The Secret Garden – Frances Hodgson Burnett

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This was not the book I intended to read this week, I normally have a rough plan for the next two or three weeks, but when my friend Anna said she had just read and enjoyed a Catalan translation I was inspired to get my copy off the shelf. This is my original childhood copy from 1975 and was published in Purnell’s ‘de luxe classic’ series, yes they do spell de luxe that way it’s not an error on my part. I still have half a dozen matching volumes such as Treasure Island, Robinson Crusoe, Robin Hood etc. and I know that there were at least thirty five titles in the set. Other than when I’ve moved house these books have probably not come off the shelves they have been hibernating on for forty years, so it was good to actually open one and read it again for the first time since the 1970’s.

There are eight colour plates along with numerous black and white drawings through the book but the plates are not well placed as they often precede the text they refer to and several effectively work as spoilers for the plot, especially the frontispiece as that not only gives away the existence of Colin but also his true medical condition before you even start reading. The plates and drawings are all by Jenny Thorne although my original impression that two different artists had worked on the book as she employs quite a different style for the two sets. Confusingly there is another illustrator called Jenny Thorne working in Cambridge, which is the one a Google search will bring up, although she has only been working over the last ten years.

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On to the story itself, it is basically a morality tale about two spoiled brats who gradually through the book learn to have some thought about the people around them and was originally published in 1911. Mary had been brought up in India where she was used to Indian servants who did whatever she wanted them to, until at the age of nine the household was struck down by cholera, her parents died, and those servants who survived fled leaving Mary alone in the house. The fact that nobody thought about her is used to underline what a thoroughly unpleasant child she had become. Discovered a day or so later she was sent to England to stay with her uncle and only known relative, a recluse who lived in a huge house surrounded by moorland in Yorkshire.

Archibald Craven accepted his responsibility to take the child in but was not interested in her, in fact he spent very little time at Misselthwaite Manor, preferring to travel ever since his wife had died ten years ago. It was a strange and secretive house with a hundred rooms that had been shut up for years, two of which were made ready for Mary to live in but she was told not to go in the others. There was a large series of gardens surrounding the manor but also a ‘secret garden’ one that had been locked ever since Mrs Craven had died there when a tree seat had collapsed and she had hit her head. Mary became determined to find a way in to the garden, but there was another secret, an even bigger one than the garden and that was Colin, the Craven’s son, who turns out to be an even more spoiled horrible child than Mary was. The slowly developing friendship between the two of them, the rescuing of the garden and the rehabilitation of the children into ones you would actually want to meet through the following months are the main themes of the book. The growth of the garden as it is finally being nurtured is a constant metaphor for the emotional growth of the children helped along by the down to earth Dickon

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The use of the Yorkshire dialect is very important in the book, it becomes a language that bonds the children together and is roughly phonetically written so that you can see the development of it’s use. Mary first hears Martha the housemaid using it but it is not until she meets Martha’s brother Dickon that she really embraces the dialect herself. This is the passage with Mary talking to Dickon just before she introduces Colin to the local sound.

“Just listen to them birds—th’ world seems full of ’em—all whistlin’ an’ pipin’,” he said. “Look at ’em dartin’ about, an’ hearken at ’em callin’ to each other. Come springtime seems like as if all th’ world’s callin’. The leaves is uncurlin’ so you can see ’em—an’, my word, th’ nice smells there is about!” sniffing with his happy turned-up nose. “An’ that poor lad lyin’ shut up an’ seein’ so little that he gets to thinkin’ o’ things as sets him screamin’. Eh! my! we mun get him out here—we mun get him watchin’ an listenin’ an’ sniffin’ up th’ air an’ get him just soaked through wi’ sunshine. An’ we munnot lose no time about it.”

When he was very much interested he often spoke quite broad Yorkshire though at other times he tried to modify his dialect so that Mary could better understand. But she loved his broad Yorkshire and had in fact been trying to learn to speak it herself. So she spoke a little now.

“Aye, that we mun,” she said. “I’ll tell thee what us’ll do first,” she proceeded, and Dickon grinned, because when the little wench tried to twist her tongue into speaking Yorkshire it amused him very much. “He’s took a graidely fancy to thee. He wants to see thee and he wants to see Soot an’ Captain. When I go back to the house to talk to him I’ll ax him if tha’ canna’ come an’ see him tomorrow mornin’—an’ bring tha’ creatures wi’ thee—an’ then—in a bit, when there’s more leaves out, an’ happen a bud or two, we’ll get him to come out an’ tha’ shall push him in his chair an’ we’ll bring him here an’ show him everything.”

When she stopped she was quite proud of herself. She had never made a long speech in Yorkshire before and she had remembered very well.

“Tha’ mun talk a bit o’ Yorkshire like that to Mester Colin,” Dickon chuckled. “Tha’ll make him laugh an’ there’s nowt as good for ill folk as laughin’ is. Mother says she believes as half a hour’s good laugh every mornin’ ’ud cure a chap as was makin’ ready for typhus fever.”

