The Devil’s Dictionary

20180327 Devil's Dictionary

Although now recognised as an American classic The Devil’s Dictionary by Ambrose Bierce was never originally intended to even become a book and certainly not intended to be read like one. It is, as the title implies, a dictionary; but full of alternative definitions, normally humorous, often satirical and sometimes it has to be said just plain strange at least to modern readers. But before looking at the book itself it is a good idea to know something about Bierce himself and how it came to be written and that is not as simple a task as it sounds as implied by the first sentence of the book summary in my copy.

The life of Ambrose Bierce is a tissue of facts embroidered with legend.

Normally at least birth and death dates of a well known journalist and author such as Ambrose Bierce would at least be known but although we know that he was born in 1842 the best that can be done for his death is ‘probably 1914’ when he went to Mexico during the revolution and was never heard of again.

But lets backtrack over what is known. In 1861 he enlisted in the 9th Indiana Infantry and fought in the American Civil War apparently with distinction and it was thought that he would go to a military academy after the war and make that his career but he was already interested in writing. So in 1866 he apparently ‘tossed a coin to decide whether to stay in the army or become a journalist. Journalism won the toss.’ By this time his army career had brought him to San Francisco, and that is where he started to teach himself what he needed to know; and started writing pieces some of which made it to print. In 1868 he got his first regular journalistic job and in a roundabout way this was to lead to the book I have. The job wasn’t journalism as such in that it didn’t involve factual reporting of news, instead it was a page in the San Francisco News Letter entitled ‘Town Crier’ which was a humorous and satirical view of life in the city and Bierce was set on his path to fame. He would over much of the rest of his life continue to write satire for numerous publications and by 1869 he had included his first multiple definition entry of what would eventually be a book although at the time it was probably just a useful space filler for the Town Crier page.

Over the ensuing thirty plus years Bierce continued his definitions in his various columns in publications not just in America but also in England where he lived for 3½ years in the 1870’s. They became increasingly popular and also much copied with Bierce sometimes entitling them The Devil’s Dictionary or later on The Cynic’s Dictionary until the idea of combining them into a book came to him in 1903. By the time of publication however not only had his idea been stolen but even the title of his column had been used by a competitor to publish their own set of definitions so he was forced to use the title The Cynic’s Word Book when it came out in 1906. Oddly it only included 521 definitions for the letters A to L with an intention to have a second volume covering M to Z later on, however it didn’t sell well enough for this plan to be realised.

And so it stayed as an unfinished work until 1911 when Bierce was working on his collected works and volume 7 was entitled The Devil’s Dictionary, this time covering the entire alphabet and with 1000 definitions, some of which were specially written for the book especially at the end of the alphabet because over all of his columns Bierce had only reached the word shoddy.

Shoddy: n. (vulgus) A term that expresses the status of a large part of our society, and furnishes a weakly page of matter to many of our time-serving dailies.

*Weakly is as written and implies a certain disdain for many of his less talented rivals producing similar columns for other newspapers.

The collected works was also a financial failure but The Devils Dictionary was recognised as probably his finest work and after his death went on to be published as a standalone volume by several companies and establish itself as a major work of American humour.

We then leap forward to 1963 when Ernest Jerome Hopkins, after a long career as a journalist, became Professor Emeritus of Journalism at Arizona State University and after discovering that the title didn’t actually come with any specific work decided to have another look at The Devils Dictionary and some strange gaps in the words chosen. It rapidly became clear that by no means all of the definitions Bierce had written for his various columns had made it into the published book, almost certainly because at the time of compiling he had been living on the Eastern seaboard of America and a lot of the early material was 3000 miles away in California and no copies would have existed in reference libraries where he was. Over the next few years Hopkins unearthed a further 851 definitions left out of the 1911 book and in 1967 the Enlarged Dictionary was published. My copy is the Penguin Classics edition, first issued under this imprint in 1985 although Penguin printed their first edition in 1971 in their main series.

To conclude let’s have a few definitions taken at random from the book, I have literally just opened the book and picked a word for each of these so it should give a flavour of the work as a whole, some are funny, some are sharp and some are odd, I’ll let you decide which are which. In the case of long definitions I have just included the first part, some go on a lot longer than others.

Edible: adj. Good to eat and wholesome to digest, as a worm to a toad, a toad to a snake, a snake to a pig, a pig to a man, and a man to a worm.

 

Bald: adj. Destitute of hair from hereditary or accidental causes – never from age.

 

Riddle: n. Who elects our rulers?

 

Miss: n. A title with which we brand unmarried women to indicate that they are in the market.

 

Insurance: n. An ingenious modern game of chance in which the player is permitted to enjoy the comfortable conviction that he is beating the man who keeps the table.

 

Dice: n. Small polka-dotted cubes of ivory, constructed like a lawyer to lie on any side, but commonly on the wrong one.

 

Fauna: n. A general name for the various beasts infesting any locality exclusive of domestic animals, travelling menageries and Democratic politicians.

 

Road: n. A strip of land along which one may pass from where it is too tiresome to be to where it is futile to go.

