Raw Spirit – Iain Banks

20180911 Raw Spirit

‘Hiya Banksie! Written any good books lately?’
‘Not if you believe certain critics, but I’m going to be writing one about whisky.’
‘A book about whisky?’
‘Yeah, malt whisky.’
‘You’re kidding!’
‘Not as such.’
‘This mean you’re going to have to do the “R” word?’
‘The “R” word? Oh! Research? Yeah basically. Goin to have to drive round Scotland, take trains, ferries, planes and such, go to distilleries, taste whiskies, that sort of -‘
‘And they’re going to pay you for this?’
‘They’ve already started.’
‘Right I see. D’you need a hand?’

So begins Iain Banks’ Raw Spirit: In Search of a Perfect Dram and those people familiar only with Iain M Banks the gritty science fiction writer or his even grittier ‘normal’ fiction written as Iain Banks are in for a surprise as this is a genuinely funny book interspersed with rants about the Second Iraq war which had just started as he set of in search of the “R” word. As a fan of both Banks and whisky, purchasing this book when it came out did not take much consideration and I recently pulled it back off the shelves as later this year I’m doing my own trip round some distilleries and like Banks I’m starting with Islay.

Rereading the book was a surprise, my 14 year old memory of what was covered is clearly faulty, yes there is whisky aplenty and distilleries also get pretty good coverage but a large part of the book is really about Banks’ love affair with Scotland and its “Great Wee Roads” or GWRs as they are referred to throughout. There is a lot more said about getting to the distilleries (both the roads and vehicle chosen to make the journey) than there is covering them or their production. There is also a considerable amount of reminiscences of past holidays, fun times in out of the way properties and time spent with old friends. The book is really as close as we ever got to an autobiography by Banks who sadly died in 2013 from cancer aged just 59. If you want a book about whisky then you are really better off with Michael Jackson’s definitive tome, but if you want a book about the joy of travelling around Scotland looking for whiskies and the friendships and fellowships that it can engender then this is for you.

Let’s take a random chapter and breakdown the coverage of each subject, “12: Porridge and Scottishness, Football and Fireworks” has a total of 20 and a bit pages:

  • Porridge, why he doesn’t like it and other Scottish institutions such as kilts – 2½ pages
  • Six distilleries visited and their whiskies – 7 pages
  • Memories of Monty Python (he was an extra in one of the films)  – 1 page
  • Memories of blowing things up (fireworks with mates) – 4½ pages
  • Travelling – 1 page
  • The joys and tribulations of following Morton Football Club – 4 and a bit pages

That seems to be a pretty average hit rate for the theoretical subject of the book, although the travelling to whisky ration is normally higher than that, at least after you get past chapter one where Banks does stick more closely to his brief. That is not to say that I didn’t enjoy the book, I very much did so, it’s an easy read and you want to follow Banks around the country as he enjoys the scenery, samples whisky and chats with old mates. You feel by the end that the Raw Spirit of the title is more the spirit of Scottishness rather than Scotch and it’s good fun.

As a final note my copy is the first edition hardback printed by Century in 2003, that also appears to be the only Century edition as by 2004 it was a paperback with a completely different cover published by Arrow. Both of these are imprints of Penguin Random House.

Johnson’s Directory

Johnson’s of Nantwich is one of the oldest still operating printers in the UK having been founded in 1827 by Thomas H Johnson and is still based on Oat Market in the heart of the town. The Almanack and Directory, that they started printing in the late 1800’s, lists the residents of the town by address, along with all public amenities along with their hours of opening, churches and other places of worship and the names of councillors not just for Nantwich but also the surrounding villages. The volumes are also packed with a fascinating collection of adverts and a “classified shopping index”, the title is in quotes at the head of this list, and there are also several articles on various subjects relating to the town. For a local historian this information is clearly invaluable, a genealogist would also find it useful for tracking addresses of people. I was born in Nantwich and can remember a lot of the businesses listed and can track my family moving house around the town as I read successive editions. I remember having copies of the Directory at home in the early 1970’s so as I’ve got older and more interested in local history trying to collect editions has become a challenge. They have never been particularly expensive but due to the ephemeral nature of the book they are surprisingly rare considering most households in Nantwich had a copy. At the time of writing there is only one edition available on abebooks.

According to John McMillan, the current Managing Director of Johnson’s, the 1977 edition that I have is the last year it was published, however establishing the first year is somewhat more problematic. 1977 was the 150th anniversary of the firm so there is a short article in the Directory on its history. This includes the lines:

In 1872 he printed and published the first edition of a publication that has become a household word in Nantwich and district – Johnson’s “Nantwich Almanack”, now known as Johnson’s Directory and Town Guide.

The Almanack, which cost a penny in the days before the First World War, has been published continuously for 89 years apart for a break caused by the production and paper problems of the Second World War.

Immediately there seems to be a problem with this description, this is the 1977 edition so 105 years after the specified first edition but is is also apparently the 89th year of publication. Further confusion is found in my 1938 copy (which says 1939 on the cover but internally describes itself as the 1938 edition and the 63rd year of publication). My next copy is the 1956 edition which is apparently the 68th year of publication, this implies a very long gap for WWII with possible production being 1938 (63rd), 1939 (64th), 1953 (65th), 1954 (66th), 1955 (67th) and then the next copy I have 1956 (68th). However this would fit in with the UK paper rationing period which started on the 1st June 1940 and which didn’t get removed until the Queens coronation in May 1953. It is reasonable to assume that as the Almanack and Directory would not be regarded as essential then Johnson’s would halt it for the entire period of rationing to preserve their paper supplies for other publications.

This clears up most of the sixteen year difference but not all of it. There wasn’t paper rationing during WWI but it is entirely possible that other priorities would mean that there was also a gap in publications during that conflict, until I manage to find an edition from before 1914 to confirm which publication year it claims to be that would remain a working hypothesis anyway. It is that or the recorded first publication year isn’t quite right, and if we take as correct the statement regarding continuous publication then stepping back from 1938 being the 63rd, the first would be in 1876 not 1872.  Enough of the history of publication lets look at some samples starting with my earliest…

1938 – 63rd year of publication

20180904 Johnsons Directory 01

The example I have has certainly been well used and a loop of string has been attached to the top of the spine so that it could be hung up, this was a book that was clearly referenced a lot and the owner wanted it handy. I really like the over the top cover design but it is when you get inside that it gets really interesting with some lovely adverts some of which can be seen below, click on the image to go to the page for that image and click there to see a larger version.

The book may have been one penny when it started but by 1938 it had risen to three pence, not too big an increase in over 60 years. The contents page gives a good idea of the spread of information available

20180904 Johnsons Directory 08

The entry for pages 43-45 Bands and Banks definitely catches the eye and is exactly what it suggests with 5 bands and the same number of banks listed. I wish The New Domain Syncopators still existed, they sound ideal for the Nantwich Jazz Weekend. As for the cheese fairs, there are 17 listed for Nantwich for 1938 and they coincided with the Thursday Market. Other entries of note include the social opportunities and I quite like the sound of Ye Olde Nantwich Giant Onion Society which includes a note under its entry that “this society has no connection with any other onion club”

20180904 Johnsons Directory 09

The directory followed the same format in all the copies I have, listing each street alphabetically and then by house number which business or householder could be found there.

1962 – 74th Year of publication

20180904 Johnsons Directory 10

Post war the cover changed dramatically and the price doubled to sixpence, where it stayed right through the 1950’s and up to 1967. I chose the 1962 copy from my complete run from 1956 as this is the year I was born, so I can find my parents living on Whitehouse Lane or the Whitehouse Lane Estate as it was called in the directory because these houses were still being built and the lowest house number recorded is 39. Sadly Ye Olde Nantwich Giant Onion Society doesn’t appear to have survived and indeed the number of social and sporting clubs has dramatically reduced. the adverts are still very interesting though.

One fascinating section is the reprint from the 1932 directory called Old Nantwich which takes the form of an imagined stroll around the town describing people and places that the anonymous author passes. It is quite long so split into two parts each of twelve pages one in this edition and one that appeared in the 1963 copy. The inclusion of articles like these really adds to the books and they become more prevalent from this point onwards.