However this got me wondering how the Catalan translation worked, was there an equivalent dialectic variation in Catalonia? Apparently there was, Anna told me that they had used Valencian, presumably all translations of the book have to find a regional dialect and impose that on Yorkshire for the structure of the book to make any sense as you have to know when they are speaking ‘standard’ English and when they have switched to dialect.

I’m glad I was prompted to read the book again it wa reet graidely.

Link to Anna’s review in Catalan

How to Lie with Statistics – Darrell Huff

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I bought this book many years ago when I was employed by the accounts department of a large UK firm to analyse the figures and produce reports for the board of directors on performance of all aspects of the business not just financial. Now you may think that purchasing a book entitled How to Lie with Statistics would suggest that these board reports may not have been entirely accurate; but in fact I got it for the same reason as it was written because if you know how things can be done badly then you can avoid making the same ‘mistakes’. Unless of course you are trying to show something, or more likely hide something, in the numbers, in which case the book becomes even more useful as a source of helpful hints. Rereading it at a time when we are bombarded with statistics and graphs (oh how a lover of selective data loves graphs) relating to the global pandemic of Covid-19 adds a useful dose of cynicism which we could all do with and the cartoons by Mel Calman are as pointed as they so often are.

Averages and relationships and trends and graphs are not always what they seem. There may be more in them than meets the eye and there may be a good deal less.

The book is full of examples of misleading statistics either real ones or created data to illustrate a point, for example just what is an average? Now the lay person reading that the average of something is say five will assume that tells you something, but which definition of average is being used? There are after all three main types all of which can give wildly different results depending on what you want to prove. The mean is what most people assume is an average that is add up all the numbers and then divide by how many numbers are in the sample. But then there is the median which is simply the middle number if you write out the data in numeric order, now this is useful for getting rid of weird data in the sample, the series 1, 3, 3, 5, 7, 9, 147 has a median of 5 which is ‘probably’ more useful than the mean of that data set which would push the ‘average’ much higher than all but one of the numbers in the set but it can also be misleading if that answer of 147 turns out to be important and you have simply ignored it. The only other average most people will come across is the mode, now that is simply the number that occurs most often so in the previous example that would be 3. So is the average 3, 5 or 25? Well it depends what you want to prove all of them are legitimate averages. In the book Huff uses a similar example where the data is household income, if my sample is also monthly income in thousands of pounds then all we have proved is that this particular group probably includes a professional footballer on £147,000 a month. Saying that the average is £25,000 a month is meaningless unless you want to imply that this is a particularly wealthy neighbourhood to property investors that haven’t been there but under one definition it is the average income, so should they build a Waitrose or an Aldi supermarket?

Each chapter features different ways of presenting data starting with samples with built in bias. A postal survey asking if people like filling in postal surveys may well show that 95% do, but unless you also know that they sent out 100,000 surveys and only got 250 back you don’t see the 99.75 percent of people polled that so dislike filling in postal surveys they simply threw it away. A famous real example of this mentioned in the book is The Kinsey Report on the sex lives of Americans in the 1940’s and early 1950’s. This report claimed to be revolutionary and is still cited but how many people back then were going to be willing to take part in the survey? By the nature of the responding sample we have another self selecting group biased towards people who are more open about their sex lives and preferences and may also on that basis be more experimental therefore skewing the results.

But to really lie with statistics you need a graph which is why politicians and marketing departments love them so much, one of the examples in the book is reproduced below and shows a oft repeated trick to make figures look more impressive, truncating the vertical axis, both graphs show the same data but have a different title to reflect what the story is.

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Another popular trick with graphs is to start or stop the range displayed to avoid including inconvenient data, if a graph based on monthly figures doesn’t start in January or maybe starts in 2007 (which seems an odd year to choose unless mapping something that did actually commence then) always ask the question what were the figures that preceded those displayed, likewise if it appears to stop at a random point then that is probably where the data stopped matching whatever the person drawing the graph wanted to prove.

Percentages are also to be looked at carefully, percentage of what precisely is always a good question. If something is £10 now and £15 next year it is 50% more expensive but the reverse isn’t the case, something £15 and £10 next year is 33% cheaper however it’s amazing how often you see the figure of 50% being used, an example is of the president of a flower growers association in the US who claimed flowers are 100% cheaper than they were last year, what he meant was that the price last year was 100% higher than now, if they were really 100% cheaper they would have to give them away. There are lots more examples in the book and you don’t need any mathematical knowledge to understand any of them, Huff is really good at explaining just why you should be always looking twice at any statistic and the more simplistic the way it is presented then the more cynical you should be.

Darrell Huff wrote this classic back in 1954 and it was then published by Victor Gollancz and first editions now sell for many hundreds of pounds. This is the 1973 first Pelican Books edition and it was Pelican that commissioned Calman’s drawings and is much more reasonably priced. It doesn’t appear to still be in print but copies are easy to find on the secondhand market. Now more than ever this book is needed.

