Guard Your Daughters – Diana Tutton

The second of the three Persephone books that I purchased from them at their own shop in Bath back in September this year. The first one I featured was ‘To Bed With Grand Music’ by Marghanita Laski which was also in their distinctive all grey binding and dust jacket. Persephone specialise in twentieth century female writers a large number of which have largely been forgotten nowadays, certainly I had never heard of Diana Tutton before buying this book. It turns out that this was Tutton’s second novel, but the first to be published, back in 1953 by Chatto and Windus, she would go on to write one more novel whilst living in Malaya in the early 1950’s before returning to the UK with her husband and apparently retiring from writing as I can find no other works by her other than these three novels. Guard your Daughters was easily her biggest hit and largely favourably reviewed at the time including by such literary luminaries as the future Poet Laureate John Betjeman who described it as ‘A really talented first novel’ in his review in the Daily Telegraph newspaper. Persephone Books have rather unusually included an afterword made up of contemporary reviews up to modern day blogs, I have to say that the more modern takes on the novel are nowhere near as complimentary as the reviews from the 1950’s and that I have to agree with them. Whatever ‘charm’ the book had when it first appeared has largely evaporated over the decades and I took weeks to read it despite it only being 250 pages long, picking up other books to read and review whenever I got totally fed up with the five Harvey sisters, their tedious father and their awful mother.

The father is apparently a famous mystery novelist although the pseudonym that he writes under is never mentioned and he spends most of his time in his study composing the books that have made him wealthy occasionally appearing to eat and in the evenings drink sherry before vanishing again to his room. The mother spends most of her time taking to her bed following whatever perceived slight she has objected to most recently and controlling her daughters to an obsessive degree so that none of them have ever been to school and are largely kept from any form of socialising, being effectively confined to the house except when needed to go on errands. As the book starts the eldest, Pandora, has escaped the oppressive atmosphere of the house by somehow getting married leaving behind her four sisters, in order of age, Thisbe, our narrator Morgan, Cressida and finally Teresa who is fifteen. The names are as pretentious as the girls are snobbish, seeing themselves as special because of their father and charmingly eccentric due to their odd existence cut off from the modern world without formal education, social life, telephone, or car rather than bizarre. The writing is all over the place as well with most things described in the present tense but then all of a sudden near the end of the book it’s Morgan looking back over the years at what had happened. Morgan is also not an interesting narrator which is another reason I kept putting the book down, frankly I didn’t care what these young women were doing in their extremely odd household where their mother did nothing other than flower arranging and having nervous collapses, leaving all the household duties to the girls, which are tediously described, and the one remaining servant who was mainly a cleaning lady as far as I could tell from her random appearances.

The girls attempts to add male company and presumably an escape from the house as Pandora managed are thwarted by the controlling interests of their parents but near the end of the book it looks like finally they may be set free. According to the Persephone Books website there was going to be a sequel where they did lead their own lives but this was unfinished. Frankly I’m happy Tutton never completed it, presumably she got as fed up with the Harvey sisters as I did.

Diana Tutton wrote a sequel in the late 1950s which, alas, was never published. It was called Unguarded Moments and its setting is London seven years after Mrs Harvey had a total breakdown and all the girls moved out: to freedom and their own lives. Morgan has married and had two children. In this novel, too, there is a dark side: one of her children disappears and is not found for a heart-stopping few hours.

Persephone Books website – see here

I will probably give this book away rather than find a home for it on the shelves as I’m unlikely to want to read it again, pity as I enjoyed Laski’s work and am really looking forward to the third book I bought in Bath which will be tackled sometime in the new year. As with the Laski there are patterned endpapers with a matching bookmark, this time it is taken from a 1953 printed cotton by Susie Cooper for Cavendish Textiles.

À rebours – Joris-Karl Huysmans

It was the strangest book that he had ever read. It seemed to him that in exquisite raiment, and to the delicate sound of flutes, the sins of the world were passing in dumb show before him. Things that he had dimly dreamed of were suddenly made real to him. Things of which he had never dreamed were gradually revealed.

It was a novel without a plot and with only one character, being, indeed, simply a psychological study of a certain young Parisian who spent his life trying to realise in the nineteenth century all the passions and modes of thought that belonged to every century except his own, and to sum up, as it were, in himself the various moods through which the world-spirit had ever passed, loving for their mere artificiality those renunciations that men have unwisely called virtue, as much as those natural rebellions that wise men still call sin.

The Picture of Dorian Gray (chapter 10) – Oscar Wilde

When I recently read ‘The Picture of Dorian Gray‘ I assumed that the book referred to as the inspiration of Gray’s sensual explorations and obsessions was simply a device invented by Wilde, so I was surprised to discover that in fact the book actually existed. Wilde confirmed that À rebours by Huysmans was the book during his failed libel trial against the Marquess of Queensbury in 1895, and I found that not only did it exist but that a copy was already on my shelves, and had been for probably twenty years although sadly neglected, in form of the Penguin Books translation of 1959 with its title translated as ‘Against Nature’, it is also known as ‘Against the Grain’.

