell books in America during the war but clearly shipping books across the Atlantic was out of the question, as was using up the paper ration that they had been allocated on books which would not then end up on sale in the UK so they sought an agent to produce the books for them. They settled on Ian Ballantine and he originally printed books that looked like their UK equivalent but soon switched to illustrated covers to appeal more to the American reader. In the end under his control over 180 titles were printed in the US as either Penguin or Pelican before in 1948 Penguin Books withdrew from this enterprise as they could now export again. The titles were re-branded as Signet (for the Penguins) and Mentor (for the Pelicans) and Ian Ballantine with his wife Betty continued to publish under those brands before also creating Bantam, New English Library and of course Ballantine books. The Ballantine book group was acquired by Random House in 1973 which in turn merged into Penguin Random House in 2013 thereby bringing the story full circle.

The World As It Is – A book for Subscribers

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Well actually The World as it was, as these books date from 1884 and provides a glimpse into history 130 years ago. However before looking at the book itself the main reason for selecting it is to expand on the subject of subscribers editions that I first touched on in Burghall’s Diary  That book in my collection was sold against a prospectus, ‘The World As It Is’ is a subscribers only book and helpfully whoever had the parts subsequently bound included the subscription page so we know how it was sold. After a lot of description as to the structure of the proposed two volumes the subscription page concludes as follows:

The Work will be handsomely printed on super-royal 8vo paper, and will be illustrated by above 300 engravings printed in the text; seventeen maps and diagrams printed in colours, ten coloured plates show some of the principal races of the earth and some remarkable natural phenomenons, and twenty-eight separate page engravings representing notable and remarkable localities in many lands. – making in all FIFTY-FIVE separately printed illustrations. It will be issued in Fourteen Parts, of 80 pages of letterpress, at 2s. each, or Seven Divisions in stiff paper covers at 4s. each, forming when completed two handsome large 8vo volumes. Whether viewed in the aspect of the wide range of its contents, of its educative value, its wealth of illustration, or its moderate price, this work will be found to be quite unique of its kind.

LONDON:  BLACKIE  &  SON,  49  &  50  OLD BAILEY,  EC;

GLASGOW, EDINBURGH AND DUBLIN

Capitalisation is as printed in the document, I have used bold to represent the parts highlighted in italics in the original, this is a Victorian marketing department going full tilt. For those not familiar with the abbreviations used 8vo is a standard paper size usually written as octavo. Standard octavo paper is 9 inches high by 6 inches wide (23cm x 15cm) The pages of the book are actually 9.7 inches high by 7.2 inches wide (24.6cm x 18.4cm) which is presumably where Blackie have come up with super-royal although both super octavo and royal octavo are larger than this.

The price is given as either 14 lots of 2s. or 7 lots of 4s. s. standing for shilling so a total of 28 shillings regardless of how you had the parts. Using the Bank of England inflation calculator (which unfortunately only goes up to 2016) this ‘moderate price’ was apparently more like £159.65 in 2016 or just over £168 by 2018 adding the extra 2 years inflation. Also bear in mind that like modern magazine part works you then need binders, in fact back then you definitely did as these were literally just loose pages, especially the illustrations, and came with instructions for the bookbinder as to where the pages should go. So you would buy the remarkably solid board covers available from Blackie and then pay a bookbinder to put it all together meaning you wouldn’t see any change out of the equivalent of at least £200 probably closer to £250 for your ‘moderate’ purchase. I bought the books in the mid 1980’s and according to the price still visible inside paid £2.50 for the pair at the time, the paint stains on the boards no doubt keeping the price well down. I remember the second hand bookshop where I bought them fondly, the proprietor wrote a year code letter next to the price in all his books, A for his first year of business, B for the second etc. he had been trading for getting on for 20 years by the time I bought this and if you could find anything in the shop coded A you could have it for free.

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The books are really interesting although anyone looking at them and deciding to visit a place based on the information provided would definitely have a surprise coming; for example Swanston Street in Melbourne certainly looks different nowadays :

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It’s the illustrations that I like so much and that first attracted me to these books, that and odd bits of history that you suddenly spot whilst scanning through. The United States of America is described  as a republic consisting of 38 states and 8 territories with an organised government, besides the Indian territory, the territory of Alaska and the District of Columbia. Seeing a map with Indian Territory clearly marked instead of Oklahoma emphasise the fact that the books pre-date the ‘land runs’ of settlers into the Indian lands and are a full 23 years before the Indian Territory ceased to exist altogether when the state was created in 1907.