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Making Waves – Duncan MacGregor


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Like another artist whom I featured before in this blog, Sir Robin Philipson, Duncan MacGregor has painted a lot of the art on my walls at home, I like his almost abstract seascapes where with a few apparently simple lines he can express the scurrying movement of a yacht in full sail. In 2013 he wrote this book which along with examples of lots of his work includes a fascinating biographical sketch as to how a boy from the English midlands ended up as a seascape painter and nowadays living for the most part in Scotland away from his native Birmingham. The book is published by DeMontfort Fine Art and is 34cm x 28½cm and came in three editions:-

  • Standard edition, unlimited book at £65
  • Limited edition, book in a box with a signed limited edition print and certificate numbered between 151 and 595 at £165
  • Deluxe edition, book in a box with a signed limited edition print along with an original sketch and certificate numbered between 1 and 150 at £495.

The box for the special editions, both limited and deluxe which is the version I have, has a frame built into the lid which held the print and if appropriate the original painting.  The print that came with all 595 limited or deluxe editions is shown below.

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I have left this with the book in the box however I have framed the original sketch as I wanted that on my walls.

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Although there is quite a lot of text, this is primarily an art book so it is the lovely photographs that draw the reader in and despite the relatively large size of the book there are some fold out pages as well so you can really appreciate the paintings featured

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Paintings also extend over the central page boundary at times so that they use the full height of the page and spread if needed to show the full image whilst included photographs are much smaller. Below are a couple of double page spreads showing Duncan with a couple of his boats. Note the doodled fish in the margins of the lower image, there are little bits of humour like this throughout the volume.

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I particularly like the use of multiple fonts throughout the book which complement the artworks beautifully and there are also some double page images with doodles and handwriting in white on a black background just to play with the print format further

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At the time the book came out MacGregor was experimenting with painting direct onto glass and one of the illustrations shows him at work seen through the panel he was painting. This is obviously complex as effectively the artwork is done backwards, with the foreground and highlights painted first and then gradually covered with the subsequent layers of paint until he reaches what would normally be the first layer of paint on a canvas which is applied last. It does produce an amazing glossy effect though in the finished piece.

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As a final view here are three of his original paintings that are hanging here. Click on an image to see it larger.

Maigret Travels South – Georges Simenon

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This book arrived in the post yesterday having taken almost fifty days to get here from the USA and it occurred to me that I have never actually read anything by Simenon. I wanted it as this is the first edition of the first Maigret book published by Penguin and came from the New York operation set up by Allen Lane and Ian Ballantine during WWII when transatlantic exports were not possible.  It was published in September 1945 whilst the UK parent company didn’t get to Maigret until January 1950 and this title would eventually appear in the UK in January 1952 printed along with nine others as part of the Simenon Million (10 books each in an edition of 100,000 published simultaneously).

Simenon’s novels are quite short so Penguin, along with other publishers, have normally put two together in one volume and this contains ‘Liberty Bar’ along with ‘The Madman of Bergerac’ and even then the book is only 250 pages. Both stories were translated by Geoffrey Sainsbury who translated several of the early Maigret novels printed by Penguin. As they are separate novels only linked by Maigret not being in his regular Paris haunts but much further south I will review them separately.

Liberty Bar

The seventeenth Maigret novel sees the great detective sent off on a murder investigation which apparently requires great tact, something he keeps repeating to himself whenever he gets frustrated by the progress of the case. It’s set in Cannes and Antibes and you can tell straight away that Maigret is not comfortable here. He makes no concession to the location wearing his black coat and bowler hat regardless of the heat and so dramatically stands out where presumably in Paris he would be much like anyone else in the capital. William Brown has been murdered is another mantra he keeps repeating, but his first problem is who was William Brown? Because without understanding that there is no way to work out what had actually happened and why.

My first surprise was nothing to do with the plot but how much alcohol is consumed right from Maigret’s arrival and introduction to the local detective whom immediately suggests going to a bar. Every time we see Boutigues he is either drinking or about to open a bottle and Maigret gets through plenty in his own right especially when he finds Liberty Bar. The characters we are introduced to are wonderfully drawn by Simenon, the four women in particular, the mistress, her mother, the alcoholic bar owner and the prostitute and the time when they finally meet at the funeral, which is engineered by Maigret whist he claims to not know anything about it, is poignant but also funny as they manoeuvre for precedence.

Right up until almost the end I had no idea who had done it and you are cleverly pointed into various dead end possible solutions. My first Maigret story was an absolute delight.

The Madman of Bergerac (Le Fou de Bergerac)

To my surprise the next novel included in this book was written earlier, being number fifteen in the Maigret series, but just emphasised that you really can read any of the seventy five novels plus numerous short stories pretty well in any order. If anything it was also a better story with Maigret solving the murders and the mysterious past of some of the most important characters in Bergerac all from his bed after being shot. I’m not really giving anything away here as that happens very early on in the novel and provides a reason for the Inspector not being able to see for himself what is going on but having to piece everything together from conversations in his room at the hotel where he goes to convalesce.  This plot device is fascinating as Simenon tells the reader Maigret’s thought processes as he slowly unravels the tangled web of lies and half truths surrounding the people he suspects.