20180904 Johnsons Directory 18

There is also a three page write up about the church of St James in Audlem which continues a short series that had started the previous year with information about St Mary’s church in Acton.

1973 – Eighty-fifth year of publication

20180904 Johnsons Directory 19

This year the cover was redesigned again, dropping the Almanack reference and now describing the publication as the Town Guide. There had been a few price rises in the intervening years from six pence in 1967, up 33% to eight pence in 1968, then again up 33% in 1969 to a shilling (twelve pence). In 1971 we had decimalisation of the currency and Johnson’s took the opportunity to increase the price again by 20% from five new pence (which is what a shilling became) to six pence. In 1972 it went up again by 33% to eight pence and as you can see in 1973 a further 20% increase occurred taking the price to ten pence. In just six years the price had quadrupled from six old pence (2½ new pence) to ten new pence.  This was undoubtedly due to several factors, one definitely being the reduction in the number of advertisers and those that were there are mainly typographical in design so I have just included a couple for businesses that I remember well. By now we had moved to another new build property on Broadway and this house was surrounded by lots of wooden panel fencing, which always seemed to be getting damaged leading to regular trips to Derek Copeland and I also found an advert from my first employer when I was a paper boy for Carringtons.

The production value of the book has also greatly increased. Taking the ‘Town Guide” part of the name seriously the articles included are significantly longer and illustrated. They start with a guide which runs from a brief history of the town to lists of general information such as the fact that there are 4148 inhabited dwellings in the town of which 1291 are Council owned and the population is 11666 (1971 census).

20180904 Johnsons Directory 22

Of more interest to myself who enjoys the local history, this edition also includes the second part of what is really a stand-alone book entitled “Nantwich – Saxon to Puritan”. The first thirty two pages had been included in the 1972 edition, this has pages 33 to 88

20180904 Johnsons Directory 23

and it is a really good read, very well researched with full bibliographies after each section. The final section; pages 89 to 120 are in the 1974 edition which also includes a note that the full text had been published in December 1972 as a stand alone book.

1977 – Eighty-ninth year of publication

20180904 Johnsons Directory 24

As noted above this is sadly the last edition of Johnson’s Directory and there was a final redesign for what turned out to be its swansong.  The price has again trebled from 1973 now up to thirty pence so it is now 24 times the price of my oldest copy from 1938 almost all of which has happened in the last ten years. Advertising has become rather static with most companies simply running the same advert for years on end, this doesn’t normally matter too much but because of this habit Chatwin’s the bakers are still making a point of a prize they won in 1963 with the obvious implications that they haven’t done anything similar over the intervening 14 years.

The article in this edition is the Johnson’s story that I quoted from at the start of this blog and in a way that is entirely fitting. The company is a Nantwich institution and it has been fascinating to go back through my collection of their products and remember companies that sadly have not managed to last as long as them along with a few that are still trading eighty years after they advertised in my oldest copy.

20180904 Johnsons Directory 28

In a future blog I intend to look at probably Johnson’s finest publication, Hall’s History of Nantwich and I’d like to finish with a quote from the frontispiece of that book

Thus times do shift; each thing his turne does hold

New things succeed as former things grow old

First Penguin crime set – part 3

20180815 Penguin 10 - part 1

The continuing exercise of reading all ten of the crime novels published by Penguin Books to mark reaching 150 titles. All the volumes I’m reading are the first edition, first impression copies published eighty years ago this month (August 1938). It’s been fun reading these old paperbacks so far and now I have just four to go, for part 1 see here, and part 2 is here. I’m writing this blog as I’m going along so the book is fresh in my mind as I write about it so lets see if I can get through the final four volumes in the coming week.

157 – The Mystery of Dr. Fu-Manchu – Sax Rohmer

Before opening this book I should say that this is the one I am least looking forward to. Although I’ve never read any of them the Fu-Manchu stories have never appealed possibly due to childhood memories of bad black and white films which I never watched to the end, or even half way through. Here’s hoping the book is better…

It wasn’t. It was everything I expected and worse, full of casual racism, extraordinary plot devices and ridiculous language I completed it only so that I could write this entry. Hopelessly jingoistic with the white race threatened by the yellow peril as it was regularly put, each chapter seemed to include another fantastical creation of poisons unknown to man, or traps created by mutant puffball mushrooms that react to light or other idiotic suggestions. The book fails on almost every level those rules suggested by A A Milne that I mentioned in the last blog with each time the ‘heroes’ get into trouble or a new murder is attempted yet another ‘fact’ is revealed just to get a solution with no pre-amble to involve the reader in the plot. Even more annoying is the constant xenophobia displayed by Rohmer where anyone who isn’t white is treated as a villain.

The language used also fails Milne’s tests with the servant of the first victim pointing out a way in with “Up yonder are the study windows sir” and the same sort of anachronistic rubbish is put in the mouths of several other characters. Nobody since Shakespeare has ever phrased a statement like that and he would have been writing a poetic play not accurately reporting actual language used.

Frankly avoid Sax Rohmer and I’m astonished to find that he is still in print.

158 – The Waxworks Murder – John Dickson Carr

What a dramatic improvement, Inspector Bencolin of the Paris Sûreté is a wonderful creation of a master of detective fiction. The plot is complex linking two murders of young women, a disreputable club in the area of Pigalle, itself a disreputable district of Paris, and Parisian high society. That an American, living in England, should write five novels about a detective in France is surprising, that they should be so atmospheric (at least on the evidence of this volume) is remarkable.  The Waxworks Murder (US title – The Corpse in the Waxworks) is the fourth Bencolin book, I also have the first (It Walks by Night) in the Penguin edition; however although Penguin published many other detective stories by Carr these mainly feature his best known detective Dr Gideon Fell.

Carr plays fair with the reader, there are lots of clues and as many red herrings, paths to enlightenment and just as many dead ends which makes the book my favourite of the ones so far, you really get a mental workout following the various strands of the plot. That the tension is literally maintained until the final sentence is also a tribute to the skill of the author and I can definitely say that I hadn’t worked out the solution until it was revealed and then as the bits I had missed were explained it all became clear. I loved that we were led by Carr to suspect yet another person in the last chapter before the denoument only to have that apparently logical step demolished by the detective a few pages later.

The tension builds as the book progresses and by the time I reached the last seventy five pages there was no way I was going to put it down until it was finished even though I really needed to be doing something else. I will have to try the Dr Fell stories after I have read It Walks by Night and then the Henry Merrivale tales that he wrote under the name of Carter Dickson. He may be a great mystery writer but he was rubbish at Pseudonyms

159 – The Dangerfield Talisman – J J Connington

J J Connington was actually the Scottish chemist Alfred Stewart who wrote over two dozen novels as Connington and several factual works under his own name. The Dangerfield Talisman is his fourth novel and unlike all the other books I am reading as part of this series it is a case of theft rather than murder that concerns the participants. Apart from that it is a classic British country house case that has been very well written with two separate but linked puzzles to be solved, what is the Dangerfield Secret and where is the Dangerfield Talisman?

What is also a lot of fun is that there isn’t a ‘detective’ figure as such, several of the house guests have a go at solving the problems and manage to rile the others by making unjustified accusations. This is not a gathering you would want to be part of. Having said that I was worried about the start of the book, there seemed to be a lot of interest in bridge (which is a card game I don’t play or even vaguely understand) and then a chess board diagram was added (which looked fairly straightforward but clearly wasn’t if it was to be the basis of part of the story). I had a horrible feeling that these games were going to be highly significant to the plot in which case I would be left without significant clues. In fact you don’t need to know anything about either game, the bridge games stop after a couple of chapters and the chess board only really comes into it’s own towards the end of the novel.  As for who took the Dangerfield Talisman I hadn’t a clue until it was revealed, not that there weren’t hints, just that I had not understood their significance. The Dangerfield Secret and more importantly the solution to it I had worked out though before it was explained.

Connington is definitely worth reading more of, five of his novels were published by Penguin and I have two others. One of the ones I’m missing is his science fiction book Nordenholt’s Million first published in 1923 and which is probably the earliest ecological disaster novel with a bacteria destroying farm crops around the world. Definitely one I’m going to seek out.