Charles-Marie-Georges Huysmans, who wrote as Joris-Karl in a tribute to his father, was a career civil servant, author and art critic living in Paris between 1848 and 1907 and was far from the character of the aesthete, Des Esseintes, who is the ‘hero’ of Against Nature. I put the word hero in quotes advisedly as the Duc Jean Des Esseintes is far from heroic being “a frail young man of thirty, who was anaemic, with hollow cheeks, cold eyes of steely blue, a nose that turned up, but straight, and thin papery hands”. This then is the subject of the book with other characters reduced to mere cyphers as he keeps himself away from all other human contact as far as possible. Even arranging that his two servants rarely see him and they live in a sound deadening apartment in a separate part of the house so that their existence doesn’t impinge on the solitude and quiet so desired by their master. Huysmans is clearly highly educated and very well read as demonstrated by the third chapter of the book, in this edition at least as translations vary between the chapter breaks, which is largely a harangue on the Latin writers from Virgil, just before the Christian era, to the eighth century Anglo-Saxon ecclesiastical authors whilst featuring the Des Esseintes library.

It is only fair to add that, if his admiration for Virgil was anything but excessive, and his enthusiasm for Ovid’s limpid effusions exceptionally discrete, the disgust he felt for the elephantine Horace’s vulgar twaddle, for the stupid patter he keeps up as he simpers at his audience like a painted old clown was absolutely limitless.

Sallust, who is at least no more insipid than the rest, Livy who is pompous and sentimental Seneca who is turgid and colourless, Suetonius who is larval and lymphatic, Tacitus who with his studied concision, is the most virile, the most virile, the most sinewy of them all. In poetry, Juvenal, despite a few vigorous lines, and Persius, for all his mysterious innuendos both left him cold. Leaving aside Tibullus and Propertius, Quintilian and the two Plinies, Statius, Martial of Bilbilous, Terence even and Plautus whose jargon with its plentiful neologisms, compounds and diminutives attracted him, but whose low wit and salty humour repelled hm.

Translation by Robert Baldick – Penguin 1959

Well that just about sums up most of the famous ancient Roman writers and presumably these are not just the supposed opinions of Des Esseintes but that of the author as well, the denigration of the Latin poets and later biblical scholars continues for several more pages as he moves through history. Two more chapters near the end of the book perform similar attacks on French literature but as these concentrate on liturgical authors and what Huysmans himself describes as minor writers I found these far more difficult to read as I wasn’t familiar with the works discussed. Another chapter represents the Des Esseintes art collection where Huysmans has him own Gustave Moreau’s ‘Salome Dancing Before Herod’ and ‘The Apparition’ both of which are described at length along with prints by Dutch artist Jan Luyken of medieval torture scenes along with other works. We are now roughly a third of the way through the book and I can see the fascination that this book must have had for Oscar Wilde, the descriptions are sumptuous, if at times macabre, but the book is so unlike anything else I have read apart from the work that it clearly inspired, that of Dorian Gray. Here we have a character determined to absorb all they can from the great art and literature to the exclusion of anything and anyone else, a man with a fine eye to colour and the effects that different lighting has upon it and a determination to appreciate all that he sees as good. A man who lives almost entirely in artificial light as he wakes in the evening and breakfasts then does as he pleases before dining in the early hours and going to bed as the sun rises so what looks good by candlelight is an essential consideration.

Later chapters cover, amongst many other things, his fascinating, although short lived collection of hot house flowers, deliberately chosen to look fake in texture and colours in contrast to his existing man-made floral displays that are masterpieces of realism. A detailed account of his bedroom also features where again artifice triumphs over nature with fine materials displayed to mimic the austerity of a monks cell such as the yellow silk on the walls to represent the paint on plaster of his original subject. All in all I loved this book and I’m glad I read it after ‘The Picture of Dorian Gray’, its very obscurity up until then had caused me to bypass in my shelves until I was truly ready to read it. I must admit I expected a difficult read and was pleasantly surprised as to how quickly I was absorbed in the work and apart from the previously noted French literature issues the 200+ pages largely flew past. Admittedly with several pauses where I looked up various things such as some of the paintings or flowers itemised by Huysmans which I was not familiar with, but that he had piqued my interest with to make sure I fully appreciated the points he was making and the exactitude of his representations of them,

Carry On Jeeves – PG Wodehouse

There are times when only a PG Wodehouse will do. I’ve featured two of his books before on this blog, Summer Lightning back at the end of November 2019 and The Clicking of Cuthbert in September 2021, Summer Lightning is one of the Blandings Castle novels set in a stately home in Shropshire, whilst The Clicking of Cuthbert is a collection of short stories featuring golf. You can see from this description that there is a noticeable gap in my descriptions of the works of Wodehouse and that is the thirty five short stories and eleven novels that make up the Jeeves and Wooster canon. I do have all of these in three boxed sets from The Folio Society beautifully illustrated by Paul Cox, and I have chosen this book comprising of ten stories because it includes the appearance of the indomitable gentleman’s gentleman Jeeves into the life of wealthy dilettante Bertie Wooster. This story ‘Jeeves Takes Charge’, originally published in 1915, begins with Bertie very badly hungover when his new valet arrives from the agency:

I crawled off the sofa and opened the door. A kind of darkish sort of respectful Johnnie stood without.