The novel starts with Maigret having to go to Bordeaux just to tidy up some loose ends on another case and he takes the overnight train. However the upper bunk of the couchette he ends up in is occupied by a restless man whom in the middle of the night sits up, nervously pulls his patent leather boots over knitted grey wool socks, climbs down the ladder, slips out of the compartment leaving the door open and after waiting for the train to slow down jumps from the carriage. This wait had alerted Maigret as he hadn’t closed the door behind him so he saw him about to jump and got up and followed him being shot by the stranger when he realised he was being pursued.

Who was the mysterious man in grey socks? Why did he jump from the train? And is he anything to do with the murders of women who are strangled and then a long needle inserted in their hearts that has so rattled the town of Bergerac? All this Maigret solves from his bed in one of the best murder mysteries I have read for a long time.

One thing is certain I need to read more Maigret.

In Praise of Folly – Erasmus

20200602 In Praise of Folly

Erasmus of Rotterdam wrote this, probably now his most famous work, in 1509 in Latin and the Folio Society edition that I have uses the Latin title as its cover design Moriae Encomium. By intention this title can also be read as In Praise of More because he dedicated it to his friend Sir Thomas More whom he was staying with in London at the time.

The book is split into sixty seven sections in this edition, although looking at other translations it is not always the case that these are numbered. The text I have was originally produced  for the Penguin Books edition translated by Betty Radice, used by permission by Folio. For a while this use of Penguin texts was relatively common at Folio so presumably they had a formal arrangement to do this. I liked the numbered sections in this text as it gives an easy way of referring to parts but as this is apparently not a standard I will use the opening line of a section if I need to specifically mention it along with the number. This translation also has short footnotes, when Erasmus wrote the book anyone likely to read it would have known the classical examples he refers to but nowadays this is far less likely so a quick guide as to where the quotation has come from and the relevance to the text is extremely useful.

Erasmus decided to make Folly the equivalent of a Greco-Roman goddess addressing the reader as though in a forum or theatre. She introduces herself and her faithful companions

And as for such my companions and followers as you perceive about me, if you have a mind to know who they are, you are not like to be the wiser for me, unless it be in Greek: this here, which you observe with that proud cast of her eye, is Philautia, Self-love; she with the smiling countenance, that is ever and anon clapping her hands, is Kolakia, Flattery; she that looks as if she were half asleep is Lethe, Oblivion; she that sits leaning on both elbows with her hands clutched together is Misoponia, Laziness; she with the garland on her head, and that smells so strong of perfumes, is Hedone, Pleasure; she with those staring eyes, moving here and there, is Anoia, Madness; she with the smooth skin and full pampered body is Tryphe, Wantonness; and, as to the two gods that you see with them, the one is Komos, Intemperance, the other Negretos hypnos, Dead Sleep. These, I say, are my household servants, and by their faithful counsels I have subjected all things to my dominion and erected an empire over emperors themselves.

What follows is, at least at the start, a gentle satire of the foolishness of mankind pointing out how Folly and her companions lead people astray but at the same time saying that the only truly happy people are babes, aged citizens in their dotage and others not fully in control of their mind because only they are not worn down by the cares and realities of life. There are many examples of how her or her companions have affected people for good or ill depending on how you interpret the results, and if the book remained in this vein it would still be well worth reading for the way it pokes fun at pomposity and self-indulgence, greed and wilful ignorance is as relevant today as it was back then. However by section 53, which in this translation begins ‘Then there are the theologians’ you can sense the tone changes. Erasmus is on tricky ground especially in 1509, Martin Luther was still eight years away from writing his Ninety-Five Theses and setting in train the Reformation with his attack on the Pope and other members of the Catholic hierarchy  for the selling of indulgences amongst other things that he regarding as debasing the Christian faith for profit, but Erasmus got in ahead of him.

This was in a time when the office of Pope could certainly be bought, and it cost a lot of money and contacts to work your way up the greasy pole, however the rewards were huge for those that got there. The selling of indulgences was a massive money spinner for the church and ultimately for the Pope himself and this was spreading discontent. What was surprising was that Erasmus felt safe to attack this at the time and not only turned out to be safe in the clever way that he presented his arguments but that his work was the equivalent of a best seller. Erasmus was not an early protestant but he recognised the excesses of the Catholic church and through this book was highlighting the problems that it faced. That he built up to this slowly is of no surprise bearing in mind the recriminations that he could have faced and the power of the church in enforcing discipline in the early sixteenth century.

What starts out as a harmless satire of mankind’s foibles turns into a denunciation of the money grabbing nature of the church at the time, but it is worth noting that Erasmus, and his friend Sir Thomas More, did not support the Protestant breakaway from the Catholic church, and in a roundabout way this would cost More his life as he did not attend King Henry VIII’s wedding to Anne Boleyn which marked the break of England from the Papacy. Erasmus however would be safe back in The Netherlands and would die of natural causes in 1536 having lived though the schism in the church the reasons for which he highlighted in this book but which he couldn’t have foretold.