160 – Obelists at Sea – C Daly King

Last one… and the first question is what is an ‘obelist’? It turns out that King invented the word and defined it at the start of the book as “An obelist is a person who has little or no value”. Unfortunately when he re-used the word in two more novels “Obelists en Route” and “Obelists Fly High” he redefined it as “one who harbours suspicion”. At least if you are going to invent a word then be consistent. Penguin only printed this one book by C Daly King and at 312 pages of quite small print it’s easily the longest of the ten I have set myself to read, it is now Monday morning and I need to finish the book and complete this review for tomorrows post.

Well the plot was good and the conceal of the murderer was also well done but the writing style made getting through this book hard work. C Daly King was a psychologist and he made his detectives (for there is a group of them on their way to a conference on board the ship) also psychologists, although from differing branches and opinions. This could have worked well but King couldn’t resist putting in pages and pages of psychological exposition which was incredibly dull and just slowed the plot down dramatically. It was all completely unnecessary but you felt you had to read it in case there was a point to any of it. In fact there was virtually no point to the vast majority of this and even other characters in the book were bored of it eventually. But even then, after admitting that it was dull and largely confusing as they simply contradicted each other King couldn’t help himself from making some more pointed remarks about a branch of his own profession.  The book is split into six chapters, an introduction to the crime, one chapter for each of the four psychologists to try to solve it according to their own theories and practice and then a final chapter that finally explains what actually happened and why all four were wrong, although each had grasped part of the solution.

It’s a pity that this was the last of the set to read as it has let me down from the high quality of the previous two but it has been an interesting exercise although next time I set myself to read ten novels in one month I’ll start before the 12th.

First Penguin crime set – part 2

20180815 Penguin 10 - part 1

This continues a marathon reading session of all 10 of these books printed eighty years ago this month. I started late (the evening of the 12th) so I have less than a couple of days to read each book and write a short review. Part 1 covered books 151, 152 and 153 and can be seen here. As I read each book I’ll write a review on this blog and post on Tuesday next week as far as I’ve managed to get.

154 – The House on Tollard Ridge – John Rhode

Before reading this book I knew nothing about John Rhode and apart from a small black and white photograph of a man in late middle age smoking a pipe and a couple of glowing comments regarding his ability from two magazines printed on the dust wrapper there is nothing on the book to give me any idea about him. I decided to finish the book before finding out anything about the author.

The story was quite enjoyable although I was deeply suspicious of the person who turned out to be the murderer very early on in the book and none of the rather obvious red herrings put me off that train of thought as there was really only one person who could have controlled the events as they did. The main oddity of the book was that although it is 248 pages long Rhode’s amateur detective doesn’t appear until page 98 and up until then it reads as though Superintendent King from the local police force is the main character. When Dr Priestley does appear in the book it is only for a short while whilst explaining the case to him gives the author a chance to sum up what he has told us so far and it isn’t until page 172 that Priestley really comes into his own and starts to take apart the case made by Superintendent King. It is also at this point that it becomes clear that this isn’t Rhode’s first book about Priestley as other cases are mentioned, I’m guessing that the only other book by Rhode that was published by Penguin ‘The Murders in Praed Street’ is going to be one of them, I don’t own a copy and won’t be rushing to get it.

Finally looking up John Rhode, he turns out to be the pseudonym of Cecil John Charles Street MC OBE and from his Wikipedia entry he wrote a huge number of detective stories under several pseudonyms so he obviously had a readership in his day but he’s not for me.

155 – Murder at Crome House – G.D.H. and Margaret Cole

Now this should be interesting, I do have other books by G.D.H. Cole but they aren’t fiction, on my shelves are ‘Practical Economics’, ‘Socialism in Evolution’ and a couple of copies of ‘Persons and Periods’. Working with his wife however they jointly wrote crime novels and although I only have this one example and they were nowhere near as prolific as Cecil Street I was already aware of the existence of several other titles before I start reading this one.

Having now finished the book I can say that it is much better written than the previous example and considerably better at hiding the murderer until near the end, The tale is quite complex with more information about each of the possible suspects being revealed piecemeal as you follow the various parallel investigations with up to five people all going down different paths in trying to solve the crime and comparing notes regularly. At one point I had even half thought one of the people apparently investigating the murder was actually involved in the crime himself as each time he reported back his tales as to what had been done became more fantastic. Now that would have been an interesting twist, I wonder if there is a detective novel where the investigator turns out to be the murderer and is covering their tracks by apparently looking into the case?

I don’t have any other crime novels by the Cole’s but they don’t appear to have been ‘series writers’ with each book having different detectives however this is difficult to check as I cannot find any of their 29 joint works still in print. This is also the only one of their works to have been printed by Penguin so I’m not going to come across another as my collection of those increases. It is a pity that they have disappeared, maybe one of their books needs to be included in the excellent British Library series of crime stories that have been largely forgotten nowadays.

156 – The Red House Mystery – A.A. Milne

Yes that A.A. Milne, famous for Winnie the Pooh and the other characters from the Hundred Acre Wood, this is his only crime story and the only book in this block of ten that I have read before this exercise.

The story is well written and the denouement is properly hidden with enough clues to give it away when you re-read the book but not on first reading. Once you know what is happening then you get a different perspective and appreciate how well Milne was trying to help the reader in solving the murder but first time round you can guess but are unlikely to work it out. I loved the book as written by an author who knew how to write and could string his readers along as you slowly but surely reach the solution and the final twist is so good. If any of my readers are looking for a sadly now largely unknown detective novel in the true English country house murder style and have not read The Red House then I urge you to do so.

As a good counterpoint to this reading marathon Milne wrote a really good introduction to the 1926 edition, he wrote the book back in 1922 before he wrote any children’s books and was at the time best known as a playwright (and frankly he would have rather been known that way all his life).

I prefer that a detective story should be written in English. I remember reading one in which a peculiarly fascinating murder had been committed, and there was much speculation as to how the criminal had broken into the murdered man’s library. The detective however (said the author) “…was more concerned how the murderer had effected an egress.” It is, to me, a distressing thought that in nine-tenths of the detective stories of the world murderers are continually effecting egresses when they might just as well go out. The sleuth, the hero, the many suspected all use this strange tongue, and we may be forgiven for feeling that neither the natural excitement of killing the right man, nor the strain of suspecting the wrong one, is sufficient excuse for so steady a flow of bad language.

Of the great Love question opinions may be divided, but for myself I will have none of it. A reader, all agog to know whether the white substance on the muffins was arsenic or face powder, cannot be held up while Roland clasps Angela’s hand “a moment longer than the customary usages of society dictate.” Much might have happened in that moment, properly spent; footprints made or discovered; cigarette ends picked up and put in envelopes. By all means have Roland have a book to himself in which to clasp anything he likes, but in a detective story he must attend strictly to business.

For the detective himself I demand first that he be an amateur. In real life, no doubt, the best detectives are the professional police, but then in real life the best criminals are professional criminals.

He continues in much this vein for a while complaining that a man with a microscope is no detective at least not in fiction because he can see things his readers cannot and also explaining that ‘a Watson’ is invaluable. As perforce a literary detective has to run though the facts as they stand at various points and a conversation is much better than a  speech and far better than everything being sorted out in the last few pages. I have to agree with all of his points and he also manages to ensure that in his only detective story he holds to his principles, it’s definitely the best book so far.