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The smaller illustrations within the text are also beautiful steel engravings as these two pages show, one from the Amazon basin in Brazil and the other from the Transleithan Provinces of the Austrian Empire most of which is now the independent country of Hungary with the Transylvanian region making  up the western part of Romania. You do have to know some history to even start looking places up as they may well not be under the country you expect.

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Budapest is described throughout this section as two cities Buda and Pesth (the extra h is how it is spelt in the book) and when you are there the city does feel like two distinct places even now.

The colour plates are not a strong point though, the artist who did these wasn’t really of the standard of the rest so they are a bit of a let down even though the colours are still strong, the best one by a long way is the one representing China:

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The books provide a glimpse into a world that no longer exists and for that they are fascinating. In fact they document a world that was rapidly disappearing even as it was published, so I think I will conclude this essay with what is apparently a typical Dutch interior, but is definitely is a museum piece now.

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How to Avoid Being Killed in a War Zone

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Rosie Garthwaite’s book sounds like it should be one of those parodies that are all too common nowadays but in fact it is deadly serious and has to be the one example on my bookshelves which legitimately uses the tag “It Could Save Your Life”. Mine is the first edition from 2011 published by Bloomsbury and is still available.

Of course for most people the best way to avoid being killed in a war zone is to make sure you never go to one however the book covers so much more that it becomes a highly entertaining and indeed useful addition to any bookshelf. Split into 15 sections which cover everything from planning, preparing and arriving on your trip through first aid and emergency medicine, keeping fit and surviving kidnapping amongst other things. It is part survival guide and part filled with anecdotes which illustrate the topic being covered. The range of people Rosie has spoken to in compiling the book is huge and covers top war reporters, members of the military, charity workers, a former Somali pirate and, in the case of kidnapping, Terry Waite who was a hostage negotiator in Lebanon for years before being kidnapped and held for hostage himself for almost 5 years.

Some things in the book you hope you will never need, like how to put on a flak jacket correctly, others like some of the tips on keeping safe in a crowd could be useful at any time, as she says

The best advice is to avoid street protests at all costs. Of course, that’s not always possible, sometimes they run into you. And sometimes you might join a small peaceful protest that turns into a riot. You might be in an ambulance waiting to deal with the fallout nearby. You might be involved as a protester when it all goes wrong.

You don’t need to be in a war zone, sometimes the streets of your home city can become surprisingly dangerous.

Anyone who has read books written by war reporters about their lives on the job would enjoy the anecdotes in this volume, Rosie herself works for Al Jazeera and recounts many stories of her journeys for work, mainly in Iraq, and a lot of the other reporters she quotes also work or have worked for that news organisation. There are also a good smattering of BBC, Sky, CNN and various (mainly British) newspaper writers along with people from Médecins Sans Frontières who also tend to be on the front line. It is interesting to read the different opinions of the journalists on how to survive, some like to blend in with the locals others prefer to stand out, there are advantages and disadvantages to both viewpoints. Blend in and you may get closer to the story but risk being mistaken for a spy, stand out and everyone knows who you are so you can get further up the chain of command, but you are also obvious if somebody is looking for a high profile target to attack.

The first aid section is particularly good and at 45 pages also the longest part, it takes you through a basic medical kit to pack if going somewhere where the local medical service may not be the best or if heading into wild country. A lot of this I have packed in the past, put it in a clearly marked container in your pack and make sure other people you are with know it’s there. There is no point carrying sterile medical items if they don’t get used because nobody knew and you can’t tell them for whatever reason at the time. It then has an A to Z of medical issues and what to do until somebody who really knows what they are doing arrives, CPR, recovery positions, slings, tourniquets, treating burns, dislocations, frostbite and sunburn amongst many others. One I really, really hope I don’t ever need is how to deliver a baby but you definitely don’t need to be in a war zone for that one.

I’m not a war correspondent and frankly wouldn’t want their job but I’ve been through armed official and unofficial checkpoints set up on strategic roads in Libya and Lebanon. One of the people who boarded the bus in Lebanon in 1996 with an AK-47 over his shoulder appeared to only be about 14, you just have to keep calm. I’ve also been very aware of being watched to see where I was going in Libya, Syria and Iran amongst other countries, bribed my way into Ceaușescu’s Romania back in 1987 as I didn’t have a visa and also used dollar bills in my passport on several borders where it simply made getting the right paperwork processed faster. I just wish Rosie had written this book 20 years earlier.