The Perilous Descent – Bruce Carter

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I probably first read this book about forty years ago when I was the age it is most likely aimed at, what would now be classed as Young Adult by the publishing world, and I doubt I have read it since although the copy I have is still the one I had back then. I had no real interest in books as objects back then so never noticed that it is the first edition printed by The Bodley Head in 1952. The dust wrapper is missing, assuming I ever had one, which I doubt as I would have been careful with it even then and I would have bought the book from a second hand bookseller sometime in the mid to late 1970’s. I do know however that the picture on the wrapper was the same as the frontispiece reproduced above, with the title on the larger parachute and Bruce Carter on the smaller one.

Bruce Carter is the pseudonym of Richard Hough, which he used for the half dozen children’s books he wrote, with more than a hundred more titles in his own name which were mainly regarding ships or wartime escapades although he also wrote a few biographies. In 1952 he was working for The Bodley Head, hence his choice of publisher, and in the 1960’s he moved to Hamish Hamilton where he ultimately rose to the position of Managing Director of the children’s book division, Hamish Hamilton also published this book amongst others by him whilst he worked for them.

The Perilous Descent is a rollicking Boy’s Own adventure story apparently written in alternate chapters by the two Typhoon pilots Danny Black and Johnny Wild who were shot down at the start of the book on their way back to England ultimately ending up on a sand bar about a mile off the Dutch coast sometime in 1944. Hough was himself a Typhoon pilot in the war and had to make a forced landing after being hit during which he badly broke his leg which never properly healed although he lived until 1999. This first hand knowledge as to what the two protagonists would have with them regarding survival aids and how they could use the equipment they had certainly adds to the tale as they try to eke out their meagre rations after falling down a hole on the sand bar and into some mysterious tunnels. Ultimately the only way forward is down a huge cavern but fortunately they still have their parachutes so that is what is depicted in the frontispiece as they drop over 25,000 feet to the unknown world below.

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The land and people they encounter far below the Earth are a strange mix of sixteenth century language, clothes and armaments along with futuristic cities and transport as can be seen in the image above, it is also not a friendly welcome. It turns out that a rebellion had recently occurred and they had been mistaken for some of the rebels, they soon manage to convince the Governor that they are nothing to do with the insurrection and are enlisted to take part in a surprise attack on the rebel stronghold. The story races along and I found myself reading longer sections in one go than I intended to and the denouement, which is foreshadowed in the introduction, has a nice twist right at the end.

The book appears to be no longer in print and I suspect that the Puffin Books edition that came out initially in 1958 and was still being reprinted up until at least 1977 was the last available publication. Children’s books related to the war fell out of fashion around then and although I have greatly enjoyed this nostalgic read I doubt the book would be a commercially viable publication nowadays.

The Age of Scandal – T H White

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First published in 1950, this is my Folio Society edition from 1993, The Age of Scandal is one of White’s lesser known works as nowadays he is most famous for ‘The Once and Future King’ his series based on the tales of King Arthur by Mallory which in turn were adapted by Disney as ‘The Sword in the Stone’ and by Lerner and Loewe as their musical ‘Camelot’. This however is White as a historian although as Raey Tannahill says in her introduction.

It seems wise, therefore, to warn the reader that T.H. White is not – was not, even in his own day – an orthodox historian.

an excursion into eighteenth century history which is outrageously partisan, appallingly opinionated, one hundred percent Politically Incorrect and highly entertaining from first to last.

This is certainly the case, if you like your history of the latter half of the eighteenth century to be apparently written by the gossip pages of the tabloids then this is the book for you and whilst it isn’t a option I had previously considered there is no denying that if any part of, mainly British, history is ripe for such an approach then this is the period. White does stray abroad a little but mainly whilst describing events that include somebody from these isles, the main exception to this is the final chapter but I will come to that in due course. Scandal, gossip and tittle-tattle were the driving force amongst the upper and middle classes for this was the age of the opinionated talkers and the  great letter writers and they had much to talk and write about. The main source for White’s book is Horace Walpole, the youngest son of the Prime Minister Sir Robert Walpole (or probably not as one of the scandals covered by White goes on to explain in considerable detail). To describe him as a prolific gossip would be an understatement, his collection of letters was eventually published by Yale University Press in forty-eight volumes and is available to browse online and White quotes him extensively.

The main talker of the time, I hesitate to call him a conversationalist because he preferred to dominate all conversations, was Dr Johnson and he duly gets a chapter all of his own. I hadn’t realised before reading this how sickly a child he was and how much he was still disabled into adulthood. This makes his rise in society at the time all the more remarkable. Another chapter is entitled ‘Men, Women and Herveys’ and this definitely falls in the one hundred percent Politically Incorrect category as it deals with the Hervey family whose males were all famously effeminate and/or eccentric during the time the book covers, Lord Hervey being ridiculed by Alexander Pope as his character Sporus in his poem Epistle to Dr Arbuthnot. The title of the chapter is however a contemporary quote from Lady Mary Wortley Montague who regarded mankind as split into those three categories as surely the Hervey family were not as everyone else, and it is one of these Herveys who is almost certainly the true father of Horace Walpole.