Penguin Drop Caps

In 2012 Penguin Books started a series of books for sale in the USA and Canada and it made use of their extensive back catalogue along with some newer modern classics in a handsome new style hardback binding. The tagline of the set is

It all begins with a letter

and the concept was to produce 26 titles where each letter of the alphabet was represented by the surname of the author. An interesting idea especially over the choice of names for some of the more difficult letters. What made the set a cohesive whole was the decision to have all the letters on the covers designed by one person, Jessica Hische, and for her to create an evocative set of designs. Adding the input of Penguin Art Director Paul Buckley we ended up with a rainbow of classic books which call to you from the shelves and look totally different to anything else I have. Good design has been the hallmark of Penguin Books from their beginning in 1935 and it’s good to see that tradition being respected in a modern set.

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Of course a set like this appeals to the collector part of me, especially when they are not officially available in the UK as I like a challenge, but it also harks back to the very first Penguin Books I initially accumulated, then decided to collect, which was the early (first 125) Penguin Classics.  Buying a set of books forces you to purchase authors you may not have been intending to buy or even to have heard of and once the book is on the shelf it would be remiss not to at least give the book a go. The first title is a case in point; Pride and Prejudice by Jane Austen is not a title that has ever appealed but I have to say that much to my surprise I’m really enjoying it. I have also read Madame Bovary, A Portrait of the Artist as a Young Man, Five Children and It, and Cannery Row so far and I’m looking forward to tackling authors I don’t know at all such as Willa Cather and Sigrid Undset.

The full list is as follows, with links to books reviewed in this blog:

A to F came out in 2012, G to P in 2013 and Q to Z in 2014 although I only started to collect these books towards the end of last year (2017) so the last 5 have only recently arrived and I didn’t buy them in alphabetical order but rather which 4 or 5 a month I could find at a sensible price.  Their official retail price varies on the copies I have between US $23 and $30 although the Canadian prices fluctuate much more widely between $24 and $40. The cheapest I found one in the UK was around £10 and had to spend up to £17 to get the last few I was missing.

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The spines are also attractive and make a bold statement on the shelf next to me as I write this, as can be seen in the picture above the page edges are also coloured to complement the cover and the rear cover has a short quote from the book that Penguin have turned into a parlour game

Mine is from Great Expectations:

Suffering has been stronger than all the other teaching, and has taught me to understand what your heart used to be.

and then A Portrait of the Artist as a Young Man

to forge in the smithy of my soul the uncreated conscience of my race

Not the cheeriest of quotes but I’m not going to let them put me off reading all these as they are lovely books with a clear font (Archer) as you would hope from a series that takes lettering seriously and a pleasure to pull off the shelf and sit down with.

The Things We See

One of the joys of collecting Penguin Books is the wide variety of titles and series that they published over the years and especially exploring the ones that failed to take off.  There are more dead ends and random corners to explore in Penguins first 15 years of publishing than in a M.C. Escher painting. One of these was the well intentioned but ultimately seriously curtailed series The Things We See, book one of which is shown below.  They were assigned the letter code E to distinguish them from other Penguin series so E1 became Indoors and Out.

When I first started collecting Penguin, well before the advent of the internet and its ease of tracking down items around the world, I came to think of these as The Things We Don’t See as I so rarely came across one in a shop on my searches although they are not in fact that scarce and you can certainly pick up examples for £5 to £10 nowadays quite easily.

The Things We See was intended to be a departure from the normal Penguin style. Hardback books each of 64 pages, printed on art paper and significantly larger than their normal paperback production at 220mm tall x 182mm wide and looking at design of everyday objects. This had been touched on via several Pelican books (Penguins factual imprint) but the desire was to produce a series of high quality books on all aspects of the subject. Unfortunately they immediately hit several problems. The main one being the major paper shortage immediately after WWII in 1946 when the series was supposed to start along with the relatively high purchase cost at 3 shillings and sixpence, just over £7 today which sounds good until you realise that it is 3½ times the price of a ‘normal’ Penguin or Pelican at the time. A small number of Indoors and Out did make it on sale in 1946 as a special pre-issue publication but the majority arrived in 1947. It was intended as the introduction to the series and carried an impressive list of titles in preparation to give an idea of the intended scope:

  • Houses by Lionel Brett
  • Furniture by Gordon Russell
  • Radios and other appliances by R.D. Russell
  • Pottery and glass by A.B. Hollowood
  • Lettering and Printing by John Tarr
  • Advertising by Ashley Havinden
  • Shop Windows and exhibitions by Misha Black
  • Gardens by Lady Allen of Hurtwood
  • Public Transport by Christian Barman
  • Private Cars by Humphrey Hague
  • Ships by David Pye
  • Aircraft by Christopher Nicholson

Other projected titles given, but with no author, so presumably not as advanced in production were Toys, Domestic Equipment, Shops and Cinemas, The Things We Wear. This would have given the E series an initial list of 17 titles however only 7 were ever printed, the ones in bold above being the remaining 6 to come out.