Part 3 of this review is here

First Penguin crime set – part 1

20180815 Penguin 10 - part 1I’m way too late in the month to start to attempt this (as I type this it is the evening of the 12th August) but I added a post to my Instagram feed earlier this month regarding it being the 80th anniversary of the first ‘Penguin 10’ and that I had all the books in first edition, first impression Penguin editions. Penguin Books started publishing in July 1935 and by July 1938 had printed book number 150. To celebrate this they next published ten Mystery and Crime novels in August 1938. This was the first time that all ten books published together were from the same genre although later they would do blocks of ten for the same author as well, most notably the Shaw million where 10 books by George Bernard Shaw were published simultaneously each in an edition of 100,000 copies in July 1946. I then added that I intended to read each of these eighty year old paperbacks the next month and gradually it has dawned on me that reading all of them this month would be more appropriate; so I have nineteen days to read ten novels and write something about them and as they are mystery and Crime stories I’ll be careful to not give away anything. I’ll start reading now and add reviews as I finish each book, so here goes…

151 – The Invisible Man – H.G. Wells

During my teenage years I read a lot of H.G. Wells, not just the famous books such as The Time Machine, The Island of Doctor Moreau, and War of the Worlds but his short stories and even his History of the World in two large hardback volumes so I assume I must have read The Invisible Man back then but I had no memory of it when I came to read it for this exercise. The story had slipped away as easily as the Invisible Man hoped to do. I suppose the many adaptations of the novella on TV and film and the borrowing of the original concept by other writers had also not helped but I was genuinely surprised by the story and the way that it is told. The book effectively starts near the end of the Invisible Man’s tale and the first half of the book is spent with him invisible (and with no explanation as to how this happened) arriving in the small village of Iping in West Sussex and then becoming an interesting and annoying tenant at The Coach and Horses Inn. He is wrapped in bandages and explains that he has been disfigured. From the number of chemical bottles he brings with him it is assumed that he had had some sort of accident whilst doing his research. His obsessive secrecy and short fuse temper soon become a problem and eventually after a few months, with his money running out, he is forced to leave the village but not before causing several injuries and leaving a trail of destruction.

He heads out onto the Downs (open countryside in this part of England) encounters a tramp and forces him to help him as they make their way south towards the coast. Eventually the tramp escapes and warns people about the Invisible Man before seeking refuge at a police station. The Invisible Man finds his way into the home of Dr Kemp, whom he recognises from studying at Oxford and this is where we find out all the back story as to how and why Griffin had become invisible as he introduces himself and tells his story to Kemp. His obvious criminal intent and apparent incipient madness worry Dr Kemp so that he also manages to raise the alarm with the police and the hunt is on…

The book was first written in 1897 however the Penguin edition states that it is from the re-issue of June 1926, I have been unable to find out if this is a revision of the original book or that if for some reason it had been out of print for some considerable time. Although Iping is indeed a real place the other two locations in the book (Port Stowe and Burdock) are both fictional.

152 – Enter a Murderer – Ngaio Marsh

New Zealand’s Ngaio Marsh was considered in her time to be one of the ‘Queens of Crime’ along with Agatha Christie, Dorothy L Sayers and Margery Allingham and is best known for her detective stories featuring Roderick Alleyn of the London Metropolitan police. Enter a Murderer is the second of thirty two novels she wrote about Chief Detective-Inspector Alleyn and is set in a theatre which is an environment very familiar to Marsh as she also worked as a theatre director. The crime is easy to describe, the final scene of the play being performed at the Unicorn Theatre involves one character threatening another with a gun, the gun is dropped when he realises that he cannot hope to escape, picked up by the original person being threatened and in an ensuing struggle goes off killing the original attacker. The gun was supposed to be loaded with dummy shells as it is seen being loaded in an earlier scene and blanks would still cause injury at such close range so in fact another gun is fired with blanks in the wings at the same time as the dummy shot in order to provide the correct noise. This is Marsh showing her theatrical knowledge as presumably she had seen this very trick done on stage. However the dummy shells have been replaced with real ones and the novel then revolves around ‘who replaced the bullets?’

The book is tightly written and numerous plot lines involving various romantic liaisons between the cast and supporting staff at the theatre along with an unresolved drug running episode from 6 years earlier are all interwoven. In the foreword Marsh is apparently consulting her own detective:-

FOREWORD
When I showed this manusript to my friend, Chief Detective-Inspector Alleyn of the Criminal Investigation Department. he said
“It’s a perfectly good account of the Unicorn case, but isn’t it usual in detective stories to conceal the identity of the criminal?”
I looked at him coldly.
“Hopelessly vieux jeu my dear Alleyn. Nowadays the identity of the criminal is always revealed in the early chapters.”
“In that case,” he said, “I congratulate you.”
I was not altogether delighted.

I must admit I didn’t get who it was until just over three quarters of the way through so I’m clearly not as good as her fictional detective, however I really liked the book and I will certainly be reading more Alleyn mysteries. One final thing that struck me early on though was when Alleyn was being particularly awkward about bossing people around and not telling them why he then apologises for being a bit Hitlerish. The book was written in 1935 just a year after Hitler came to power and 4 years before the start of WWII.

153 – The Piccadilly Murder – Anthony Berkeley

Whilst I quickly warmed to Inspector Alleyn that certainly could not be said of Ambrose Chitterwick, the amateur criminologist in Berkeley’s 1938 novel, who I really didn’t get on with almost from the first. Chitterwick was one member of the fictional Crimes Circle and it was he that solved the murder in probably Berkeley’s best known story “The Poisoned Chocolates Case”. The Crimes Circle was loosely based on The Detection Club which Berkeley had helped set up and included most of the famous pre-war crime writers such as H. C. Bailey, E. C. Bentley, G.K. Chesterton. Agatha Christie, G. D. H. Cole, Margaret Cole, Freeman Wills Crofts, R. Austin Freeman, Ronald Knox, Arthur Morrison, Baroness Emma Orczy,  John Rhode, Jessie Rickard, Dorothy L. Sayers, Henry Wade and Hugh Walpole. As can be seen from that list they are also well represented in this collection of ten books. Frankly I didn’t like Chitterwick in The Poisoned Chocolates Case and when I realised that this was a whole novel featuring him I wasn’t that impressed.

My poor opinion of the character seemed to be justified in the first half of the book and the obsequious chief of police also failed to ring true which made getting going at this story quite difficult. The second half of the book however made struggling with the first all worth while as the characters settled into more rounded individuals and the plot got gradually more interesting. I worked out who did it about two thirds of the way through the book as the red herrings were a bit too obvious and I can see why Berkeley hasn’t really stood the test of time as a crime writer and is now largely forgotten despite being a significant writer in the 1930’s. His work has dated rather badly and unlike Christie and Sayers for example he simply hasn’t got the style to morph into period pieces he just feels anachronistic.

There are no previous publication dates in the book so I’m assuming that the Penguin edition is the true first edition of this book making it one of the earliest books to be first printed by Penguin who up until then had been involved in paperback reprints of existing volumes.

Part 2 of this review can be found here

and Part 3 here

Save

Deep in the Forest – Estonian Fairy Tales

20180807 Deep in the Forest 1

I have recently been given a copy of this book and have thoroughly enjoyed it. The book is brand new (printed in English by Varrak Publishers Ltd in 2018) although it has an interesting story as to how it came about. What was almost this collection was originally put together by Risto Järv for a French publication “L’esprit de la forêt et autres contes estoniens” (The spirit of the forest and other Estonian tales) published by Éditions Corti in 2011, and was volume 46 of their Collection Merveilleux (Marvellous Collection) a series of books of folk tales and others legends from around the world. This French collection led to Varrak wanting to produce an edition in Estonian and whilst revising the book for this version some tales were dropped and others added to bring the total to one hundred. The Estonian book came out in 2015 with the title “Metsavaimu heategu. Sada eesti muinasjuttu metsast ja meist” (The Forest Spirit’s Deed. One Hundred Estonian Fairy Tales about the Forest and Us). The English edition I have been reading is basically the same as the Estonian although the order of the tales has been slightly altered.

The book is split into ten sections each of ten tales with a short introduction to each section providing some background to the stories you are about to read, this is especially important for non-Estonian readers as some understanding is needed as to the deep love they have of the forests of their country and the structure of the tales that have grown up around them featuring regular animal characters of bear, wolf, fox, hare and mouse all of whom can talk amongst themselves and also to those people who are willing to listen. Each of the animals have specific characteristics for example the fox is normally clever and deceitful but can also be fooled, the wolf on the other hand is not very clever and will fall for most ruses. Hare is often frightened by events and looks for others of his kind to shelter, bear is strong but like wolf not the brightest creature in the forest and can be persuaded to use his strength even if it will ultimately work against him. There are also numerous little old men and inhabitants of out of the way cottages who if they decide to help should certainly be listened to carefully because half the time they are probably forest sprites of some variety but, if you are very unlucky or unwary, could also be trying to trap you or even worse they could be Vanapagan himself.

