With a title clearly inspired by the ‘His Dark Materials’ trilogy by Philip Pullman this book heads off in a completely different direction with a theme of death and destitution in the world of knitting and spinning (with a little bit of sewing thrown in). I use the word thrown advisably because although like the proverbial Curate’s Egg it is good in parts, it just feels like a lot of research notes have just been thrown into a mix and the book came out the other side.
The first few chapters are particularly random with a list of press cuttings and court reports where the person who died was either knitting at the time, had knitting about their person when they died or was knitting before they were executed. However as the book later makes clear the poor in the 17th and 18th centuries would normally have some knitting or possibly sewing on the go as it was portable and could be done in times when their normal work was not needing them and could in that way bring in some much needed extra income. The second chapter looks at knitting and spinning in fairy tales with a large section on the folk tale of Rumpelstiltskin but this topic is never referred to again and comes in between chapters one and three which really belong together.
After a while Hemingway gets into her stride and what is actually quite an interesting book emerges as she goes on to explore exploitation in workhouses, mills and something I had not come across before knitting and spinning schools. If Hemingway had expanded her research and written a book about these subjects, which she almost did, then we would have a fascinating work. I loved learning about the knitting and spinning schools of the north east of England and Wales where poor children could get a simple education and learn a trade whilst producing goods for sale which paid for school. In the best of them the children even earned a wage which would help keep the rest of their family from destitution.
The sections on the dark satanic mills as described by William Blake, whilst covering more familiar ground also added much that was new to me. Extracts from wage books show just how desperate things were with families barely able to keep their heads above water even with everyone from the youngest child to the oldest grandparent bringing in as much as they could by working all hours possible. This was well before unions and universal suffrage so the poor had no say in their lives and the mill owners, who could as property owners vote, made sure that laws to improve the lives of their workers struggled to get passed. It took years to get the ten hour limit applied to a workers day and even then it could be avoided by getting the work done at home rather than at a mill when the people were on piecework so paid by output not the time they took to get there.
There is also a chapter on the introduction of artificial dyes which spends most of its time covering the incarceration in an asylum of the wife of one of the pioneers. This sad tale was definitely new to me but it means that the chapter is far too short to tell the story of this revolution in colour which is wonderfully covered in Simon Garfield’s book Mauve, which I really must reread and review in this blog, instead we get a brief overview of the chemists work, which only fits in with the darkest materials theme because it focuses on the story of Mary Dawson.
The real problem with the book is the obvious lack of proof reading, the work is littered with spelling and typographical errors. Most of the spelling mistakes are missing letters in words whilst there are also a lot of words run together with the space between them omitted and numerous examples where sentences suddenly move to the next line part way across the page. There is also a lot of repetition so stories are told again a few chapters later or in one particularly bad example a paragraph is repeated directly after itself.
It’s a pity that editing wasn’t done properly as there is definitely an interesting book in there but the sloppy way that it has been put together lets it down. It is clearly self published as the publisher is given at the start of the book as ‘At the Sign of the Pretty Baa Lamb Press’. Unfortunately if you follow the website link also given there then you find that the publisher is given as ‘Pretty Baa Lambs Press’, Lamb or Lambs doesn’t really matter but it is an indication of the lack of attention to accuracy in this publication which screams out for a decent editor.