1947 was a good year for The Things We See as 3 more titles made it out that year. E4 Pottery and Glass was the next to appear as can be seen from the list of titles on the back which still has E2 and E3 as ‘in preparation’ and the list of titles has already been considerably cut back as it rapidly became clear that a) there was not enough paper and b) they weren’t selling very well. Only E1 was ever produced in hardback all the others are softback editions at the lower price of 2 shilling and sixpence, representing a 28% price cut; although this appears to have been a last minute decision as the old price is blocked out in black and the new overprinted on the inside flap of the dustwrapper. As can be seen on the rear cover of E3 Furniture; shown above; there is a long overprint removing the line

Titles already published:price 3/6 each

The rear of E2 Houses is the same as E3.  So what do the books look like inside? Well lets open E4 Pottery and Glass.

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They are very attractive photogravure printed volumes with lots of photographic illustrations, it is clear that these would have been expensive to produce so the dramatic cut in price cannot have helped the viability of the series as a whole.  That these books are still around was down to Penguins policy of just holding onto something until it eventually sold. Unlike a lot of publishers that would probably have pulped a lot of unsold stock to make way for new titles Penguin, under Allen Lane at least, very rarely did this. The next two titles to appear were E5 Public Transport in 1949 and E6 Ships in 1950, both still priced as 2 shillings and sixpence.

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These two are probably my favourites from the series, they are very readable and the illustrations invoke the era they come from so well

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Ships has a quote from The Architectural Press on the inside of the dustwapper, which turned out to be completely wrong:

To judge from the first few volumes the series called The Things We See ought to prove the most successful of all the contributions made by Penguin Books to visual education. Well designed, well illustrated and well printed they are remarkably cheap by any standard. Moreover the author of each has been given his head, within the limits imposed by considerations of space, and by bringing his heart too has produced a highly readable essay which is all the better for being in some degree a profession of personal faith.

Sadly there was only to be one more title produced and for that we had to wait another 3 years.  1953 saw E7 Gardens by Lady Allen of Hurtwood and Susan Jellicoe. The latter author was not mentioned in the original plan for the book so possibly she was drafted in to make sure this book actually came out.  The price however had doubled to 5 shillings and the eye design cover was abandoned to make the book look more attractive to a post austerity public.

All the titles were relaunched with photographic dustwrappers over the top of the unsold stock dating back up to 6 years. Only E3 Furniture was actually reprinted with revisions for this relaunch all the rest were just what was still sitting in the warehouse so there must have been a highly tedious exercise in removing all the old wrappers and putting new ones on. Only Furniture and Gardens have photographic covers under the wrapper all the others retain the old eye cover.

20170130 The Things We See 08Several illustrations in Furniture were replaced as part of the revised edition and its price was increased to 3 shillings and sixpence alongside E1 Inside and Out which had never been reduced in price, the others stayed at the lower price.

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This is from the revised edition, only the birch bed (top left) was in the original 1947 book, the new pictures show a far more contemporary look in order to update the subject.

Presumably the books continued to slowly sell and the relaunch managed to clear some of the backlog of books making the effort of recovering all of the old stock worthwhile. Penguin meanwhile had other ambitious projects to handle by then and The Things We See was left to slowly fade away.  A sad end to what could have been a most interesting set of books.

Why not get hold of some, they are cheap enough, and enjoy, what is after all, a 70 year old series and therefore now significant in studying the history of design not just from their contents but also from the design of the books themselves. Three of the titles E1, E6 and E7 won design awards from the National Book League when they were published so were recognised as significant pieces of work even then.

Welcome

1894 - Lane Christmas Book- The Life of Sir Thomas Bodley- 2 title pageWelcome to my book shelves, home to some 6500 volumes dating back to the mid 1700’s right up to the present day. I’m going to use these as the basis for short essays or reviews not just of these books but where ever they wish to take me.  The aim is to pick a book, or group of books each week and look at its significance, or just tell a tale as to why it has found itself here.

The Life of Sir Thomas Bodley featured with this first article is a good entry point as the Bodliean Library in Oxford takes its name from Sir Thomas who came to its rescue in the 1590’s and put it finally in the secure position it now holds as one of the worlds greatest libraries. So immediately we have a book leading to more books

When John Lane founded his publishing company in 1887 he chose to call it The Bodley Head in honour of Sir Thomas and for Christmas 1894 printed a very small number of copies of Bodley’s autobiography as gifts to friends and people who had helped set up the business.  Very few of these books have survived the intervening 123 years but it’s an interesting work that should perhaps be better known.

I have two copies of ‘The Life’ one still in the original card covers and one rebound in boards and this also includes the original compliments slip from John Lane.

My main interest in The Bodley Head however is in one of his employees in the 1930’s, Allen Lane, who went on to found a far more famous publishing company namely Penguin Books, which now owns The Bodley Head imprint and uses it for non-fiction titles.

Well over 2000 of my books are Penguins and I specialise in the first 10 years of the company 1935 to 1945 which led to some fascinating books and stories about how they came about as the firm struggled with wartime restrictions but also the greater need amongst the population at home and also servicemen/women for something to read.  More to come about those in future entries to this blog…