Vanapagan is the most difficult to understand regular character in these tales for non-Estonians. He represents the devil but not in a way that would be recognised by most people outside Estonia, he is sometimes more of an annoyance than particularly evil and he can usually be outwitted with a bit of intelligent thinking. Most of the tales featuring him involve the human protagonist striking a deal with Vanapagan for some sort of time limited agreement. Often the humans realise that they are dealing with Vanapagan from the first but reckon to trick him out of completing the bargain and taking them to hell in the end. This they usually manage often with the assistance of one of the little old men that seem to always appear in the forest at times of need. If they don’t recognise Vanapagan then another character (either animal or human) that has fallen under his control will usually tell them and often suggest ways that they can alter their fate by escaping.

The book draws on a huge back catalogue of folk and fairy tales, in the Estonian Literary Museums folkloric archives alone there are roughly 15,000 fairy and folk tales which is the equivalent of one for every thousand people in the country. Most of the ones included in the book were recorded in the 1890’s but some were written down in this form within the last few years. Most of them are very short, just two or three pages long but there are a few longer ones and the selection tries to cover the major thematic groups. The ten sections are:

  • Setting out into the Forest
  • Creation Tales
  • Animals and Stories
  • Work and Wisdom
  • Men and Women
  • Unexpected Encounters
  • Orphans and Parental Mercy
  • Truth and Justice
  • Countering Vanapagan
  • Emerging from the Forest

As you can see the book is top and tailed by going in and eventually coming out of the forest which symbolises the whole Estonian tales structure that all the magical, strange and terrible things happen in the forest and the world outside of this magical place is largely unimportant and certainly far less interesting. The creation tales included are not ‘world tales’ as you might expect if you have read other mythologies but more like Kipling’s Just So stories so we discover ‘why aspen leaves flutter’, ‘how the cuckoo came to be’ and ‘why the tip of Fox’s tail is white’ amongst other things. Animals and Stories is largely about the main animal characters of the legends, whilst Work and Wisdom introduce us to morality tales usually where a character doesn’t do what they have been told is the correct way to behave and subsequently reaps the consequences.

The tales under the category of Men and Women are largely not flattering to either party but especially not the women who tend to be lazy or bad tempered or both and in their ill humour end up ruining the gains that had been made by magic or encounters with forest sprites by their menfolk. Unexpected Encounters include stories of meeting with both magical characters and in one case King Peter I of Russia that transform the lives of the protagonists. Orphans and Parental Mercy takes us away to something more akin to the dark original versions of Brothers Grimm’s fairy tales where orphans strive to rise from their misfortune or even those of Charles Perrault a century earlier. What you never get is the more child friendly style of somebody like Hans Christian Anderson, Estonian fairy tales should come with an Parental Guidance rating like films certainly when you hit Truth and Justice because the justice meted out can definitely be harsh. Countering Vanapagan is as the title suggests a group of tales where the hero of the story defeats Vanapagan with trickery often by successfully twisting the agreement between them to breaking point.

The folkloric traditions in Estonia are very important to the people there, who still have a strong link both to their forests and their mythologies, more so than in any other European country I have visited. Spending time in the countryside is ingrained in the Estonian people in a very spiritual way, being there within their woods and forests is good not just for the body but for the mind as well and most of the population will escape from the confines of the towns and cities as often as they can. As an outsider I can only get an impression of this deep love of their country but it is a powerful feeling and if you are lucky enough to be in the woods with Estonians then you can share it with them even if only briefly.

The Complete McGonagall – the worlds worst poet

20180731 McGonagall 1

William McGonagall has gone down in history as the worst poet in the world and this book is a collection of almost every poem that can be reliably attributed to him. These have been published in various collections, but Duckworth have produced the most complete versions admittedly by creating extra volumes by merely selecting from the few books and pamphlets printed in the 1800’s along with some previously unpublished works. This book appears to combine an existing seven volumes into one but only two volumes were produced in McGonagall’s lifetime along with lots of single sheet poems sold as he was going along. In reality four of the listed volumes were created by Duckworth in the 1980’s and the three others were considerably shortened by them at the same time in order to provide works for the extra books.

I think we need an example from his first collection printed in 1890 just so that the uninitiated can get the measure of the man’s genius, this was his first poem, dated 1877 and is entitled “An Address to the Rev. George Gilfillan”

All hail to the Rev. George Gilfillan of Dundee,
He is the greatest preacher I did ever hear or see.
He is a man of genius bright,
And in him his congregation does delight,
Because they find him to be honest and plain,
Affable in temper, and seldom known to complain.
He preaches in a plain straightforward way,
The people flock to hear him night and day,
And hundreds from the doors are often turn’d away,
Because he is the greatest preacher of the present day.
He has written the life of Sir Walter Scott,
And while he lives he will never be forgot,
Nor when he is dead,
Because by his admirers it will be often read;
And fill their minds with wonder and delight,
And wile away the tedious hours on a cold winter’s night.
He has also written about the Bards of the Bible,
Which occupied nearly three years in which he was not idle,
Because when he sits down to write he does it with might and main,
And to get an interview with him it would be almost vain,
And in that he is always right,
For the Bible tells us whatever your hands findeth to do,
Do it with all your might.
Rev. George Gilfillan of Dundee, I must conclude my muse,
And to write in praise of thee my pen does not refuse,
Nor does it give me pain to tell the world fearlessly, that when
You are dead they shall not look upon your like again.

Gilfillan when hearing of the poem is reported to have said

“Shakespeare never wrote anything like this.”

which McGonagall took to be a compliment. This was the also the first example of what could be called the curse of being celebrated by McGonagall as a year later in 1878 he had cause to write two more poems about Gilfillan, entitled “Lines in Memoriam of the Late Rev. George Gilfillan” and “The Burial of the Reverend George Gilfillan”. He famously wrote in praise about the Bridge over the Silvery Tay only to subsequently write less that 2½ years later about “The Tay Bridge Disaster” This latter work is a good example of the unintended humorous nature of his works by forcing lots of facts into the poem without worrying if it then made any sense whatsoever and destroying any rhythm that may have been wanted. His need in poetry was to make it rhyme not scan and as long as a tenuous rhyme was achieved he appeared to be happy.

William McGonagall was born in 1825 in Ireland but came with his parents to Scotland as a very young child, indeed he claimed for a long time to have born in Edinburgh but the family soon settled in Dundee which he where he grew up. For the first fifty two years of his life he sometimes dabbled in acting but was by profession a weaver like his father until in 1877 the poetic urge struck him

I remember how I felt when I received the spirit of poetry. It was in the year of 1877, and in the month of June, when trees and flowers were in full bloom. Well, it being the holiday week in Dundee, I was sitting in my back room in Paton’s Lane, Dundee, lamenting to myself because I couldn’t get to the Highlands on holiday to see the beautiful scenery, when all of a sudden my body got inflamed, and instantly I was seized with a strong desire to write poetry, so strong, in fact, that in imagination I thought I heard a voice crying in my ears-
“WRITE! WRITE”
I wondered what could be the matter with me, and I began to walk backwards and forwards in a great fit of excitement, saying to myself– “I know nothing about poetry.” But still the voice kept ringing in my ears – “Write, write,” until at last, being overcome with a desire to write poetry, I found paper, pen, and ink, and in a state of frenzy, sat me down to think what would be my first subject for a poem.

That he knew nothing about poetry was proved by the poem above, but whilst a poet can have a bad day, especially with their earliest works, McGonagall was if anything to get worse. There is a beauty in the total awfulness of his works that sucks the reader in, the Complete Works includes 247 poems and I have read it cover to cover several times. You just can’t believe what it is you are reading. The photo on the cover of the edition I have is of Spike Milligan as McGonagall and Peter Sellers as Queen Victoria as Milligan in particular popularised ‘The Great McGonagall’ from the 1960’s onwards and ensured that his body of work did not get neglected.

20180731 McGonagall 2

His works have been in constant print for many decades, above is the 1966 edition of More Poetic Gems published by David Winter and Sons in Dundee (who were his original publishers) and Gerald Duckworth and Co Ltd as a joint venture. Although appreciated now McGonagall died in poverty in 1902. He had eked out a living more as a sideshow than a poet from 1877 although it is clear that he regarded himself as a much put upon performer who was delivering great work to people who didn’t appreciate his ability. It was quite common for an audience to throw rotten fruit and vegetables and sometimes even fish at him whilst he was reciting, indeed the opening paragraph to the preface of his first published work ‘Poetic Gems’ includes the line

the first person to throw a dish of peas at me was a publican

It isn’t so much the fact that somebody threw a dish of peas at him as that this was just the first time…

Because he had no money when he died he was buried in an unmarked grave in Greyfriers kirkyard in Edinburgh, his grave received a nearby marker in 1999.