Other chapters are less specific such as ‘Royal Gossip’ which deals with the convoluted lives of George I, George II, George III and William IV, their actions, their courts, various wives and mistresses and anything else juicy that White feels like including. The following chapter though is probably the most enlightening regarding the reasons why the various characters exposed in this book behaved as they did and that is simply entitled ‘Bottom’.  It is probably best to quote White directly in his explanation of this term.

In the eighteenth century, but particularly under the Regency, a Gentleman was expected to have ‘Bottom’. It was a word of composite meaning, which implied stability, but also what the twentieth century calls ‘guts’. It meant being able to keep one’s head in emergencies, and, in a financial sense, that one was backed by capital, instead of being an adventurer. Bottom, in fact, was synonymous with courage, coolness and solidity.

This was an age of potentially sudden death either from accident or design, armed robbery was common and even Royalty were not immune from being held up by highwaymen but equally criminals were very much subject to capital punishment for crimes as little as burglary and these were quite a spectator entertainment. There were no anaesthetics, you would bear an operation with fortitude to be truly seen as one of the members of society and being to take your drink even in what now would be regarded as unbelievable excess was also to be expected. Dr Johnson is quoted as saying that he ‘had drunk three bottles of port without being the worse for it’ and two gentlemen are described in the book as having drunk ten bottles of champagne and burgundy between them at one sitting without it being regarded as exceptional. Needless to say a lot of people died young, if the alcohol didn’t get them than any of the various diseases prevalent at the time almost certainly would and the upper classes were trained to maintain the ‘stiff upper lip’ from childhood where violent and often sadistic masters would whip their pupils mercilessly.

I said earlier that I would get to the last chapter and this is one that sort of fits the rest of the book whilst feeling somewhat disjointed from it for it deals with the Marquis de Sade. I suspect that White felt that he couldn’t really write a book about his self described Age of Scandal without including such a notorious character but the way he does is surprisingly sympathetic which is out of sorts with everything that has gone before. However as Raey Tannahill puts it at the end of her introduction.

Whatever he may have lacked in scholarly discipline, Terence Hanbury White still deserves to be enjoyed as one of the last, unrepentant upholders of the rumbustious old tradition of Gibbon and Macaulay.

Thrown to the Woolfs – John Lehmann

20200512 Thrown to the Woolfs

This book arrived in a box of mixed titles bought on Ebay for about £10 a couple of years ago, all of which were something to do with books or publishing. I must admit that I barely looked at it at the time as I had purchased the collection of fifteen or so books for a couple of autobiographies that I thought sounded interesting so this just sat on the shelf until last week.  I wish now I had picked it up earlier as, for the most part, it was a thoroughly entertaining read. The book concerns Lehmann’s time either working for or later being a partner in The Hogarth Press, a small publishing house set up by Leonard and Virginia Woolf primarily to publish her books exactly as her and her husband wanted them. Now of course even an author of Woolf’s stature couldn’t keep a press going by her own work alone so they also published books by other writers as well and the company was quite successful from its foundation onwards.

John Lehmann knew Virginia’s nephew Julian Bell from their time at university and when he was deciding about working at the press as the manager Julian warned him that managers didn’t last long as Leonard was far too controlling over the tiniest detail, especially money, and he would have a difficult time. The first part of the book, it’s split into four sections, concerns this fairly disastrous first attempt at working at the press in 1931 and 1932.  The descriptions not only of the cramped offices and working conditions in this section but also of Leonard and Virginia set up the tone of the whole book. Lehmann is clearly a great admirer of Virginia, not only of her work but as a person and when he isn’t actually arguing with Leonard he also gets on well with him but Julian was right, Leonard was impossible as a boss and ultimately the only way forward was for him to leave the business immediately at the end of his initial contract. This caused further ructions between him and Leonard and they barely contacted one another for several years.

The second section has Lehmann in Europe in the lead up to WWII, which is where he made a lot of contacts with up and coming writers across the continent which would serve him well in the coming years. He also started, in 1935, a bi-annual book called New Writing, initially published by The Bodley Head this was looking for a new publisher in 1938 and as things had calmed down by then he approached the Woolfs and this time would end up paying £3,000 (£205,000 in today’s money) for Virginia’s share of the business making him joint partner with Leonard in the Hogarth Press.

The third and fourth parts deal with the eight years from 1938 to 1946 whilst this partnership lasted and make up the significant part of the book not only in pages but also in detail regarding the running of the press and the interactions of the three of them. The sections are split at the suicide of Virginia in March 1941 with by far the happier times being whilst she was alive. Not only does Lehmann tell more about the Press but was also get details of Virginia’s working method and home life. Once Virginia was no longer there to provide arbitration between the two men however things started to go downhill and the one part of the book I found more difficult was a long section where Lehmann quotes verbatim letters between them arguing about which books should be printed or not. Apart from that the book was a very quick read I really wanted to know more so just kept going although you know that the final cataclysm cannot be far off.