‘I was sent by the agency, sir,’ he said. ‘I was given to understand that you required a valet.’

I’d have preferred an undertaker; but I told him to stagger in, and he floated noiselessly through the doorway like a healing zephyr. That impressed me from the start. Meadowes had had flat feet and used to clump. This fellow didn’t seem to have any feet at all. He just streamed in. He had a grave, sympathetic face, as if he, too, knew what it was to sup with the lads.

‘Excuse me, sir,’ he said gently.

Then he seemed to flicker, and wasn’t there any longer. I heard him moving about in the kitchen, and presently he came back with a glass on a tray.

‘If you would drink this, sir,’ he said, with a kind of bedside manner, rather like the royal doctor shooting the bracer into the sick prince. ‘It is a little preparation of my own invention. It is the Worcester Sauce that gives it its colour. The raw egg makes it nutritious. The red pepper gives it its bite. Gentlemen have told me they have found it extremely invigorating after a late evening.’

I would have clutched at anything that looked like a lifeline that morning. I swallowed the stuff. For a moment I felt as if somebody had touched off a bomb inside the old bean and was strolling down my throat with a lighted torch, and then everything seemed suddenly to get all right. The sun shone in through the window; birds twittered in the tree-tops; and, generally speaking, hope dawned once more.

‘You’re engaged!’ I said, as soon as I could say anything.

The hiring of Jeeves would prove to be the best thing Bertram Wooster would ever do and many a time Jeeves would get him out of terrible problems, often caused by Bertie’s friends although sometimes by Bertie himself. This book comprises of ten of the short stories an was first published in 1925 by Herbert Jenkins Ltd and as well as introducing us to Jeeves the stories are set around the first few novels. It isn’t necessary to have read the other stories before this collection although there are some spoilers regarding plots, most noticeably around Bertie’s interaction with the Glossop family which assumes that the reader is familiar with them. The odd thing is that although this collection includes the hiring of Jeeves, the collection of eighteen short stories (some of which were originally published in combination) in The Inimitable Jeeves was first published in 1923 and includes much of the appearances of Sir Roderick Glossop and his daughter Honoria whom Bertie gets engaged to twice only for Jeeves to successfully extricate him both times.

The other thing to bear in mind is that Wodehouse started writing about Jeeves and Wooster in 1915 and wrote his final novel about them, ‘Aunt’s Aren’t Gentlemen’, in 1974 so a spread of almost six decades but none of the characters age more than about five years over this period and the lifestyle of Bertie is firmly rooted in the 1910’s and 20’s. It also needs to be understood that the First World War doesn’t impinge on the books at all and it is easier to assume whilst reading them that almost the whole story line is set in the early 1920’s. The one obvious exception to this is the novel ‘Ring For Jeeves’ which is clearly set later and is the only Jeeves book which doesn’t feature Bertie Wooster.

Of the ten stories in ‘Carry On Jeeves’ four are set in New York where Bertie had taken refuge to avoid the wrath of his aunt Agatha and one in Paris where he is simply on holiday for a couple of weeks whilst the rest are in his native England. Wooster is sufficiently wealthy that he doesn’t have to work for a living so Wodehouse is free to place him wherever he fancies which includes hiring a house for an extended holiday by the coast. It is also clear that Bertie is not the brightest of chaps but then again neither are most of his friends, with the intellectual status being almost entirely given to Jeeves. Almost all the stories and novels are written from the perspective of Bertie but this collection includes the only one seen from Jeeves’s viewpoint ‘Bertie Changes His Mind’, where Jeeves is worried that he might be about to be let go by Bertie and is determined to make sure that this doesn’t happen. For Jeeves, despite his occasional disagreements with Bertie, largely over his sartorial choices, knows that his employer is one that is worth retaining especially compared to some of the others he has worked for.

I love the works of PG Wodehouse as his gentle comedies are invariably just the thing to brighten the day and they are beautifully written. You can read one of the various series such as Jeeves and Wooster, Blandings Castle or the Psmith stories or pick one of the numerous stand alone works that together comprise the around a hundred novels and collections of short stories along with over fifty plays and scripts that he wrote over more than seventy years, Indeed he was working on another Blandings novel when he died aged ninety three.