William McGonagall
Poet and Tragedian
“I am your gracious Majesty
ever faithful to Thee,
William McGonagall, the Poor Poet,
That lives in Dundee.”

I shall include one final poem and it’s one of the less well known ones “The Death of Captain Webb”. Webb was the first person to swim the English Channel (22 miles at its shortest point). He is something of a local hero here in Shropshire as he was born less than 5 miles from where I am sitting but died in a somewhat foolhardy attempt to swim across the rapids below Niagara Falls. The poem shows McGonagall at his prime, it was written in 1883 and has all his stylistic failings…

Alas brave Captain Webb has acted the part of a fool
By attempting to swim the mighty Niagara whirlpool,
Which I am sorry to say and to relate,
Has brought him to an untimely fate.

’Twas in the year Eighteen hundred and eighty-three,
With the people of America he did agree,
For $10,000, to swim through that yawning whirlpool;
But alas! He failed in doing so — the self-conceited fool.

Captain Webb, he courted danger for the sake of worldly gain
And the thought of gaining for himself — world wide fame;
And although many people warned him not to throw his life away,
He rushed madly to his fate without the least dismay.

Which clearly proves he was a mad conceited fool,
For to try to swim o’er that fearful whirlpool,
When he knew so many people had perished there,
And when the people told him so, he didn’t seem to care.

Had it not been for the money that lured him on
To the mighty falls of Niagara, he never would have gone
To sacrifice his precious life in such a dangerous way;
But I hope it will be a warning to others for many a long day.

On Tuesday the 24th of July, Webb arrived at the falls,
And as I view the scene in my mind’s eye, my heart it appalls
To think that any man could be such a great fool,
Without the help of God, to think to swim that great whirlpool;

Whereas, if he had put his trust in God before he came there,
God would have opened his blinded eyes and told him to beware;
But being too conceited in his own strength, the devil blinded his eyes,
And all thought of God and the people’s advice he therefore did despise.

But the man the forgets God, God will forget him;
Because to be too conceited in your own strength before God it is a sin;
And the devil will whisper in your ear — there’s no danger in the way,
And make you rush madly on to destruction, without the least dismay.

At half-past three o’clock Webb started for the river,
Which caus’d many of the spectators with fear to shiver,
As they wondered in their hearts if he would be such a fool
As to dare to swim through that hell — whirlpool.

Webb was received by the people with loud and hearty cheers;
And many a heart that day was full of doubts and fears;
A many a one present did venture to say –
“He only came here to throw his life away.”

The Webb entered a boat, in waiting, and was rowed by the ferry-man;
And many of the spectators seem’d to turn pale and wan;
And when asked by the boatman how much he’d made by the channel swim,
He replied $25,000 complete every dim.

Have you spent it all? Was the next question McCloy put to him,
No, answered Webb, I have yet $15,000 left, every dim;
“Then” replied McCloy, “You’d better spend it before you try this swim;”
Then the captain laugh’d heartily but didn’t answer him.

When the boat arrived at point opposite the “Maid of the Mist”
The captain stripped, retaining only a pair of red drawers of the smallest grist;
And at two minutes past four o’clock Webb dived from the boat;
While the shouts and applause of the crowd on the air seem’d to float.

Oh, Heaven! it must have been an awe inspiring sight,
To see him battling among that hell of waters with all his might,
And seemingly swimming with ease and great confidence;
While the spectators held their breath in suspense.

At one moment he was lifted high on the crest of a wave;
But he battled most manfully his life to save;
But alas! all his struggling prov’d in vain,
Because he drown’d in that merciless whirlpool God did so ordain.

He was swept into the neck of that hell — whirlpool,
And was whirl’d about in it just like a light cotton spool;
While the water fiend laughingly cried ”Ha! ha! you poor silly fool,
You have lost your life, for the sake of gain, in that hell — whirlpool

I hope the Lord will be a father to his family in their distress,
For they ought to be pitied, I really must confess;
And I hope the subscribers of the money, that lured Webb to his fate,
Will give the money to Mrs. Webb, her husband’s loss to compensate.

In the Tiffany Aching young adult series of books by Terry Pratchett the Pictsies or ‘Nac Mac Feegle’ are a race of 6 inch high beings that are more Scottish than it is probably possible to be. They have as their most feared tactic on the battlefield their Gonnagale who at times of greatest danger recites strange and terrible poetry which has the effect of reducing all that hear it to gibbering wrecks. The poems, and his title, are clearly based on the works of William McGonagall and are a tribute to the man whose writings approach genius by being so atrocious they reach round the spectrum of quality and get there from the other side.

Read him and weep

from laughter

Orlando – Virginia Woolf – part 2

This blog follows on from Part 1 but goes through the entire plot line so should not be read if you have not previously read the book or do not mind knowing what happens.

The book is split into six chapters and each is effectively a stand alone tale dealing with a specific period in Orlando’s life. The first chapter makes perfect sense as you read it, Orlando is a boy when Queen Elizabeth I visits his fathers’ great house and so captivates Her Majesty that he is invited to court towards the end of her reign, where he grows up to be a young man about town and is still around the court when James I becomes king after the death of Elizabeth. By the end of this chapter you are happily reading a novel set in the time of the Stuarts where Orlando has loved and lost the Russian noblewoman Sasha and you are wondering what will befall him next.

Chapter two has him exiled from court due to the scandal with Sasha and spending time back in the family house attempting to write great works but being unsatisfied with them all and holding parties. This is a not so subtle reference to Virginia’s lover Vita Sackville-West who is also trying to write ‘a great work’ but Virginia doesn’t rate her as an author and doesn’t believe she is capable of achieving this ambition. Orlando also at this time meets Romanian Arch-duchess Harriet who attempts to seduce him but without success. Ultimately Orlando is getting bored stuck at home so that he requests a job from the King and is sent as ambassador to Turkey. This is also a reference to Vita as she lived in Constantinople (as it was then) when her husband was sent to the embassy there from 1912 to 1914.

If you know English history a few comments in the book may be ringing bells by now but the storyline still flows without many issues. The third chapter deals with his time in Turkey initially as ambassador but then the book takes a dramatic swerve. There are a few pages that read like sections of an ancient Greek play, with Purity, Chastity and Modesty introduced as characters parading through his bedroom with trumpet calls and overblown narrative until Orlando finally awakes as a woman. As a plot twist it is certainly unusual and gets odder as people seem relatively unfazed by the change and as the embassy had been attacked during an uprising whilst Orlando slept he/she goes off to live with gypsies for a while. This last part is again a link to Vita who had a highly romanticised view of the Romany people as free living and unconstrained by the pressures of modern life. The book has her living with them for a while and then realising that she is really an interloper and misses the green lands of her home, this is Woolf pointing out to Vita that for all she may fantasise about the gypsy life she would not cope with the reality.

Chapter four has her decide to return to London and her home in Kent where she again meets the Arch-duchess who reveals herself to actually be Arch-duke Harry and this time as a man tries to seduce the now female Orlando with much the same result. Again nobody appears to be surprised by this. She throws herself into London society and meets many famous writers before taking to disguises to explore the seedier side of London to stop life getting too dull. By the end of this chapter the aspect of the book that was ringing bells earlier has now been made explicit but without any explanation, I’ll get to it later.  The fifth chapter takes place entirely in the great house without providing much detail as to what goes on. By the end however the court cases started when she returned from Turkey as a woman and caused all sorts of issues with who owned what and if she really was Orlando are settled although they have used up most of her fortune and she marries somebody she has barely got to know just in time for him to leave to go to sea.

The book ends with her finally finishing her great work “The Oak Tree” and it being praised and even winning a prize before her husband returns to her from foreign climes and she rushes to greet him.

20180529 Orlando 3

This cover is a bit problematic for me as the inclusion of the aircraft gives away the one aspect I left out in the summary above and that is the time travelling aspect of the novel. You start reading the book and it is clearly set at the end of the 1500’s with the reign of Elizabeth I coming to an end. Orlando is mentioned several times lying under the tree so what is the plane doing there?

