A collection of poems inspired by the life and works of Danish philosopher and theologian Søren Kierkegaard, what an unusual idea and so it had to be bought and read if only for the concept. What I didn’t expect was just how readable Burton’s poetry is, and how difficult to put the book down proved to be. It is only a slim volume but I read it within a couple of hours of purchasing, this was helped by the fact that each poem is a variation on the sonnet form and at least retains the limit of fourteen lines even if Burton doesn’t keep to iambic pentameter and certainly not to the normal eight line, six line stanzas structure. This made it an ideal book to have with lunch as I could read a poem then have a bite of lunch or a swig of beer whilst thinking about it before diving back in to the next poem; which made for a very enjoyable, and enlightening, hour and a half in a very good pub.
The book is split into six sections, ‘Childhood’, ‘Regine’, ‘Writings’, ‘After the Corsair’, ‘The Moment’, ‘Death’ and there are fifty poems spread through these sections along with one extra right at the front entitled ‘How To Write A Preface’. As stated above all the poems have just fourteen lines but Burton manages to pack a lot into her self imposed constraint and each section has a short biographical note which introduces the poems to come and places their significance in the life of Kierkegaard. ‘Childhood’, ‘Writings’ and ‘Death’ are pretty self explanatory but the others need explaining if, like me, you don’t know much about Kierkegaard. Regine Olson was an eighteen year old whom Kierkegaard was briefly engaged to but he called the engagement off when he realised that marriage was not for him and he could only make her unhappy trapped in a relationship with him. He never got over the loss of her though and had a cupboard which contained all the letters and mementos of their year together and that is what gave this book its title. The Corsair was a Danish satirical magazine which lampooned Kierkegaard not just for his writings and beliefs but also his appearance and the lost relationship with Regine and the resultant publicity made him a figure of fun for a while. ‘The Moment’ refers to a series of tracts by Kierkegaard criticising the Danish Lutheran church. It should be noted here that in the only factual error I have found in the book Burton states that Regine was seventeen when she was engaged to Søren but she was born in January 1822 and they became engaged in September 1840 so she was definitely eighteen, Søren by the way was twenty seven at the time.
A lot of the poems are written in the first person so the book reads as though Kierkegaard himself is talking to us through the medium of verse. Three particularly intriguing poems all have the same title ‘It was Early Morning. Abraham Rose’, these are in ‘The Writings’ section of the book and tell three very different versions of the biblical story of Abraham preparing to sacrifice his son Isaac one after another. Kierkegaard had a strong personal religious belief but an often fractious relationship with the dominant church in Denmark and some of the strongest works in this collection are in ‘The Moment’ where Burton takes on his mantle in a critique of the state run religion and its materialistic clergy. I must look out for Burton’s first collection of poems ‘She Inserts the Key’ as this collection has whetted my appetite for more.
I purchased the book last month during a trip to the small Shropshire town of Bishop’s Castle where there is a quirky shop called Poetry Pharmacy, which mainly sells poetry but also has other interesting books and a small children’s section along with a coffee shop, it’s definitely worth a visit if you ever find yourself deep in rural Shropshire.