Fermat’s Last Theorem – Simon Singh

Published in 1997 as a follow up to a BBC documentary about the discovery of a proof of Fermat’s last theorem in 1994/5 this 362 page book takes a deep dive into the history of the theorem and the various attempts at a solution over the 358 years that it remained a mathematical puzzle. The joy of Pierre de Fermat’s last theorem is that it is very simple to understand but turned out to be incredibly difficult to prove. Anyone who has had Pythagoras’s theorem relating to the sides of a right angled triangle drummed into them at school will understand the basic concept. That theorem states that the square on the hypotenuse equals the sum of the squares on the other two sides or put simply in a diagram with the best known whole number solution as an example:

Fermat stated that although this clearly works for squared numbers, and indeed there are infinitely more combinations of whole number solutions (such as x = 5, y=12 and z=13 as 25 + 144 = 169) there are no whole number solutions if the power that you raise x, y and z to is greater than 2. Fermat stated that he had a proof, although he wrote this in the margin of his copy of the ancient Greek mathematician Diophantus’s Arithmetica and stated that ‘the proof was too large to fit in the margin’. Fermat was a mathematical genius but also extremely annoying as he would often taunt fellow mathematicians by writing to them that he had discovered a proof to some mathematical conjecture and challenge them to also find the solution and would rarely write down his own proofs in a rigorous manner. Certainly no example of Fermat proving his last theorem has ever been found. Fermat of course didn’t refer to it as his last theorem, it gained the name as slowly all his other conjectures were proved correct leaving just this one which would become notorious and also the driver of other mathematical insights as people tried to prove, or disprove, it over more than three and half centuries.

Let’s come back to that date of 1994/5 for the final proof. English mathematician Andrew Wiles had worked for many years on attempting a proof, but without admitting to his fellow mathematicians that he was working on it as it was seen as a waste of time and as a professor at Princeton University, New Jersey, USA it wouldn’t be appropriate to be seen to have an interest in the subject. However all that changed in the mid 1980’s when it was shown that Fermat’s last theorem would be effectively proved if there was a proof discovered to the seemingly unrelated Taniyama-Shimura conjecture. This conjecture deals with two extremely complex areas of mathematics and indicated that they were inter-related and indeed one could be used to solve problems in the other. These two concepts were elliptic curves, which were Wiles’s Phd speciality and modular forms, a four dimensional topological ‘structure’. Now I sort of understand the basics of elliptic curves but the use of modular forms is beyond me even with the basic description provided by Simon Singh in this book. Wiles saw this as a legitimate use of his time and would give him a proof of Fermat, which had fascinated him since he was ten years old, whilst working on a ‘genuine’ mathematical problem, the proof of Taniyama-Shimura. The problem was that this, like Fermat’s last theorem, was considered impossible to prove. He still decided to work in secret though and for many years came up against brick walls preventing his proof from working until in 1994 he took three lecture slots at a convention in Cambridge, England and under the deliberately opaque title of “Modular Forms, Elliptic Curves and Galois Representations” endeavoured to present his proof. The mathematical world was astounded and Wiles was hailed for his outstanding achievement, problems however were found during the rigorous checking before the proof could be published and it took several more months before Wiles finally fixed the error in his proof hence 1994/5 being given as the date of the solution. The 1994 proof was so close to being correct, but relied on another conjecture which it turned out wasn’t proved so proving this other theorem was what took the extra time.

Now it may well be, if you are still reading this blog, that you are thinking no way am I going to read this book it sounds far to complex but you would be wrong. Singh has done a remarkable job in not only summarising Andrew Wiles’s work and still making it approachable, but the history of the various attempts to solve Fermat is fascinating. I first read this book back in 1997 when it came out and have picked it off the shelves two or three times in the intervening decades and each time I love descriptions of the failed attempts and the progress, or otherwise, that they led to, along with the various other puzzles included which help to get your brain engaged in the problem. Each time I get that little bit further in understanding just what Wiles actually proved with the specific part of the Taniyama-Shimura conjecture (named after the two Japanese mathematicians who came up with it in 1957). Taniyama-Shimura would finally be proved for all variants in 2001 by four of Andrew Wiles’s former students and renamed The Modularity Theorem. A note on terminology conjectures are unproved but seem to work, theorems are fully proved

Give your brain a workout, I definitely recommend giving it a go.

Tiffany Aching’s Guide to Being a Witch – Rhianna Pratchett & Gabrielle Kent

I’m writing this on Friday 10th November having received my copy of this book on the morning of its publication day, yesterday, and spent several happy hours reading it, finishing around 2:30pm yesterday afternoon. I think that tells you how much I enjoyed this first foray into her father’s literary world made by Rhianna and I hope that there will be more to come. When Sir Terry died Rhianna said that she would definitely not be continuing her father’s Discworld novels, and despite initial appearances this book does indeed stick to that line as it is another of the ancillary Discworld books such as Mrs Bradshaw’s Handbook, The World of Poo, the various atlases, or even the assorted diaries, maps, plays and guides all of which were written by people other than Terry Pratchett but based on his works with his approval and undoubted tinkering. Sadly Terry is no longer with us to give his blessings to this book but I’m sure he would have done so as Rhianna has stepped carefully into her father’s legacy with the assistance of Gabrielle Kent, whom I admit not knowing anything about other than she writes the Alfie Bloom series of childrens books, and the wonderful artwork of Paul Kidby who has signed my copy.