In fact you slowly become aware of the drift of history through the book. As stated above Orlando was clearly a young man at the end of Elizabeth’s reign and much later on in the book we discover that the poem he has been working on since boyhood is dated 1586, so that would probably place him as born in around 1575, Elizabeth died in 1603 and we know he was at court during her reign for a period of years. The next monarch mentioned is James I (1603 to 1625) during whose time Orlando is largely banished from court after his relationship with Sasha at the frost fair. There were two of these during his reign (1608 and 1621) so Orlando is roughly 33 or 46 at this point. The first of these sounds more likely from his behaviour so let us say he retires to his country house in 1608, this is all quite plausible up to this part of the novel.

The next time period mentioned is when he goes to be Ambassador to Turkey after getting tired of being at home. I’m not surprised he was getting bored by then as the Monarch he asks for the job is King Charles II (he is described as being with his mistress Nell Gwyn so we know which Charles we are talking about). His reign was from 1660 to 1685 and he started his relationship with Gwyn in 1668 so as a minimum Orlando is now 93 and has spent at least the last 60 years holding parties at home. This is the first time that the time-scale appears to have stretched, as up until he goes home in 1608 it is quite believably a tale about a late Elizabethan gentleman, nobody appears to be surprised by this and he is still clearly a young man in the novel. Charles II is still on the throne when Orlando is made a Duke and subsequently changes sex. We then hit her time with the gypsies and this is also clearly several decades. On return to England she sees the dome of the new St Paul’s cathedral (consecrated 1697) and the captain of the ship refers to the late William III (died 1702) so we are now in the reign of Queen Anne (1702 to 1707) and this is explicitly stated later in the book as Orlando enters society as a young and eligible woman at the age of 130!

At last a positive date… Well sort of. There is a mention of 16th June 1712 being a Tuesday, it was actually a Thursday but never mind, it is the first specific date in the novel and this is when Orlando decides to quit society only to decide not to the next day due to an invitation that she really wanted to go to. There she meets Alexander Pope and through him various other writers such as Swift who quotes from Gulliver’s Travels, a book printed in 1726 so time is still moving on apace. She sees Johnson and Boswell (circa 1770’s) and chapter four concludes with the dawning of 1st January 1800 with a dark cloud over London. Chapter five includes a statement that she had been working on the poem “The Oak Tree”

… for close on 300 years now. It was time to make an end.

so that takes us up to the 1860’s. This is another huge leap in the time line of the book as it is only 8 pages into the chapter. It’s an odd chapter, using damp weather as a metaphor for the changes in society through the Victorian age, no more gay parties and bright lights, now the houses are cluttered and cold, the people withdrawn and everything is dark and covered up as society becomes more straight-laced and women are expected to be ‘the little woman at home’ safely married off. It’s also no wonder the court proceedings have used most of her fortune, they would have started in the early 1700’s and concluded roughly 160 years later as Lord Palmerston and Gladstone are mentioned with the court documents and Palmerston died in 1865. It is worth noting however that it does leave Orlando with the house, which as I stated in the previous essay on the book Vita specifically didn’t get as she was a woman so maybe this is a put in as a solace to Vita that although it may take 160 years a woman will eventually inherit what would be hers by right if she had been a man.

The sixth, and final, chapter brings us to the present day, well 1928 which is when the book was written anyway. It begins slightly before then at the end of the Victorian age as she finally gets her poem The Oak Tree published with the help of Nicholas Greene but most of the chapter is set on the 11th October 1928 starting in London with a very confused shopping trip. She drives out of London to the great house in Kent and is there as her husband finally comes home this time by aeroplane whilst she lies under the tree as she used to as a boy centuries earlier

It is not only Orlando who straddles time in the novel, several of the fictional characters fail to grow old with her, the Arch-Duchess/duke is also mentioned in chapter five as married and settled in Romania so he is also as old as Orlando and others survive well beyond a normal lifespan such as Nicholas Greene, the poet and critic who first met Orlando in the Elizabethan age and meets her again in the Victorian. Sasha from the frost fair in 1608 is also glimpsed during the shopping trip in 1928 and is described as late middle aged. Orlando’s husband, Shelmerdine, is also timeless, at least since coming into contact with Orlando, for they meet and marry in the 1860’s when her court cases have completed but he is clearly still only in middle age by 1928.

The book is complex and at times infuriating as it leaps about but still an enjoyable read, I’ve also had quite a bit of fun reading through it again trying to identify all the historical events that can be dated for this essay.

Orlando – Virginia Woolf – part 1

HE – FOR THERE could be no doubt about his sex, though the fashion of the time did something to disguise it – was in the act of slicing at the head of a Moor which swung from the rafters. It was the colour of an old football, and more or less the shape of one save for the sunken cheeks and a strand or two of coarse, dry hair, like the hair of a coconut.

The opening two sentences of Orlando certainly make you want to know more… Just what is going on here?

Virginia Woolf’s best known work is 90 years old this year so it seems appropriate to write about it now. The book is strange reading it now; it must have been extraordinary to readers back in 1928 with it’s bizarre plot twist halfway through. Although for me it’s what Woolf does with the character of Orlando before and after that point that is interesting rather than the twist itself but it must have been quite a jump for the casual reader in 1928. I have split this blog into two because I really want to be able to discuss the plot line and that will require me to include a lot of spoilers so this part talks generally about the book and part two will summarise the plots within it and contain the spoilers, so if you haven’t read Orlando this blog is perfectly safe.

20180529 Orlando 1

Although it is a short novel (just over 200 pages) there is a lot packed into the book and part of the conceit of it is that it claims to be biography. Virginia writes in first person as the biographer and frequently employs the literary equivalent of the theatrical trick of ‘breaking the fourth wall’ by talking directly to the reader about the difficulties of finding material to work from in compiling the biography. There is even a short index at the back as you would expect in such a work. One particular passage near the end of the book sums up this stylistic method rather well.

It was now November. After November comes December. Then January, February, March and April. After April comes May. June, July, August follow. Next is September. Then October, and so behold, here we are back at November again, with a whole year accomplished.

This method of writing biography, though it has its merits, is a little bare, perhaps, and the reader, if we go on with it, may complain that he can recite the calendar for himself and so save his pocket whatever sum the Hogarth Press may think proper to charge for this book.

As can be seen ‘the biographer’ can be quite chatty to the reader but also quite pompous, these brief interludes give you time to absorb wherever the plot has suddenly taken us next, but it is also Virginia’s way of ridiculing historical biographers who she clearly thought took themselves far too seriously.

From the way she writes about it Woolf was clearly also not a fan of ‘Society’, that endless round of functions and engagements that the upper classes seemed so devoted to right up to her time. There are many disparaging passages in the book about this foolish waste of time and money where nothing seems to be done or said that was memorable. She is also less than enamoured by her own profession of writing, or at least the majority of what was being written at the time, one particularly favourite quote of mine from the book is.

For it is rash to walk into a lion’s den unarmed, rash to navigate the Atlantic in a rowing boat, rash to stand on one foot on the top of St. Paul’s, it is still more rash to go home alone with a poet.

The book is definitely an oddity, so many different things happen and great numbers of historical characters are introduced and yet there is the constancy of the huge family house which is used to pull Orlando back to normality when things get too strange only to bore after a while and lead into another adventure. It really becomes one of the characters in the story and is the solid anchor around which the shifting tale is woven.

20180522 Orlando 4

The house featured in the book is clearly based on Knole in Kent, one of the largest houses in England; and one I know well, as it is 17 miles from where I used to live at the end of the 1990’s. It was the family home of Vita Sackville-West and like her house at Sissinghurst it is now owned by the National Trust. I used to go there regularly to explore the 1,000 acre park or wander round the house, it has according to Vita 365 rooms just as Orlando’s vast house does; although she also said that “I do not know that anyone has ever troubled to verify it”. The house was also the source of great sadness for Vita as if she had been born a man she would have inherited it as her parents only child but as a woman she was passed over in favour of her cousin. As explained in my previous blog about Vita, she and Virginia were lovers for many years and there is a lot of Vita’s family history interwoven in the book.