In the end Lehmann felt he couldn’t continue as the animosity between the two men over the direction the press should take was just too much and he instigated a clause in the original agreement that either partner could ask the other to buy them out at three weeks notice. This was duly done far faster than Lehmann expected and yet another long period of bad blood between them opened up until oddly in the 1960’s they had yet another rapprochement and as this time they didn’t end up working together this seemed to go well until Leonard’s death at the end of that decade.

The book was published by Widenfield and Nicolson in 1978 in the UK and Holt, Rinehart, and Winston in 1979 in America. Neither edition appears to have been reprinted but both are easily available via abebooks and is definitely worth adding to the shelves of anyone interested in books.

On Britain and Germany – Tacitus

20200505 On Britain and Germany

Back in January 1946 Penguin Books started a new series which is still going way beyond the dreams of the originators, that was Penguin Classics featuring all new translations of classic literature from around the world especially created for the series. They started in Greece with Homer’s Odyssey and the first Latin title was this one featuring two of the books by Tacitus, which was the fifth book in the series coming out in September 1948. On Britain and Germany is actually his two works Agricola and Germania and they were translated by Harold Mattingly who also wrote an extensive introduction along with the notes and glossary. His additional information in fact takes up almost half of the book at seventy six pages with Agricola being forty eight pages and Germania just forty.


Representing Britain in this volume is Tacitus’s biography of his father in law Gnaeus Julius Agricola and whilst it does indeed include commentary on his seven years in charge of the conquest of most of Britain it does spends a significant amount of time back in Rome. Tacitus starts this work by stating that biographies are disapproved of in the current Roman society but that he will write this one anyway but unfortunately whatever his abilities as a historian way be revealed in his other works this is not a good example. He rarely states where any of the military actions he describes take place and his grasp of dates is also somewhat tenuous which makes working out what is going on quite tricky. He also has a rather odd idea as to the geography of Britain, stating that it is diamond shaped and not far from Spain with the island of Ireland being between the two countries.

This is where the text by Mattingly really comes into its own not only in the introduction, which prepares you for the lack of details but the notes which accompany almost every chapter clarify quite a lot of the text. One thing I really liked about this edition is that the notes are at the back of the book rather than at the bottom of the relevant pages, this allows the reader to more comfortably concentrate on the text and then pick up on the notes either as they go on or, as I did, complete Agricola and then read the notes. As stated above it is a fairly short biography so this is entirely practical.


Tacitus has barely started his description of Germania when he comes up with a sentence that I can safely assume is not one quoted by the German tourism authorities.

who would leave Asia, Africa or Italy to visit Germany, with its unlovely scenery, its bitter climate, its general dreariness to sense and eye, unless it were his home.

and a little later

The country in general, while varying somewhat in character, either bristles with woods or festers with swamps. It is wetter where it faces Gaul, windier where it faces Noricum and Pannonia.

He was remarkably polite about Britain in comparison, Noricum is modern Austria whilst Pannonia roughly equates to Hungary. After spending time being rude about the land he turns his attentions to the peoples and tribes of Germania, this is a place that includes not only present Germany but parts of France, Switzerland, the northern Netherlands and Poland. Beyond them is believed to be a great ocean rather than the Baltic Sea and the Romans seem to have almost no knowledge of Scandinavia. Rome appears to have only recently become aware of most of these peoples at the time of Tacitus and then only from contact through war so his descriptions of their lives are short of details and sometimes confused but he does discern a significant number of different tribes and kingdoms but does not ascribe what he would regard as civilisation to any of them other than the ones that have regular dealings with the Romans. His most damning assessment is applied right at the end of the short book with the little he has gathered regarding the Suiones (southern Swedes) and a neighbouring tribe that is only mentioned in Germania so is probably a misunderstanding by Tacitus of the same people or another part of Sweden.

Continuous with the Suiones are the nations of the Sitones. they resemble them in all respects but one – woman is the ruling sex. That is the measure of their decline, I will not say below freedom, but even below decent slavery.


The book appears to have gained its original title in Penguin simply because it was translated soon after WWII finished and certainly in the notes Mattingly can be quite jingoistic at times for example in his opening line regarding Germania.

a detailed account of a great people that had already begun to be a European problem in the first century of our era, should still have a message for us in the twentieth.

It is clear that the choice of title was made to entice potential readers after the war whilst maybe calling it Agricola and Germania might not have done as much. Amazingly seventy four years after its first publication Mattingsly’s translation is still the one in the Penguin Classics catalogue, which now runs to well over a thousand titles, and most of the early titles have been completely replaced with updated translations. However it has been revised twice, initially presumably to replace the dated style of the introduction and notes but also to rename the book to the more useful ‘Agricola and Germania’ so that it is clearer what is actually included. The first revision was done by S.A. Handford and was published in October 1970, this book was renumbered from L5 to become L241 and the original version dropped. In 2009 it was revised again, this time by J.B. Rives and now has the ISBN 9780140455403 which makes it the equivalent of L540 when you breakdown the code and the Handford version is no longer available.