Based on the five ‘young adult’ Tiffany Aching books written by Terry , which include his final novel ‘The Shepherd’s Crown’, the book is beautifully designed as a guide to witchcraft by Tiffany but with apparently hand-written notes by other characters from these books such as witches Esme Weatherwax, Nanny Ogg, Miss Tick and the Feegle Rob Anybody along with additional notes from the witch Mrs Letice Earwig inserted so she can complain. Do you need to have read the books before reading this one? Frankly yes. Not only will you understand better what is being covered in the two hundred pages of this work but it basically consists of a huge number of spoilers for the other five books so you definitely don’t want to start here. Below is one of the pages from the main text (carefully chosen so as not to include any spoilers), all of which are full colour and covered in illustrations by Paul Kidby, it really is a pleasure to read the book and admire the artwork.

If you are intrigued by the illustration of the carved chalk figure behind the Feegle it is an accurate depiction of the 180 feet high (55 metres) Cerne Abbas Giant carefully censored by the appearance of the Feegle head to hide his most obvious feature and keep the book child friendly.

The text does contain a lot of original content but also consists of retelling, from Tiffany’s viewpoint, stories from the five Tiffany novels and also other tales from the Witches series of books going all the way back to the third Discworld title, ‘Equal Rites’ in 1987. Equal Rites told the story of Eskarina Smith, the only female wizard, whilst the forty first and final Discworld novel, ‘The Shepherds Crown’ in 2015, in a neat closing of a vast circle includes Geoffrey Swivel the only male witch, both of these characters feature in the new book. The pictures also go back over the decades with old illustrations intermingled with brand new work, some of the older depictions of the characters come from the now difficult to find calendars and diaries so it is good to see them re-used in a book where they can be appreciated by more people, Paul Kidby first started working with Terry back in 1993 doing artwork for the calendars and diaries and various other books but not the novel covers as these were the work of Josh Kirby, sadly Kirby died in 2001 and Kidby took over as the artist of choice by Terry for the novel covers and almost everything else and it is his depictions of the characters and places that are now most familiar to people.

I hope you enjoy the book as much as I did but make sure to read the five Tiffany Aching books first. These are, in order, ‘The Wee Free Men’ (2003) ‘A Hat Full of Sky’ (2004) ‘Wintersmith’ (2006), ‘I Shall Wear Midnight’ (2010) and ‘The Shepherd’s Crown’ (2015). You don’t need to have read any of the earlier Witches series of books before tackling these but they are good so why not? There is a final joke that I almost missed as it is on the back of the dust wrapper. Feegles will steal anything and here they are making off with the barcode block.

The Compleat Angler – Izaak Walton

First published in 1653, so 370 years old this year, my copy is the first Penguin edition from January 1940 and like the first book in the natural history theme for August which was Gilbert White’s ‘The Natural History of Selborne‘, it was intended to be part of the second series of Penguin Illustrated Classics which never happened. Only these two books made it as far as being illustrated, this one with lovely wood engravings by Gertrude Hermes, before the project was cancelled.

Born in Stafford (a town in the English Midlands) in 1593 Izaak Walton originally went into trade as an ironmonger in London and retired in 1644, aged just fifty one, moving back north to Staffordshire where he became a well known countryman and after the publication of this book in 1653 a famous angler. His retirement appears to be linked to the royalist loss in the English civil war as he was a staunch supporter of the King and London was probably uncomfortable for him during the Cromwellian period. Walton would live to be ninety, a remarkable age for the time, and he kept updating The Compleat Angler for a quarter of a century as he came up with things he felt he wanted to add. The book consists of a series of conversations between a Piscator (angler) and a Venator (hunter) along with other characters but these two are the main ones as the Piscator, clearly Walton himself, aims to teach the Venator the noble art of fishing and how to catch the various species of fish in the local rivers. At times the text can be a little tedious if, like myself, you aren’t a fisherman, for example there is a long section which describes various artificial flies used for catching trout and how these should be made, with which feathers, threads and other materials. However the book is largely enjoyable even if you aren’t an angler for its descriptions of country life and the songs and poems that a liberally spread throughout the text.

The Angler’s wish.

I in these flowery meads would be:
These crystal streams should solace me;
To whose harmonious bubbling noise
I with my Angle would rejoice:
  Sit here, and see the turtle-dove
  Court his chaste mate to acts of love:

Or, on that bank, feel the west wind
Breathe health and plenty: please my mind,
To see sweet dew-drops kiss these flowers,
And then washed off by April showers:
  Here, hear my Kenna sing a song;
  There, see a blackbird feed her young.

Or a leverock build her nest:
Here, give my weary spirits rest,
And raise my low-pitch'd thoughts above
Earth, or what poor mortals love:
  Thus, free from law-suits and the noise
  Of princes' courts, I would rejoice:

Or, with my Bryan, and a book,
Loiter long days near Shawford-brook;
There sit by him, and eat my meat,
There see the sun both rise and set:
There bid good morning to next day;
  There meditate my time away,
  And Angle on; and beg to have
  A quiet passage to a welcome grave.