The dig at writers and specifically poets mentioned above was also somewhat aimed at Vita who was clearly not in Virginia’s league and for all that she loved her Virginia really didn’t rate her as a poet or author. There is also, at the start of the final chapter some discussion as to whether it is even proper for a married woman to be a writer. Clearly it is fine for an unmarried female to dabble in writing for her own amusement and also what is marriage anyway…

She was married true: But if one’s husband was always sailing round Cape Horn was it marriage? If one liked him, was it marriage? If one liked other people, was it marriage? And finally, if one still wished, more than anything in the whole world, to write poetry, was it marriage? She had her doubts.

Both Virginia and Vita were married throughout their relationship and Vita in particular took other lovers at the same time both male and female. Orlando was written at what is now recognised as the peak of their love for each other when both were also at their creative best, probably feeding inspiration off each other. It was also a time of female emancipation in Britain, 1928 was not only when this book was written but it was also the year that woman finally gained full voting equality with men and more pointedly a couple of pages later Woolf includes the line…

as long as she thinks of a man, nobody objects to a woman thinking

I struggled initially with the plot of the book (see part 2) but I’m glad I persevered, this is the first of Woolf’s novels I have read although I had read her best known feminist work ‘A Room of One’s Own’ and ‘The Common Reader’ before. Maybe it’s time to get that copy of ‘To The Lighthouse’ off the shelves where it has languished for a few years.

20180529 Orlando 2

Of equal interest, to me at least, is the background to the three copies of the novel that I possess and two of whose covers have punctuated this essay. The top one is the first Penguin Books edition (number 381) from July 1942 and therefore published under wartime restrictions. This meant that fewer copies were printed than might have been the case before the war and also that the paper quality is poor to say the least, making the book quite fragile.

The second cover at first glance look to be the same, but this was printed in Cairo in 1943 for the troops fighting on the African front. This explains the price in piastres printed on the cover. If possible these books, there were 20 titles printed in English and 1 in French as part of this programme, are even more fragile than the ones produced in England at the same time and few have survived their time in the Africa campaign. Books for the troops were in short supply, especially in Africa and as any soldier will tell you a culture of ‘hurry up, and wait’ means that there is a lot of quick movement followed by long periods of not a lot apparently happening so any reading material was eagerly seized upon. Quite what the troops made of this very strange book is not recorded, I can think of many more suitable novels from Penguins extensive catalogue which would have been a lot more popular.

The third copy I have is the American Penguin edition from April 1946 and this being far more capable of surviving having its pages turned is the copy I read for these essays. However as the illustrated cover includes a massive spoiler for the book I have used this in part 2 of my discussion of Orlando. There is also an interesting tale behind this imprint. Penguin wanted to sell books in America during the war but clearly shipping books across the Atlantic was out of the question, as was using up the paper ration that they had been allocated on books which would not then end up on sale in the UK so they sought an agent to produce the books for them. They settled on Ian Ballantine and he originally printed books that looked like their UK equivalent but soon switched to illustrated covers to appeal more to the American reader. In the end under his control over 180 titles were printed in the US as either Penguin or Pelican before in 1948 Penguin Books withdrew from this enterprise as they could now export again. The titles were re-branded as Signet (for the Penguins) and Mentor (for the Pelicans) and Ian Ballantine with his wife Betty continued to publish under those brands before also creating Bantam, New English Library and of course Ballantine books. The Ballantine book group was acquired by Random House in 1973 which in turn merged into Penguin Random House in 2013 thereby bringing the story full circle.

The World As It Is – A book for Subscribers

20180710 The World as it is 1

Well actually The World as it was, as these books date from 1884 and provides a glimpse into history 130 years ago. However before looking at the book itself the main reason for selecting it is to expand on the subject of subscribers editions that I first touched on in Burghall’s Diary  That book in my collection was sold against a prospectus, ‘The World As It Is’ is a subscribers only book and helpfully whoever had the parts subsequently bound included the subscription page so we know how it was sold. After a lot of description as to the structure of the proposed two volumes the subscription page concludes as follows:

The Work will be handsomely printed on super-royal 8vo paper, and will be illustrated by above 300 engravings printed in the text; seventeen maps and diagrams printed in colours, ten coloured plates show some of the principal races of the earth and some remarkable natural phenomenons, and twenty-eight separate page engravings representing notable and remarkable localities in many lands. – making in all FIFTY-FIVE separately printed illustrations. It will be issued in Fourteen Parts, of 80 pages of letterpress, at 2s. each, or Seven Divisions in stiff paper covers at 4s. each, forming when completed two handsome large 8vo volumes. Whether viewed in the aspect of the wide range of its contents, of its educative value, its wealth of illustration, or its moderate price, this work will be found to be quite unique of its kind.

LONDON:  BLACKIE  &  SON,  49  &  50  OLD BAILEY,  EC;

GLASGOW, EDINBURGH AND DUBLIN

Capitalisation is as printed in the document, I have used bold to represent the parts highlighted in italics in the original, this is a Victorian marketing department going full tilt. For those not familiar with the abbreviations used 8vo is a standard paper size usually written as octavo. Standard octavo paper is 9 inches high by 6 inches wide (23cm x 15cm) The pages of the book are actually 9.7 inches high by 7.2 inches wide (24.6cm x 18.4cm) which is presumably where Blackie have come up with super-royal although both super octavo and royal octavo are larger than this.

The price is given as either 14 lots of 2s. or 7 lots of 4s. s. standing for shilling so a total of 28 shillings regardless of how you had the parts. Using the Bank of England inflation calculator (which unfortunately only goes up to 2016) this ‘moderate price’ was apparently more like £159.65 in 2016 or just over £168 by 2018 adding the extra 2 years inflation. Also bear in mind that like modern magazine part works you then need binders, in fact back then you definitely did as these were literally just loose pages, especially the illustrations, and came with instructions for the bookbinder as to where the pages should go. So you would buy the remarkably solid board covers available from Blackie and then pay a bookbinder to put it all together meaning you wouldn’t see any change out of the equivalent of at least £200 probably closer to £250 for your ‘moderate’ purchase. I bought the books in the mid 1980’s and according to the price still visible inside paid £2.50 for the pair at the time, the paint stains on the boards no doubt keeping the price well down. I remember the second hand bookshop where I bought them fondly, the proprietor wrote a year code letter next to the price in all his books, A for his first year of business, B for the second etc. he had been trading for getting on for 20 years by the time I bought this and if you could find anything in the shop coded A you could have it for free.

20180710 The World as it is 2

The books are really interesting although anyone looking at them and deciding to visit a place based on the information provided would definitely have a surprise coming; for example Swanston Street in Melbourne certainly looks different nowadays :

20180710 The World as it is 4

It’s the illustrations that I like so much and that first attracted me to these books, that and odd bits of history that you suddenly spot whilst scanning through. The United States of America is described  as a republic consisting of 38 states and 8 territories with an organised government, besides the Indian territory, the territory of Alaska and the District of Columbia. Seeing a map with Indian Territory clearly marked instead of Oklahoma emphasise the fact that the books pre-date the ‘land runs’ of settlers into the Indian lands and are a full 23 years before the Indian Territory ceased to exist altogether when the state was created in 1907.

20180710 The World as it is 5

The smaller illustrations within the text are also beautiful steel engravings as these two pages show, one from the Amazon basin in Brazil and the other from the Transleithan Provinces of the Austrian Empire most of which is now the independent country of Hungary with the Transylvanian region making  up the western part of Romania. You do have to know some history to even start looking places up as they may well not be under the country you expect.

20180710 The World as it is 6

20180710 The World as it is 8

Budapest is described throughout this section as two cities Buda and Pesth (the extra h is how it is spelt in the book) and when you are there the city does feel like two distinct places even now.

The colour plates are not a strong point though, the artist who did these wasn’t really of the standard of the rest so they are a bit of a let down even though the colours are still strong, the best one by a long way is the one representing China:

20180710 The World as it is 7

The books provide a glimpse into a world that no longer exists and for that they are fascinating. In fact they document a world that was rapidly disappearing even as it was published, so I think I will conclude this essay with what is apparently a typical Dutch interior, but is definitely is a museum piece now.

20180710 The World as it is 3