The book was very enjoyable and a good introduction to the works of Tacitus via two of his minor writings, what I now need to do is tackle his major works ‘The Annals’ and ‘The Histories’. Tacitus was a Roman senator so well placed to view the intrigues of the emperors and their rivals and this he covers in those more important works. Having the viewpoint from an insider of how the Roman empire was actually governed should be really interesting, I knew nothing about Tacitus before I read this book so I definitely need to find out more.

The Good Life – Dorian Amos

20200428 The Good Life

I have written about The Yukon sixteen months ago whilst reviewing some of the poetry of Robert Service and that also included some of my photographs of my time there in June 1995 with a friend paddling along the Yukon river from Whitehorse the same as Dorian and his wife Bridget would do four years later almost to the day. The difference is that Dave and I were doing it for fun and would leave Yukon by the end of the month, Dorian and Bridget were aiming to live there and had no idea how they were actually going to do this. It truly is wilderness, The Yukon Territory is 186,272 miles² (482,443 km²) which makes it big enough to fit in continental European countries Germany, The Netherlands, Belgium and Denmark together with room to slot in Cyprus. In all that space only 35,874 people live there (2016 census) of which 25,085 live in the capital, Whitehorse. The next biggest place is Dawson (pop. 1.375) and that is where Dave and Bridget were heading.

The book starts in 1998 in Polperro, a pretty coastal town in Cornwall, England, which is heavily dependent on tourism and fishing for its local economy. Dorian had a shop selling his pictures called Amosart and Bridget was a newly qualified psychiatric nurse, life was finally becoming easier after years of study and hard work building up a viable business, but Dorian was becoming bored and longed for some adventure in his life. Then a few months later, over an evening meal of fish and chips.

I heard her sigh “I’m sick of this shit” and I sat up with heart pounding. “Are you?” I said. “We can make a change you know.” Bridge looked at me in away she had only started to do after qualifying as a psychiatric nurse. I took the plunge and told her about my now overwhelming urge for adventure.

When I’d finished and slumped back into my chair, she said “if you think about something too much, you just talk yourself out of it and never do it. We are only here once. Let’s go get some action! Can you pass the salt please?”

Six months later Dorian was on his way to Canada, chosen mainly as they had relatives there so could get help with choosing where they wanted to be. Bridget was to follow four months after when her contract finished. The one practical thing they had done in the meantime was take a week long course on woodlore and bushcraft with survival expert Ray Mears but as he says in his introduction to the book

If I’d known then what Dorian and Bridget had in mind. I would certainly have advised further tuition in bushcraft, pointed them at expert canoe coaches and a host of other instructors.

However ignorance is bliss.

Soon after arrival in Canada Dorian purchased a truck which he nicknamed Pricey, not because it cost a lot of money but the repair bills certainly did, and started to accumulate items needed to exist in the wilderness but on a very tight budget. This meant that as tents were expensive he bought canvas to make his own and soon discovered why tents were so expensive. He also bought a dog called Boris partly as a companion and partly to protect Bridget and himself from wild animals, something that Boris proved many times over the coming months and years that he was incapable of, being more likely to hide behind them if any animals approached, assuming that he woke up anyway. Dorian writes with self deprecating humour regarding their travails in the wild open Canadian countryside and their total lack of preparedness. The trip up the Yukon after Bridget had joined him showed just how wild the country was and how much they had to learn, for example to avoid having to live on soup they were carrying with them they really needed to go fishing but neither of them had ever fished and despite buying the equipment didn’t know how to go about catching anything. The passages describing their fishing attempts are really funny and you feel their elation when weeks later they finally catch something much to their own surprise.

After getting to Dawson they turned back and explored the possibilities of living by one of the thousands of lakes closer to civilisation but found that these were already inhabited or were the play areas of people from the nearby towns so eventually decided that Dawson was the place for them. This time Bridget would go on ahead and get settled and a job whilst Dorian would stay at Bridget’s relatives and get a job there to pay for much needed repairs to Pricey and get some more equipment.  Eventually the two are together in Dawson, or at least on either side of the river as they eventually found a plot to build a cabin on opposite the town so whilst Bridget stayed in Dawson working as a waitress then as a support person for pregnant women, Dorian tried to build a cabin.

I won’t say any more about how this goes except that as you can imagine building a home from scratch when you have never attempted anything like this before, in a freezing Yukon winter (minus 20 degrees is a warm day) , on your own, largely in the dark as days are short that time of year was not a simple task. The book is full of details as to how they get along and amazingly they not only survive but thrive and Dorian is good at describing a scene so that it is easy to visualise.

The book was published by Eye Books who seem to specialise in first time authors, especially with stories to tell like this one and whilst looking to see if this book was still available found that Dorian has written a follow up where he gets ‘gold fever’ and I’ve no doubt that it is a funny as his first.