It is these poems and songs along with various descriptive sections that Walton mainly added in his various iterations of the book, the technical sections of how to fish and suggestions as to how prepare the catch for the table are largely unchanged through the published versions. The book is split into five days, the first of which is quite short and is largely an introduction via a four mile walk between the Piscator, Venator and Auceps (a man with hawks) who compare the advantages and pleasures of hunting in water, on land and in the air. This is where the Venator decides to become the Piscator’s pupil therefore leading to the rest of the book however the Auceps is never referred to again after this opening chapter. From day two the lessons on fishing begin and the two men are occasionally joined by the Piscator’s brother, Peter, and his friend Coridon, along with a couple of milkmaids who turn up a couple of times and appear to be there mainly to sing some songs and a few other people who are mentioned just once.

It’s a somewhat odd book, being unsure if it is a technical manual on fishing or a book of songs and poetry with countryside tales. I suspect the first edition was much more the manual but as Walton kept adding to it, taking the book from the original thirteen to the final twenty one chapters over twenty three years it somewhat lost its way. It’s largely an interesting read for the fishing layman and I’m glad I’ve finally read it.

The Hills of Adonis – Colin Thubron

First published in 1968, Colin Thubron’s second book finds him still in the Middle East, his first book from the previous year ‘Mirror to Damascus’ covered his travels in Syria and for his third which came out in 1969 he stayed in the same geographical region with a book set in Israel entitled ‘Jerusalem’. None of these early works are particularly well known today, especially compared to his more recent travelogues, indeed the most recent publication of ‘The Hills of Adonis’ I can find is from fifteen years ago, whilst my copy was published in 1987 during the last few years of the Lebanese Civil War. Thubron spent four months walking around Lebanon, a country of just 4,036 square miles (10,452 square km) so slightly less than half the size of Wales or for Americans roughly the size of the two smallest states combined (Delaware and Rhode Island) so it was possible to cover most of the sights in the country on foot in this time frame.

Thubron weaves his way up the country from the southern border with Israel, which even in the mid 1960’s was already a dangerous place to be, up to the northern border with Syria visiting most of the significant places on the way. The first part of the book however is also concerned with a breakdown of the mythology prevailing ancient Lebanon and for me this was convoluted and unnecessary in the amount of detail and number of pages dedicated to it. Fortunately after the first few chapters Thubron largely drops the subject and proceeds to describe the history, geography and most importantly the people of this tiny but extremely culturally diverse country. This is where the book really gets into its stride although it can be difficult at times to determine if he is writing about the near or ancient history of a place, he does rather bounce around a lot. But the people he meets are fascinating and because he includes tiny villages as well as the metropolitan centres you start to get a feel for the various peoples, the Maronites and Druze, the remains of ancient and isolated monastic orders, the agricultural people of the mountains and the largely more prosperous people of the coastal regions especially as he moves further north.

In the late 1960’s, at the time Thubron was travelling in Lebanon, it was a place largely at peace. This was before the civil war which would destroy large parts of the country and kill around 150,000 people in the fifteen years from 1975 and Lebanon was still seen as a significant tourist destination in the region. This is what initially drew me to the book, a snapshot of a now long vanished time and place and whilst I was in Lebanon just six years after the civil war ended, the destruction of its once beautiful capital was all too evident when I was there and it would have been impossible to replicate Thubron’s journey as the south of the country was still occupied by Israel and would be until the year 2000. Reading the book and seeing what Lebanon was like, and unfortunately has no obvious way of getting back to, is depressing but at least here is a record of what has been lost.

The cover picture, by Mark Entwhistle, is of the ruins of the palace in Anjar in the Bekaa region of Lebanon, which I photographed in September 1996, although from the opposite side of this particular surviving section. When Thubron got there the people were clutching radios tuned to Radio Cairo and waiting for war and he was deeply troubled by his experience there far from the peaceful scene depicted on the cover. Far from ‘driving the Israelis into the sea’ which is what everyone told him would happen the conflict that actually occurred turned out to be Six Days War where Israel defeated most of its neighbours in a series of decisive air strikes largely destroying the air forces of Egypt, Jordan and Syria in one day. But before then Thubron had left Lebanon and was presumably working on this book, which with all its faults is still an interesting read. Below are a couple of my pictures from Anjar.

a closer view of the arches

To Bed with Grand Music – Marghanita Laski

At the end of September I visited the city of Bath in Somerset, England and there found the headquarters of Persephone Books, a small publishing company specialising in the works of various female authors from the twentieth century. They started twenty five years ago in 1998 and all their books are bound in this silver/grey design with an identical dust wrapper but the end papers are different in each book and you also get a bookmark which matches that volumes’ end papers. Also each book, regardless of length, is priced at £14 but with a deal of any three books for £36. Restricting myself to three from the one hundred and forty nine titles available was tricky but at least from this book, number 86 on their list, I seem to have chosen well. It was originally printed in 1946 with the author taking the pseudonym of Sarah Russell almost certainly due to the scandalous nature of the subject matter. For Mrs Deborah Robertson says goodbye to her husband Graham in the early part of of the war as he is posted to Egypt and after moping about at their marital home in the country for a while with their young son Timmy, leaves him in charge of the housekeeper during the week and gets a job in London to keep herself occupied and starts on a series of affairs.

In fact the first ‘affair’ would nowadays be regarded as rape as the man involved got her drunk and they ended up in bed together for what was definitely a one off occasion which Deborah was completely disgusted with. However she soon moves in with a friend and starts relationships deliberately this time, partly for the company but mainly for what she can get out of them and she does seem to do rather well for quite a long time. The first proper affair was with Joe, an American lieutenant with a wife back in the States and this lasted quite a while with Deborah even taking him back to her marital home for what turned out to be an uncomfortable weekend to meet Timmy and this relationship lasted until he was posted out of the UK. He is followed by another American lieutenant called Sheldon who didn’t last very long before she found a French member of the London embassy called Pierre. This is the time when Deborah decides that what she really wants is to be a ‘professional mistress’ and asks Pierre to teach her what men are looking for is their dalliances. Pierre agrees but is also repelled by the task so after a few more weeks takes her for a meal with Brazilian diplomat Luis Vardas and after enjoying the meal simply leaves her with him as her new partner. By the end of affair number six she is completely manipulative over her lovers as can be told from the below extract when she has decided to get rid of her first British lover Anthony.

After Anthony we no longer have a lover by lover account of her partners instead there is a succession of men about who we find out very little and presumably neither does Deborah, she simply sees them as a means to an end although she is by now overspending in order to keep up the appearances needed for the class of man she is aiming to attract. Chapter ten begins…

Geoffrey was succeeded by Martin and Martin by Nils from the Norwegian Navy. Usually Deborah managed to avoid any awkward interregnum by building one up before the last had faded away, but sometimes this would fail and a gap would yawn. Then Deborah would give a party.

At such a party she would invite several possible successors for her favours and pick one to work on. By now Deborah is thoroughly unlikable as a character but the book is written so well that it is difficult to put down. Laski was a lover of words and the novel is beautifully put together so even as the ‘only in it for herself’ nature of Deborah becomes more and more dominant the novel still draws the reader in. Laski wrote six novels, five of which have been published by Persephone Books but her love of words is mainly shown by the fact that she contributed over a quarter of a million illustrative quotations to the Oxford English Dictionary and was also a regular panellist for twelve years on the BBC game show ‘What’s My Line’. I’ve loved the book and will almost certainly pick one of her other novels in my next group of three Persephone publications.

The end papers and the bookmark are printed with a design entitled ‘Good Night Everybody’, from a silk scarf made by London based silk specialist Jacqmar around 1940 and held in a private collection.

The Coronation of Haile Selassie – Evelyn Waugh

I’m planning on reading ‘Scoop’, Evelyn Waugh’s comic novel about the life of a foreign journalist in the coming months but remembered I had on the shelves an example of Waugh’s own time as a foreign reporter, namely his account of attending the coronation of Emperor Haile Selassie in Abyssinia, now Ethiopia. This occurred in 1930, eight years before he wrote ‘Scoop’ during which he was submitting stories for several newspapers in a freelance capacity. The main inspiration for ‘Scoop’ was when he was back in Abyssinia in 1935, this time on behalf of the Daily Mail covering the second Italo-Abyssinian war. Whilst he was not a great war reporter he did get plenty of material for his subsequent novel. But this link does make reading his stories about reporting in 1930 an ideal prelude to tackling ‘Scoop’.

This Penguin 70 book is actually a couple of extracts from his 1931 travelogue ‘Remote People’, a book I’m now keen to track down to read more fully, but for now the two sections included here regarding the coronation and the apparently interminable journey to get home from it are all I have and I have loved the dry humour and observation of detail that are a trademark of his writing. He starts off by introducing a few of the people he has dealings with or are directly involved with the coronation or in several cases both in particular who was originally in Abyssinia as a trader but had somehow ended up as chief, and apparently only member of the bureau of foreign affairs and had an office in the centre of Addis Ababa, the country’s capital. Described as extremely handsome of German and Abyssinian descent he was also an excellent linguist and could apparently arrange anything even finding copies of the apparently non-existent coronation service…

In this last statement Mr Hall appears to be no different to anyone else Waugh has to deal with or indeed just observes. Addis had been the capital for almost forty years by then but large parts of it was still under construction. The hotel the British Marine band had been quartered in lacked a roof and building work all over the city was making very little progress as the workmen would apparently simply stop if they weren’t under constant supervision. Throw into this chaos the organisation of a coronation and the consequent arrival of foreign dignitaries along with the world media to cover it and the difficulties of communication both inside and outside the country and it’s a wonder anything progressed to any sort of a plan. This is where Waugh had an advantage over his fellow representatives of the press he didn’t have a daily newspaper to serve that needed something all the time he could wait and write accurately what happened unlike others he derided such as Associated Press which sent in totally fictitious accounts of the ceremony because of time constraints needing copy before it had even started. Mind you those members of the press that waited to get at least accurate reports of the first part of what turned out to be an interminable event discovered that the only telegraph office in the city had closed for the day so they couldn’t send their reports anyway.

The book doesn’t have any of Waugh’s actual reports in it, rather it is a diary of his experiences both in the lead up to and being at the coronation and the six days of feasting and celebration that followed for the royal family and the numerous tribal leaders that attended and it is at times both an important historical document and also extremely funny. The second account included in the book is entitled ‘First Nightmare’ and describes how Waugh attempted to get at least part way home with ships and trains being either cancelled, not turning up even when expected or even taken over by a Princess and her retinue who could just bounce all the passengers who had managed to find seats out of Abyssinia back out of them again. In all Waugh takes four days to go from Harar to Aden, a distance of 311 miles (500km) with numerous hold ups and false hopes of possible means of moving forward and you can feel his frustration building. At the time Aden was part of the British Empire and regular ships travelled back to the UK all he had to do was get there but it proved incredibly difficult.

I’ve really enjoyed this short book and am now looking forward to reading ‘Scoop’, probably early next year by the look of the planned reading list I already have for the rest of 2023.

Paddington Bear is 65 years old this week

The first Paddington Bear book was published on the 13th October 1958 and Michael Bond went on to write fourteen collections of stories about him along with two specials featuring stories originally published in annuals for the children’s BBC television programme Blue Peter and fourteen other mainly single story picture books aimed at younger readers. The set I have is from The Folio Society and was published as a boxed collection in 2010. Unusually for a Folio edition it wasn’t published by them but rather by Harper Collins, Paddington’s usual publisher and it includes the twelve collections published up until that date in lovely cloth bound volumes. Sadly Michael Bond died in 2017 so there will be no more stories about this lovable bear, but I discovered whilst researching this blog that fittingly Bond is buried in Paddington Old Cemetery in London. The appearance of Paddington Bear in the Blue Peter Annuals came about because Bond was a BBC cameraman, including working on that TV series so he knew the presenters and could incorporate them into stories.

The first book ‘A Bear Called Paddington’ consists of eight connected short stories whilst the remaining thirteen main collections all have just seven each, meaning that there are ninety nine tales in the main block of books, along with those there were a further thirteen stories split across the two ‘Blue Peter’ collections and of course the single story books for small children, so there is a lot to read. The first eleven books were illustrated by Peggy Fortnum and it is her black and white images that came to epitomise the character of the bear as he tries to be helpful but invariably causes more trouble and disasters around him. She however retired from illustrating and the remaining three collections ‘Paddington Here and Now’, ‘Paddington Races Ahead’ and ‘Paddington’s Finest Hour’ were illustrated by R W Alley who clearly based his picture on those done by Peggy Fortnum to maintain consistency.

I’ve loved Paddington since I was a small child, having encountered him first in the Blue Peter annuals and as read out stories on the programme in the late 1960’s. There is just something so beguiling about his well meaning and always polite character and the ways he tries to adapt to his new home in London, which is so different from the Peruvian mountains where he originated from. On arriving at Paddington station having stowed away on a transatlantic ship he is met by the Brown family who take him home and effectively adopt him into their family. Helping him fit in is his great friend Mr Gruber, who owns an antique shop on Portobello Road and escaped from Hungary either to avoid WWII or the suppression of the 1956 Hungarian uprising, it is never made clear which, but this gives him useful insights into the problems of assimilation for Paddington. That makes the books sound heavier in tone than they are, whereas they are delightfully comic and clearly aimed at children, although there is plenty for an adult to enjoy. Rereading a few of the books for this review reminded me just how much I enjoyed the Paddington stories in my preteen-age years. The other major character is the Brown’s next door neighbour Mr Curry who is generally unpleasant to Paddington and always calls him Bear, unlike Mr Gruber who calls him Mr Brown. A lot of the stories have Mr Curry getting his comeuppance in some way or other.

Above is the start of the Paddington story in the Fifth Blue Peter annual published in 1968 and this is how I first read Paddington stories and got to know the character, in this one he goes to the seaside and ends up in the lifeboat bought by the Blue Peter appeal that year. Of course the modern films from StudioCanal have brought a whole new audience to Paddington Bear, many of whom have probably not read the books. These adaptations are not based on specific books or tales but rather on the feel of the entire set of stories and they are a wonderful version with the various characters being very much as I imagined them from reading the books and I hope that they do encourage people to pick the books up and discover the vast range of adventures Paddington gets up to. The third film in the series started production earlier this year and it is due out in time for Christmas 2024, the original cast are back together and I hope that when it eventually gets dubbed into Ukrainian the original voice actor for Paddington in that language is available to repeat his performance from the first two movies, although Volodymyr Zelenskyy is rather busy being President nowadays.

Happy birthday on Friday Paddington.